Fazer sentido para fazer sentir: ressignificações de um corpo negro nas práticas artísticas contemporâneas afro-brasileiras
Ano de defesa: | 2017 |
---|---|
Autor(a) principal: | |
Orientador(a): | |
Banca de defesa: | |
Tipo de documento: | Dissertação |
Tipo de acesso: | Acesso aberto |
Idioma: | por |
Instituição de defesa: |
Pontifícia Universidade Católica de São Paulo
|
Programa de Pós-Graduação: |
Programa de Estudos Pós-Graduados em Comunicação e Semiótica
|
Departamento: |
Faculdade de Filosofia, Comunicação, Letras e Artes
|
País: |
Brasil
|
Palavras-chave em Português: | |
Palavras-chave em Inglês: | |
Área do conhecimento CNPq: | |
Link de acesso: | https://tede2.pucsp.br/handle/handle/20766 |
Resumo: | This research analyzes the effects of sense of a set of Afro-Brazilian contemporary works and artistic practices from the discursive mechanisms of enunciation that configure the regime of meaning, interaction and risk. Analyzing a corpus formed by a set of practices and actions that intervene in urban, media and institutional spaces, taking as a temporal cut the beginning of the 21st century to the present day, it aims to understand how this black body by means of enunciative mechanisms of its choices aesthetic arrangements of plasticity, figurativeness and thematization of a set of works. By discursively recombining the arrangements, they construct new narratives, new senses endowed with criticality that we aim to show, collaborate for the deconstruction of racial stereotypes. The central hypothesis of the research is that the fact that a target blackbody becomes an enunciator, enjoying its own faculty of the human condition of giving meaning to the world, is able through artistic practices to create ruptures that contribute to make the racial stereotypes of the country. The second hypothesis is that these practices, by creating interventions in the media, urban and institutional spaces, break the regimes of invisibility that, under the effect of structural racism, operate in the official circuits and legitimating national cultural production. When accessing a memory of the body, the third hypothesis proposes that these practices actualize in an ancestral knowledge, resignifying the social imaginary, encompassing new ways of doing and aesthetic possibilities. Using as a framework the semiotics of Algirdas Julien Greimas, the semiotics of the social of Eric Landowski and the contributions to the plastic semiotics of Ana Claudia de Oliveira, we verified that through the transitivity of enunciating, the set of works analyzed show that there were significant ruptures in the visibility schemes in support of a process of re-signification that is under way; also, that by being an act of resistance, they actualize in the present, an ancestral and mythical memory that keeps connected different times and spaces. Still, producing affections and intervening in the media, urban and institutional spaces, we saw that before the structure of the racial program, the practices are still focused and restricted, limiting their communication amplitude. At the end, we find that the aesthetic possibilities that we inaugurate point us to a future of learning where more investment in aestheticity and strategies of visibility are essential to potentiate their senses being sensed |
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Oliveira, Ana Claudia Mei Alves dehttp://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4333461H6Lima, Diane Sousa da Silva2018-01-19T10:47:48Z2017-12-18Lima, Diane Sousa da Silva. Fazer sentido para fazer sentir: ressignificações de um corpo negro nas práticas artísticas contemporâneas afro-brasileiras. 2017. 