As estátuas vivas de Fortaleza-CE: performance, mimese e gesto
| Ano de defesa: | 2015 |
|---|---|
| Autor(a) principal: | |
| Orientador(a): | |
| Banca de defesa: | |
| Tipo de documento: | Dissertação |
| Tipo de acesso: | Acesso aberto |
| Idioma: | por |
| Instituição de defesa: |
Não Informado pela instituição
|
| Programa de Pós-Graduação: |
Não Informado pela instituição
|
| Departamento: |
Não Informado pela instituição
|
| País: |
Não Informado pela instituição
|
| Palavras-chave em Português: | |
| Link de acesso: | http://www.repositorio.ufc.br/handle/riufc/22095 |
Resumo: | This research deals with the living statues of Fortaleza-Ce in two spaces of acting: Ferreira Square (Praça do Ferreira) and Beira-Mar Avenue. During the years of 2013 and 2014 the performers were observed, chosen and interviewed, having as the bases of the interviews the narratives of their lives/trajectories. This resource was used for the comprehension of the individuals and their opinions about the work they do and as guide/inspiration for the theoretical and analytical path to follow. Departing from the observations and interviews the theoretical analysis founds itself on mimesis, understanding it as the base of the work and knowledge of these performers whose living statues are the result of a process of collage/(re)creation of diverse influences and images coming from what circulates in their sociocultural environment, an imitation of the material statuary (dead) whose base is the performers’ own bodies (alive). Upon this essential pair of opposed terms (dead x alive) unfolds another fundamental one for the practice and its esthetical end: immobility x mobility. The game between these complementary opposed is in the performance of the living statue and in its silence communication with the audience (in the relation between both) guided in certain theatricality. The living statues also evoke a tension between the legitimate and their marginal place as regards the art and formal work, tension between other and also opposed terms that define the doing of these performers as a social gestus. Research developed with the Laboratory of Investigation in Body Communication and Art (Laboratório de Investigação em Corpo Comunicação e Arte) – LICCA-CNPq. |
| id |
UFC-7_700b389f6dd13505f991908a6691825b |
|---|---|
| oai_identifier_str |
oai:repositorio.ufc.br:riufc/22095 |
| network_acronym_str |
UFC-7 |
| network_name_str |
Repositório Institucional da Universidade Federal do Ceará (UFC) |
| repository_id_str |
|
| spelling |
Soares, Ângela VieiraOliveira Junior, Antonio Wellington de2017-03-03T13:17:37Z2017-03-03T13:17:37Z2015SOARES, Ângela Vieira. As estátuas vivas de Fortaleza-CE: performance, mimese e gesto. 2015. 142 f. Dissertação (Mestrado) – Universidade Federal do Ceará, Programa de Pós-graduação em Comunicação Social, Fortaleza (CE), 2015.http://www.repositorio.ufc.br/handle/riufc/22095This research deals with the living statues of Fortaleza-Ce in two spaces of acting: Ferreira Square (Praça do Ferreira) and Beira-Mar Avenue. During the years of 2013 and 2014 the performers were observed, chosen and interviewed, having as the bases of the interviews the narratives of their lives/trajectories. This resource was used for the comprehension of the individuals and their opinions about the work they do and as guide/inspiration for the theoretical and analytical path to follow. Departing from the observations and interviews the theoretical analysis founds itself on mimesis, understanding it as the base of the work and knowledge of these performers whose living statues are the result of a process of collage/(re)creation of diverse influences and images coming from what circulates in their sociocultural environment, an imitation of the material statuary (dead) whose base is the performers’ own bodies (alive). Upon this essential pair of opposed terms (dead x alive) unfolds another fundamental one for the practice and its esthetical end: immobility x mobility. The game between these complementary opposed is in the performance of the living statue and in its silence communication with the audience (in the relation between both) guided in certain