A escrita contemporânea de José J. Veiga

• Ano de defesa: 2018
• Autor(a) principal: Barbosa, Wanice Garcia
• Orientador(a): Teles, Gilberto Mendonça
• Banca de defesa: Unes, Wolney Alfredo Arruda , Pinto, Divino José
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Pontifícia Universidade Católica de Goiás
• Programa de Pós-Graduação: Programa de Pós-Graduação STRICTO SENSU em Letras
• Departamento: Escola de Formação de Professores e Humanidade::Curso de Letras
• País: Brasil
• Palavras-chave em Português: José J. Veiga. Rizoma. Realismo-Fantástico. Silêncio.
• Palavras-chave em Inglês: José J. Veiga. Rhizome. Realism-Fantasti. Silent
• Área do conhecimento CNPq: LINGUISTICA, LETRAS E ARTES::LETRAS
• Link de acesso: https://tede2.pucgoias.edu.br/handle/tede/4128

This thesis aims to analyze, starting from the phenomenological critique, that is, the marginphilosophy, the fantastic-absurd, the imaginary and their rhizomatic relations, as well as the questions related to micro and macro powers that occurred with the advance of neocolonialism in the sertão Goiano in the following works by José J. Veiga: The book O Cavalinho de Platiplanto (1959), republished with the title Best short stories by JJ Veiga (2010) selection made by J. Aderaldo Castello, from this book was chosen two short stories: The Plant behind Morro, which are linked to the novel A hora dos ruminantes (1988a), written in 1966 and the novel Shadows of Bearded Kings (1988b) published in 1972. This dissertation aims to analyze the works of José J. Veiga theoretical contributions the contemporary theories of the fantastic using the sub-theme the rhizome in the vision Gilles Deleuze and Felix Guattarina Mil Platôs (2000), Zygmunt Bauman, mod (2001) and Gilles Lipovetsky's Era of the Void (1993), which deal with the process we are experiencing today, that is, the human being and his constant search to be "As the being in the world." In the first chapter it shows the process of invasion of modernity, such as those of urbanistic architectural works of art, being Goiânia and Brasília, in short, neocolonialism bound processes of coercion and how these themes are present in the works of José J. Veiga. In the second chapter, the fantastic theory in Tzvetan Todorov (1981) and in Sartre's (1968) view, these themes are also analyzed from the theories in the works of Brazilian authors who described theories about Brazilian literature as Gilberto Mendonça Teles in his works : European Vanguard & Brazilian Modernism (2012) and The Brazilian Tales written in Goiás (2007), of this author we have other works as reference, by Maria Zaira Turchi To the variations of the unusual in José J. Veiga in his article published in 2005, in the work by José Fernandes Dimensions of the Goian literature (1992) and other works and articles that show the fantastic. In the last chapter we have the Ecosophy of The Three Ecologies (2001) by Felix Guattari in the theory of existentialism in the theory of silence of Heiddeger and Sartre. From these perspectives, we seek to analyze the broad processes that involve the construction of the being, such as the family and social environments, the frustrations and the different processes of contemporary individuation. The intention of this work is to try to show that the works of José J. Veiga bring in the symbolic plane a long reflection on the ethical and political dilemmas of the society of Goiás in the society of Goiás, a reflection in constant transformation directed to the daily life of the simpler people , where the routines are broken or diverted from their natural course, and which can not contain the facts and phenomena of neocolonization in the wilderness, historical moments of modernity, suffer for this, but accept this liquid modernity that is molded at all times, in an eternal life cycle.