202 f. Dissertação (Mestrado em Comunicação e Semiótica) - Programa de Estudos Pós-Graduados em Comunicação e Semiótica, Pontifícia Universidade Católica de São Paulo, São Paulo, 2017.https://tede2.pucsp.br/handle/handle/20766This research analyzes the effects of sense of a set of Afro-Brazilian contemporary works and artistic practices from the discursive mechanisms of enunciation that configure the regime of meaning, interaction and risk. Analyzing a corpus formed by a set of practices and actions that intervene in urban, media and institutional spaces, taking as a temporal cut the beginning of the 21st century to the present day, it aims to understand how this black body by means of enunciative mechanisms of its choices aesthetic arrangements of plasticity, figurativeness and thematization of a set of works. By discursively recombining the arrangements, they construct new narratives, new senses endowed with criticality that we aim to show, collaborate for the deconstruction of racial stereotypes. The central hypothesis of the research is that the fact that a target blackbody becomes an enunciator, enjoying its own faculty of the human condition of giving meaning to the world, is able through artistic practices to create ruptures that contribute to make the racial stereotypes of the country. The second hypothesis is that these practices, by creating interventions in the media, urban and institutional spaces, break the regimes of invisibility that, under the effect of structural racism, operate in the official circuits and legitimating national cultural production. When accessing a memory of the body, the third hypothesis proposes that these practices actualize in an ancestral knowledge, resignifying the social imaginary, encompassing new ways of doing and aesthetic possibilities. Using as a framework the semiotics of Algirdas Julien Greimas, the semiotics of the social of Eric Landowski and the contributions to the plastic semiotics of Ana Claudia de Oliveira, we verified that through the transitivity of enunciating, the set of works analyzed show that there were significant ruptures in the visibility schemes in support of a process of re-signification that is under way; also, that by being an act of resistance, they actualize in the present, an ancestral and mythical memory that keeps connected different times and spaces. Still, producing affections and intervening in the media, urban and institutional spaces, we saw that before the structure of the racial program, the practices are still focused and restricted, limiting their communication amplitude. At the end, we find that the aesthetic possibilities that we inaugurate point us to a future of learning where more investment in aestheticity and strategies of visibility are essential to potentiate their senses being sensedEsta pesquisa analisa os efeitos de sentido de um conjunto de obras e práticas artísticas contemporâneas afro-brasileiras a partir dos mecanismos discursivos da enunciação que configuram os regime de sentido, interação e risco. Analisando um corpus formado por um conjunto de práticas e ações que intervém nos espaços urbanos, midiáticos e institucionais tendo como recorte temporal o início do século XXI até os dias de hoje, objetiva-se entender como esse corpo negro por mecanismos enunciativos de suas escolhas monta arranjos estéticos da plasticidade, figuratividade e tematização de um conjunto de obras. Ao recombinar discursivamente os arranjos, constroem novas narrativas, novos sentidos dotados de criticidade que objetivamos mostrar, colaboram para a desconstrução dos estereótipos raciais. A hipótese central da pesquisa é de que o fato de um corpo negro destinador assumir-se enunciador, gozando da sua faculdade própria da condição humana de dar sentido ao mundo, é capaz através das práticas artísticas, de criar rupturas que contribuam para fazer sentir os estereótipos raciais do país. A segunda hipótese é que essas práticas ao criar intervenções nos espaços midiáticos, urbanos e institucionais rompem os regimes de invisibilidade que, sob efeito de um racismo estrutural, operam nos circuitos oficiais e legitimadores da produção cultural nacional. Ao acessar uma memória do corpo, a terceira hipótese propõe que essas práticas atualizam em ato um conhecimento ancestral ressignificando o imaginário social, inaugurando novas formas de fazer e possibilidades estéticas. Usando como arcabouço a semiótica de Algirdas Julien Greimas, da semiótica do social de Eric Landowski e as contribuições para a semiótica plástica de Ana Claudia de Oliveira, verificamos que através da transitividade do se enunciar, o conjunto de obras analisadas mostram que houveram significativas rupturas nos regimes de visibilidade corroborando para um processo de ressignificação que se encontra em curso; também, que ao ser ato de