theatricality. The living statues also evoke a tension between the legitimate and their marginal place as regards the art and formal work, tension between other and also opposed terms that define the doing of these performers as a social gestus. Research developed with the Laboratory of Investigation in Body Communication and Art (Laboratório de Investigação em Corpo Comunicação e Arte) – LICCA-CNPq.Esta pesquisa aborda as estátuas vivas de Fortaleza-Ce em dois espaços de atuação: a Praça do Ferreira e a Avenida Beira-Mar. Durante o ano de 2013 e 2014 os performers foram observados, escolhidos e entrevistados tomando como base das entrevistas as narrativas de suas vidas/trajetórias. Esse recurso foi utilizado para a compreensão dos sujeitos e de suas opiniões sobre o trabalho que fazem e como norteador/inspirador do caminho teórico e analítico a seguir. Partindo das observações e entrevistas a análise teórica se alicerça na mimese, entendendo-a como a base do fazer e do conhecer desses performers cujas estátuas vivas são resultados de um processo de colagem/(re)criação de diversas influências e imagens advindas do que circula em seu meio sociocultural, uma imitação do estatuário material (morto) cujo suporte é o corpo próprio dos performers (vivo). Sobre este par de termos opostos essenciais (morto x vivo) se desdobra outro fundamental para prática e seu fim estético: imobilidade x mobilidade. O jogo entre estes opostos complementares está na performance de estátua viva e no seu comunicar-se silencioso com o público (na relação entre ambos) pautado em certa teatralidade. As estátuas vivas também evocam uma tensão entre o legitimado e seu lugar marginal tanto no que se refere à arte como ao trabalho formal, tensão entre outros termos também opostos que definem o fazer desses performers como um gesto social. Pesquisa desenvolvida junto ao Laboratório de Investigação em Corpo, Comunicação e Arte – LICCA-CNPq.Artes cénicas – Fortaleza (CE)Mimese na arte – Fortaleza (CE)Imitação na arte – Fortaleza (CE)PerformanceMimesisAs estátuas vivas de Fortaleza-CE: performance, mimese e gestoThe living statues of Fortaleza-CE: performance, mimesis and gestureinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisporreponame:Repositório Institucional da Universidade Federal do Ceará (UFC)instname:Universidade Federal do Ceará (UFC)instacron:UFCinfo:eu-repo/semantics/openAccessORIGINAL2015_dis_avsoares.pdf2015_dis_avsoares.pdfapplication/pdf4301078http://repositorio.ufc.br/bitstream/riufc/22095/1/2015_dis_avsoares.pdf907bd550057b6acacf6bdca77bbf9971MD51LICENSElicense.txtlicense.txttext/plain; charset=utf-81748http://repositorio.ufc.br/bitstream/riufc/22095/2/license.txt8a4605be74aa9ea9d79846c1fba20a33MD52riufc/220952020-09-03 11:18:17.552oai:repositorio.ufc.br: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Repositório InstitucionalPUBhttp://www.repositorio.ufc.br/ri-oai/requestbu@ufc.br || repositorio@ufc.bropendoar:2020-09-03T14:18:17Repositório Institucional da Universidade Federal do Ceará (UFC) - Universidade Federal do Ceará (UFC)false |
| dc.title.pt_BR.fl_str_mv |
As estátuas vivas de Fortaleza-CE: performance, mimese e gesto |
| dc.title.en.pt_BR.fl_str_mv |
The living statues of Fortaleza-CE: performance, mimesis and gesture |
| title |
As estátuas vivas de Fortaleza-CE: performance, mimese e gesto |
| spellingShingle |
As estátuas vivas de Fortaleza-CE: performance, mimese e gesto Soares, Ângela Vieira Artes cénicas – Fortaleza (CE) Mimese na arte – Fortaleza (CE) Imitação na arte – Fortaleza (CE) Performance Mimesis |
| title_short |
As estátuas vivas de Fortaleza-CE: performance, mimese e gesto |
| title_full |
As estátuas vivas de Fortaleza-CE: performance, mimese e gesto |
| title_fullStr |
As estátuas vivas de Fortaleza-CE: performance, mimese e gesto |
| title_full_unstemmed |
As estátuas vivas de Fortaleza-CE: performance, mimese e gesto |
| title_sort |
As estátuas vivas de Fortaleza-CE: performance, mimese e gesto |
| author |
Soares, Ângela Vieira |
| author_facet |
Soares, Ângela Vieira |
| author_role |
author |
| dc.contributor.author.fl_str_mv |
Soares, Ângela Vieira |
| dc.contributor.advisor1.fl_str_mv |
