Imagens do pensamento: a pintura de Édouard Manet e Gérard Fromanger na obra de Michel Foucault
Ano de defesa: | 2011 |
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Autor(a) principal: | |
Orientador(a): | |
Banca de defesa: | |
Tipo de documento: | Dissertação |
Tipo de acesso: | Acesso aberto |
Idioma: | por |
Instituição de defesa: |
Pontifícia Universidade Católica de São Paulo
|
Programa de Pós-Graduação: |
Programa de Estudos Pós-Graduados em Filosofia
|
Departamento: |
Filosofia
|
País: |
BR
|
Palavras-chave em Português: | |
Palavras-chave em Inglês: | |
Área do conhecimento CNPq: | |
Link de acesso: | https://tede2.pucsp.br/handle/handle/11559 |
Resumo: | This work aimed to investigate the place and the role of the image in the writings of Michel Foucault, evaluating its use not only as a narrative tool but also as part of his methodology of which the painting would be a component. Besides that, it aimed at investigating a possible constitution of an aesthetic in his work. Initially this thesis contextualizes the inclusion of Michel Foucault in the tradition of historiography and criticism of the western arts. Then, after a brief overview of the position and function of image in work of Foucault (with a descriptive of his writings, favoring the presence of painting), follows the reading of two of his texts throught the perspective of his methodological carrrer: the dimension of knowing with reading de La peinture de Manet, text pronounced as a conference between the years 1967 e 1971, in which Foucault performs an analisys of thirteen Manet's paintings; and the dimension of genealogy with the reading of The photogenic painting in the year 1975, text in which Foucault evaluate several photogenic paints from the french artist Gérard Fromanger. The question of image is in combination with some basic concepts and key to the demonstration of its importance in the Michel Foucault's work, as the issues of device of political resistance and the aesthetic of existence. Moreover the reading's division in this research of the texts by Foucault, under the focus of his archegenealogy considere the three domains of work traversed by the philosopher along his carreer knowlodge, power and ethics in addition to valorize the general Foucault's project of a historical-philosophical investigation of relations between subject and truth positioned from the perspective of a present ontology. The present ontology, or historical ontology, considers the critical work which the philosophy should undertake nowadays gathering the archaelogy of knowlodge or the speeches which made the man as an object and subject of knowlodge, like the power of genealogy as production of knowlodges and the practices of power which interfere on the subject and the ethics actioned by him in his self-constitution. Considering this, the problem of modernity, frequently elaborated by Foucault in his historical investigations, it's also based on the understanding of the philosopher about what constitute the artistic creation and his participation in the games and political struggles |
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Muchail, Salma Tannushttp://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4794212J3Santos, Marta Souza2016-04-27T17:26:55Z2011-06-032011-05-16Santos, Marta Souza. Imagens do pensamento: a pintura de Édouard Manet e Gérard Fromanger na obra de Michel Foucault. 2011. 111 f. Dissertação (Mestrado em Filosofia) - Pontifícia Universidade Católica de São Paulo, São Paulo, 2011.https://tede2.pucsp.br/handle/handle/11559This work aimed to investigate the place and the role of the image in the writings of Michel Foucault, evaluating its use not only as a narrative tool but also as part of his methodology of which the painting would be a component. Besides that, it aimed at investigating a possible constitution of an aesthetic in his work. Initially this thesis contextualizes the inclusion of Michel Foucault in the tradition of historiography and criticism of the western arts. Then, after a brief overview of the position and function of image in work of Foucault (with a descriptive of his writings, favoring the presence of painting), follows the reading of two of his texts throught the perspective of his methodological carrrer: the dimension of knowing with reading de La peinture de Manet, text pronounced as a conference between the years 1967 e 1971, in which Foucault performs an analisys of thirteen Manet's paintings; and the dimension of genealogy with the reading of The photogenic painting in the year 1975, text in which Foucault evaluate several photogenic paints from the french artist Gérard Fromanger. The question of image is in combination with some basic concepts and key to the demonstration of its importance in the Michel Foucault's work, as the issues of device of political resistance and the aesthetic of existence. Moreover the reading's division in this research of the texts by Foucault, under the focus of his archegenealogy considere the three domains of work traversed by the philosopher along his carreer knowlodge, power and ethics in addition to valorize the general Foucault's project of