Cântico dos cânticos em perspectiva alegórica e semiótica

• Ano de defesa: 2015
• Autor(a) principal: Silva, Maria José Modesto
• Orientador(a): Silva, Valmor da
• Banca de defesa: Cezne, Irene Dias de Oliveira , Ferreira, Joel Antônio , Leite, Maria das Graças Simão Dias , Vitório, Jaldemir
• Tipo de documento: Tese
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Pontifícia Universidade Católica de Goiás
• Programa de Pós-Graduação: Programa de Pós-Graduação STRICTO SENSU em Ciências da Religião
• Departamento: Ciências Humanas
• País: BR
• Palavras-chave em Português: Cântico dos Cânticos; Alegoria; Discurso; Semiótica discursiva; Simbologia
• Palavras-chave em Inglês: Song of Songs. Allegory. Speech. Discursive Semiotics. Symbology.
• Área do conhecimento CNPq: CNPQ::CIENCIAS HUMANAS::TEOLOGIA
• Link de acesso: https://tede2.pucgoias.edu.br/handle/tede/786

This thesis has as its object the biblical book Song of Songs in discourse analysis, allegorical and semiotics. It is proposed to study the Sacred Literature in bias of discourse analysis and in this particular case, the guiding principle is the dialogic speech. The production of the thesis uses the following order: In the first chapter, address to allegory, the metaphor, semiotics as a generative model of discourse analysis and also the imaginary theory. In the second chapter, the approaches are presented about the female voices present in the poetic text of the Song of Songs. In the third chapter, the emphasis will be given to a reading of the Song of Songs in the context of human relationships that go beyond the rigor of the law as it is given the voice empower women and can be expected to build an alliance between man and woman, between God and the people, between Jesus and the church. The study of symbolism and allegorical aspect will be observed. The method used in this thesis is the literature and in the course of the exhibition, are consulted translators and biblical exegeses to form a proper understanding of the research object, Song of Songs, always paying attention to the proposed bias that is dialogical discourse. It discussed Solomon s role in the work on the study. Whose voices present in the lyrical text? It is a set of voices (the woman, the beloved, the man, the beloved, women of Jerusalem, the I-lyricist-poet). At what time of discourse appears the female perspective?