resistência, elas atualizam no presente, uma memória ancestral e mítica que mantém ligados diferentes tempos e espaços. Ainda, que produzindo afetações e intervindo nos espaços midiáticos, urbanos e institucionais, vimos que diante da estrutura do programa racial, as práticas ainda são focalizadas e restritas, limitando sua amplitude comunicacional. Ao fim, constatamos que as possibilidades estéticas que inauguram nos apontam um futuro de aprendizado onde mais investimento em esteticidade e estratégias de visibilidade são imprescindíveis para potencializar os seus sentidos ser sentidosCoordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPESPontifícia Universidade Católica de São Paulo - PUCSPapplication/pdfhttp://tede2.pucsp.br/tede/retrieve/44495/Diane%20Sousa%20da%20Silva%20Lima.pdf.jpgporPontifícia Universidade Católica de São PauloPrograma de Estudos Pós-Graduados em Comunicação e SemióticaPUC-SPBrasilFaculdade de Filosofia, Comunicação, Letras e ArtesCultura afro-brasileiraArtistas negrosArte negraAfro-Brazilian cultureBlack artistsArt, BlackCNPQ::CIENCIAS SOCIAIS APLICADAS::COMUNICACAOFazer sentido para fazer sentir: ressignificações de um corpo negro nas práticas artísticas contemporâneas afro-brasileirasMake sense to make feel: ressignifications of a black body in afro-brazilian contemporary artistic practicesinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisinfo:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações da PUC_SPinstname:Pontifícia Universidade Católica de São Paulo (PUC-SP)instacron:PUC_SPTEXTDiane Sousa da Silva Lima.pdf.txtDiane Sousa da Silva Lima.pdf.txtExtracted texttext/plain381725https://repositorio.pucsp.br/xmlui/bitstream/handle/20766/4/Diane%20Sousa%20da%20Silva%20Lima.pdf.txt8bef9766319eeb71c26790a56b830940MD54LICENSElicense.txtlicense.txttext/plain; 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dc.title.por.fl_str_mv |
Fazer sentido para fazer sentir: ressignificações de um corpo negro nas práticas artísticas contemporâneas afro-brasileiras |
dc.title.alternative.eng.fl_str_mv |
Make sense to make feel: ressignifications of a black body in afro-brazilian contemporary artistic practices |
title |
Fazer sentido para fazer sentir: ressignificações de um corpo negro nas práticas artísticas contemporâneas afro-brasileiras |
spellingShingle |
Fazer sentido para fazer sentir: ressignificações de um corpo negro nas práticas artísticas contemporâneas afro-brasileiras Lima, Diane Sousa da Silva Cultura afro-brasileira Artistas negros Arte negra Afro-Brazilian culture Black artists Art, Black CNPQ::CIENCIAS SOCIAIS APLICADAS::COMUNICACAO |
title_short |
Fazer sentido para fazer sentir: ressignificações de um corpo negro nas práticas artísticas contemporâneas afro-brasileiras |
title_full |
Fazer sentido para fazer sentir: ressignificações de um corpo negro nas práticas artísticas contemporâneas afro-brasileiras |
title_fullStr |
Fazer sentido para fazer sentir: ressignificações de um corpo negro nas práticas artísticas contemporâneas afro-brasileiras |
title_full_unstemmed |
Fazer sentido para fazer sentir: ressignificações de um corpo negro nas práticas artísticas contemporâneas afro-brasileiras |
title_sort |
Fazer sentido para fazer sentir: ressignificações de um corpo negro nas práticas artísticas contemporâneas afro-brasileiras |
author |
Lima, Diane Sousa da Silva |
author_facet |
Lima, Diane Sousa da Silva |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Oliveira, Ana Claudia Mei Alves de |
dc.contributor.authorLattes.fl_str_mv |
http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4333461H6 |
dc.contributor.author.fl_str_mv |
Lima, Diane Sousa da Silva |
contributor_str_mv |
Oliveira, Ana Claudia Mei Alves de |
dc.subject.por.fl_str_mv |
Cultura afro-brasileira Artistas negros Arte negra |
topic |
Cultura afro-brasileira Artistas negros Arte negra Afro-Brazilian culture Black artists Art, Black CNPQ::CIENCIAS SOCIAIS APLICADAS::COMUNICACAO |
dc.subject.eng.fl_str_mv |
Afro-Brazilian culture Black artists Art, Black |
dc.subject.cnpq.fl_str_mv |
CNPQ::CIENCIAS SOCIAIS APLICADAS::COMUNICACAO |
description |