a historical-philosophical investigation of relations between subject and truth positioned from the perspective of a present ontology. The present ontology, or historical ontology, considers the critical work which the philosophy should undertake nowadays gathering the archaelogy of knowlodge or the speeches which made the man as an object and subject of knowlodge, like the power of genealogy as production of knowlodges and the practices of power which interfere on the subject and the ethics actioned by him in his self-constitution. Considering this, the problem of modernity, frequently elaborated by Foucault in his historical investigations, it's also based on the understanding of the philosopher about what constitute the artistic creation and his participation in the games and political strugglesEste trabalho teve como propósito investigar o lugar e o papel da imagem nos escritos de Michel Foucault, avaliando seu uso não somente como recurso narrativo, mas também como elemento de sua metodologia da qual a pintura seria componente além de indagar sobre a possível constituição de uma estética em sua obra. Inicialmente esta dissertação contextualiza a inserção de Michel Foucault na tradição da historiografia e da crítica de arte ocidentais. Em seguida, após um breve panorama sobre a posição e função da imagem na obra de Michel Foucault (com uma descritiva de seus escritos, privilegiando a presença da pintura), segue com a leitura de dois de seus textos, através da perspectiva de sua trajetória metodológica; a dimensão do saber na arqueologia com a leitura de La peinture de Manet, texto pronunciado como conferência entre os anos de 1967 e 1971, no qual Foucault realiza uma análise de treze pinturas de Édouard Manet; e a dimensão da genealogia com a leitura de A pintura fotogênica, de 1975, texto no qual Foucault avalia diversas pinturas-fotografias do artista francês Gérard Fromanger. A questão da imagem é articulada com algumas noções fundamentais para a demonstração de sua importância na obra de Michel Foucault, tais como as questões do dispositivo, da resistência política e da estética da existência. Ademais, a divisão da leitura nesta pesquisa, dos textos de Michel Foucault sob o recorte de sua arquegenealogia, considera os três domínios (ou eixos) de trabalho percorridos pelo filósofo ao longo de sua obra o saber, o poder e a ética além de valorizar o projeto geral foucaultiano de uma investigação histórico-filosófica das relações entre sujeito e verdade, posicionada sob a perspectiva de uma ontologia do presente. A ontologia do presente, ou ontologia histórica, considera o trabalho crítico que a filosofia deve empreender na atualidade, reunindo tanto a arqueologia do saber ou dos discursos que constituíram o homem como objeto e sujeito do conhecimento, como a genealogia como produção de saberes e de práticas do poder que intervêm sobre o sujeito e da ética acionada por ele em sua auto-constituição. Assim, o problema da modernidade, recorrentemente elaborado por Foucault em suas investigações históricas, é também dimensionado a partir da compreensão do filósofo do que constitui a criação artística e sua participação nos jogos e lutas políticasSecretaria da Educação do Estado de São Pauloapplication/pdfhttp://tede2.pucsp.br/tede/retrieve/24440/Marta%20Souza%20Santos.pdf.jpgporPontifícia Universidade Católica de São PauloPrograma de Estudos Pós-Graduados em FilosofiaPUC-SPBRFilosofiaDispositivoEstética da existênciaImagemMaterialidade da pinturaModernidadeResistênciaAesthetic of existenceDeviceImageMateriality of paintingModernityResistanceCNPQ::CIENCIAS HUMANAS::FILOSOFIAImagens do pensamento: a pintura de Édouard Manet e Gérard Fromanger na obra de Michel Foucaultinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisinfo:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações da PUC_SPinstname:Pontifícia Universidade Católica de São Paulo (PUC-SP)instacron:PUC_SPTEXTMarta Souza Santos.pdf.txtMarta Souza Santos.pdf.txtExtracted texttext/plain288716https://repositorio.pucsp.br/xmlui/bitstream/handle/11559/3/Marta%20Souza%20Santos.pdf.txt906fedeb2676ead0eda7c15812e85985MD53ORIGINALMarta Souza Santos.pdfapplication/pdf2198786https://repositorio.pucsp.br/xmlui/bitstream/handle/11559/1/Marta%20Souza%20Santos.pdf011fdb3e001326a7f97b90ccaccd5a45MD51THUMBNAILMarta Souza Santos.pdf.jpgMarta Souza Santos.pdf.jpgGenerated Thumbnailimage/jpeg3579https://repositorio.pucsp.br/xmlui/bitstream/handle/11559/2/Marta%20Souza%20Santos.pdf.jpgbddd78cf1244f838058427bbc4a7fc15MD52handle/115592022-04-28 07:41:17.809oai:repositorio.pucsp.br:handle/11559Biblioteca Digital de Teses e Dissertaçõeshttps://sapientia.pucsp.br/https://sapientia.pucsp.br/oai/requestbngkatende@pucsp.br||rapassi@pucsp.bropendoar:2022-04-28T10:41:17Biblioteca Digital de Teses e Dissertações da PUC_SP - Pontifícia Universidade Católica de São Paulo (PUC-SP)false |
dc.title.por.fl_str_mv |
Imagens do pensamento: a pintura de Édouard Manet e Gérard Fromanger na obra de Michel Foucault |
title |
Imagens do pensamento: a pintura de Édouard Manet e Gérard Fromanger na obra de Michel Foucault |
spellingShingle |