Oliveira Junior, Antonio Wellington de |
| contributor_str_mv |
Oliveira Junior, Antonio Wellington de |
| dc.subject.por.fl_str_mv |
Artes cénicas – Fortaleza (CE) Mimese na arte – Fortaleza (CE) Imitação na arte – Fortaleza (CE) Performance Mimesis |
| topic |
Artes cénicas – Fortaleza (CE) Mimese na arte – Fortaleza (CE) Imitação na arte – Fortaleza (CE) Performance Mimesis |
| description |
This research deals with the living statues of Fortaleza-Ce in two spaces of acting: Ferreira Square (Praça do Ferreira) and Beira-Mar Avenue. During the years of 2013 and 2014 the performers were observed, chosen and interviewed, having as the bases of the interviews the narratives of their lives/trajectories. This resource was used for the comprehension of the individuals and their opinions about the work they do and as guide/inspiration for the theoretical and analytical path to follow. Departing from the observations and interviews the theoretical analysis founds itself on mimesis, understanding it as the base of the work and knowledge of these performers whose living statues are the result of a process of collage/(re)creation of diverse influences and images coming from what circulates in their sociocultural environment, an imitation of the material statuary (dead) whose base is the performers’ own bodies (alive). Upon this essential pair of opposed terms (dead x alive) unfolds another fundamental one for the practice and its esthetical end: immobility x mobility. The game between these complementary opposed is in the performance of the living statue and in its silence communication with the audience (in the relation between both) guided in certain theatricality. The living statues also evoke a tension between the legitimate and their marginal place as regards the art and formal work, tension between other and also opposed terms that define the doing of these performers as a social gestus. Research developed with the Laboratory of Investigation in Body Communication and Art (Laboratório de Investigação em Corpo Comunicação e Arte) – LICCA-CNPq. |
| publishDate |
2015 |
| dc.date.issued.fl_str_mv |
2015 |
| dc.date.accessioned.fl_str_mv |
2017-03-03T13:17:37Z |
| dc.date.available.fl_str_mv |
2017-03-03T13:17:37Z |
| dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
| dc.type.driver.fl_str_mv |
info:eu-repo/semantics/masterThesis |
| format |
masterThesis |
| status_str |
publishedVersion |
| dc.identifier.citation.fl_str_mv |
SOARES, Ângela Vieira. As estátuas vivas de Fortaleza-CE: performance, mimese e gesto. 2015. 142 f. Dissertação (Mestrado) – Universidade Federal do Ceará, Programa de Pós-graduação em Comunicação Social, Fortaleza (CE), 2015. |
| dc.identifier.uri.fl_str_mv |
http://www.repositorio.ufc.br/handle/riufc/22095 |
| identifier_str_mv |
SOARES, Ângela Vieira. As estátuas vivas de Fortaleza-CE: performance, mimese e gesto. 2015. 142 f. Dissertação (Mestrado) – Universidade Federal do Ceará, Programa de Pós-graduação em Comunicação Social, Fortaleza (CE), 2015. |
| url |
http://www.repositorio.ufc.br/handle/riufc/22095 |
| dc.language.iso.fl_str_mv |
por |
| language |
por |
| dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
| eu_rights_str_mv |
openAccess |
| dc.source.none.fl_str_mv |
reponame:Repositório Institucional da Universidade Federal do Ceará (UFC) instname:Universidade Federal do Ceará (UFC) instacron:UFC |
| instname_str |
Universidade Federal do Ceará (UFC) |
| instacron_str |
UFC |
| institution |
UFC |
| reponame_str |
Repositório Institucional da Universidade Federal do Ceará (UFC) |
| collection |
Repositório Institucional da Universidade Federal do Ceará (UFC) |
| bitstream.url.fl_str_mv |
http://repositorio.ufc.br/bitstream/riufc/22095/1/2015_dis_avsoares.pdf http://repositorio.ufc.br/bitstream/riufc/22095/2/license.txt |
| bitstream.checksum.fl_str_mv |
907bd550057b6acacf6bdca77bbf9971 8a4605be74aa9ea9d79846c1fba20a33 |
| bitstream.checksumAlgorithm.fl_str_mv |
MD5 MD5 |
| repository.name.fl_str_mv |
Repositório Institucional da Universidade Federal do Ceará (UFC) - Universidade Federal do Ceará (UFC) |
| repository.mail.fl_str_mv |
bu@ufc.br || repositorio@ufc.br |
| _version_ |
1847793198811840512 |