This research analyzes the effects of sense of a set of Afro-Brazilian contemporary works and artistic practices from the discursive mechanisms of enunciation that configure the regime of meaning, interaction and risk. Analyzing a corpus formed by a set of practices and actions that intervene in urban, media and institutional spaces, taking as a temporal cut the beginning of the 21st century to the present day, it aims to understand how this black body by means of enunciative mechanisms of its choices aesthetic arrangements of plasticity, figurativeness and thematization of a set of works. By discursively recombining the arrangements, they construct new narratives, new senses endowed with criticality that we aim to show, collaborate for the deconstruction of racial stereotypes. The central hypothesis of the research is that the fact that a target blackbody becomes an enunciator, enjoying its own faculty of the human condition of giving meaning to the world, is able through artistic practices to create ruptures that contribute to make the racial stereotypes of the country. The second hypothesis is that these practices, by creating interventions in the media, urban and institutional spaces, break the regimes of invisibility that, under the effect of structural racism, operate in the official circuits and legitimating national cultural production. When accessing a memory of the body, the third hypothesis proposes that these practices actualize in an ancestral knowledge, resignifying the social imaginary, encompassing new ways of doing and aesthetic possibilities. Using as a framework the semiotics of Algirdas Julien Greimas, the semiotics of the social of Eric Landowski and the contributions to the plastic semiotics of Ana Claudia de Oliveira, we verified that through the transitivity of enunciating, the set of works analyzed show that there were significant ruptures in the visibility schemes in support of a process of re-signification that is under way; also, that by being an act of resistance, they actualize in the present, an ancestral and mythical memory that keeps connected different times and spaces. Still, producing affections and intervening in the media, urban and institutional spaces, we saw that before the structure of the racial program, the practices are still focused and restricted, limiting their communication amplitude. At the end, we find that the aesthetic possibilities that we inaugurate point us to a future of learning where more investment in aestheticity and strategies of visibility are essential to potentiate their senses being sensed |
publishDate |
2017 |
dc.date.issued.fl_str_mv |
2017-12-18 |
dc.date.accessioned.fl_str_mv |
2018-01-19T10:47:48Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/masterThesis |
format |
masterThesis |
status_str |
publishedVersion |
dc.identifier.citation.fl_str_mv |
Lima, Diane Sousa da Silva. Fazer sentido para fazer sentir: ressignificações de um corpo negro nas práticas artísticas contemporâneas afro-brasileiras. 2017. 202 f. Dissertação (Mestrado em Comunicação e Semiótica) - Programa de Estudos Pós-Graduados em Comunicação e Semiótica, Pontifícia Universidade Católica de São Paulo, São Paulo, 2017. |
dc.identifier.uri.fl_str_mv |
https://tede2.pucsp.br/handle/handle/20766 |
identifier_str_mv |
Lima, Diane Sousa da Silva. Fazer sentido para fazer sentir: ressignificações de um corpo negro nas práticas artísticas contemporâneas afro-brasileiras. 2017. 202 f. Dissertação (Mestrado em Comunicação e Semiótica) - Programa de Estudos Pós-Graduados em Comunicação e Semiótica, Pontifícia Universidade Católica de São Paulo, São Paulo, 2017. |
url |
https://tede2.pucsp.br/handle/handle/20766 |
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por |
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Pontifícia Universidade Católica de São Paulo |
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Programa de Estudos Pós-Graduados em Comunicação e Semiótica |
dc.publisher.initials.fl_str_mv |
PUC-SP |
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Brasil |
dc.publisher.department.fl_str_mv |
Faculdade de Filosofia, Comunicação, Letras e Artes |
publisher.none.fl_str_mv |
Pontifícia Universidade Católica de São Paulo |
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Biblioteca Digital de Teses e Dissertações da PUC_SP |
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