Imagens do pensamento: a pintura de Édouard Manet e Gérard Fromanger na obra de Michel Foucault Santos, Marta Souza Dispositivo Estética da existência Imagem Materialidade da pintura Modernidade Resistência Aesthetic of existence Device Image Materiality of painting Modernity Resistance CNPQ::CIENCIAS HUMANAS::FILOSOFIA |
title_short |
Imagens do pensamento: a pintura de Édouard Manet e Gérard Fromanger na obra de Michel Foucault |
title_full |
Imagens do pensamento: a pintura de Édouard Manet e Gérard Fromanger na obra de Michel Foucault |
title_fullStr |
Imagens do pensamento: a pintura de Édouard Manet e Gérard Fromanger na obra de Michel Foucault |
title_full_unstemmed |
Imagens do pensamento: a pintura de Édouard Manet e Gérard Fromanger na obra de Michel Foucault |
title_sort |
Imagens do pensamento: a pintura de Édouard Manet e Gérard Fromanger na obra de Michel Foucault |
author |
Santos, Marta Souza |
author_facet |
Santos, Marta Souza |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Muchail, Salma Tannus |
dc.contributor.authorLattes.fl_str_mv |
http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4794212J3 |
dc.contributor.author.fl_str_mv |
Santos, Marta Souza |
contributor_str_mv |
Muchail, Salma Tannus |
dc.subject.por.fl_str_mv |
Dispositivo Estética da existência Imagem Materialidade da pintura Modernidade Resistência |
topic |
Dispositivo Estética da existência Imagem Materialidade da pintura Modernidade Resistência Aesthetic of existence Device Image Materiality of painting Modernity Resistance CNPQ::CIENCIAS HUMANAS::FILOSOFIA |
dc.subject.eng.fl_str_mv |
Aesthetic of existence Device Image Materiality of painting Modernity Resistance |
dc.subject.cnpq.fl_str_mv |
CNPQ::CIENCIAS HUMANAS::FILOSOFIA |
description |
This work aimed to investigate the place and the role of the image in the writings of Michel Foucault, evaluating its use not only as a narrative tool but also as part of his methodology of which the painting would be a component. Besides that, it aimed at investigating a possible constitution of an aesthetic in his work. Initially this thesis contextualizes the inclusion of Michel Foucault in the tradition of historiography and criticism of the western arts. Then, after a brief overview of the position and function of image in work of Foucault (with a descriptive of his writings, favoring the presence of painting), follows the reading of two of his texts throught the perspective of his methodological carrrer: the dimension of knowing with reading de La peinture de Manet, text pronounced as a conference between the years 1967 e 1971, in which Foucault performs an analisys of thirteen Manet's paintings; and the dimension of genealogy with the reading of The photogenic painting in the year 1975, text in which Foucault evaluate several photogenic paints from the french artist Gérard Fromanger. The question of image is in combination with some basic concepts and key to the demonstration of its importance in the Michel Foucault's work, as the issues of device of political resistance and the aesthetic of existence. Moreover the reading's division in this research of the texts by Foucault, under the focus of his archegenealogy considere the three domains of work traversed by the philosopher along his carreer knowlodge, power and ethics in addition to valorize the general Foucault's project of a historical-philosophical investigation of relations between subject and truth positioned from the perspective of a present ontology. The present ontology, or historical ontology, considers the critical work which the philosophy should undertake nowadays gathering the archaelogy of knowlodge or the speeches which made the man as an object and subject of knowlodge, like the power of genealogy as production of knowlodges and the practices of power which interfere on the subject and the ethics actioned by him in his self-constitution. Considering this, the problem of modernity, frequently elaborated by Foucault in his historical investigations, it's also based on the understanding of the philosopher about what constitute the artistic creation and his participation in the games and political struggles |
publishDate |
2011 |
dc.date.available.fl_str_mv |
2011-06-03 |
dc.date.issued.fl_str_mv |
2011-05-16 |
dc.date.accessioned.fl_str_mv |
2016-04-27T17:26:55Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/masterThesis |
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masterThesis |
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publishedVersion |
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Santos, Marta Souza. Imagens do pensamento: a pintura de Édouard Manet e Gérard Fromanger na obra de Michel Foucault. 2011. 111 f. Dissertação (Mestrado em Filosofia) - Pontifícia Universidade Católica de São Paulo, São Paulo, 2011. |
dc.identifier.uri.fl_str_mv |
https://tede2.pucsp.br/handle/handle/11559 |
identifier_str_mv |
Santos, Marta Souza. Imagens do pensamento: a pintura de Édouard Manet e Gérard Fromanger na obra de Michel Foucault. 2011. 111 f. Dissertação (Mestrado em Filosofia) - Pontifícia Universidade Católica de São Paulo, São Paulo, 2011. |
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