Arte e vida : as tramas dos currículos tecidos em redes pelo T.A.P.A-UFES no cotidiano do Centro de Artes

• Ano de defesa: 2007
• Autor(a) principal: Alves, Djenane Soares
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal do Espírito Santo; BR; Mestrado em Educação; Centro de Educação; UFES; Programa de Pós-Graduação em Educação
• Palavras-chave em Português: Art and live; Quotidian; Accomplished curriculum; Nets; Arte e vida; Cotidiano; Currículo realizado; Redes; Arte - Séc. XX; Arte; Currículos; Educação; 37
• Link de acesso: http://repositorio.ufes.br/handle/10/6082

The text brings memory fragments from the individuals which report pieces of the quotidian lived by the T.A.P.A UFES group inside the know-do needlework nets along with the accomplished curriculum at the Art Center of UFES during graduation. It defends the dimension of the curriculum that cares about the uses that individuals make out of the prescript documents and about the daily cheating to the regulamentation that resides in the academy. It shows how, in the course of the last decade, many different curriculum proposals were formulated to License at Visual Arts and Bachelor at Plastic Arts although there is a significative separation between the departments and buildings that compose the Art Center, making the space-time in to a place that separates the practices from the theories. Emphasizes the acting of the group of students which found out strategies to overcome the instituted and make art works and art studs actually happen, which as a matter of fact provoked a pluri-multi-inter-poli-disciplinarity in the classes coursed. Discusses the dimension that the individuals´ accomplishments reach when surpass the curriculum grate and propose other more creative forms of actually living the curriculum coursed in the quotidian. It considerates absolutely necessary the horizontality of relation experienced between students and teachers, expanding possibilities to the effectuation of art works. Accomplishes the investigation of quotidian and applies metodogical paths which includes memory ransom and narratives, emphasizing the accomplished curriculum as know-do nets, standing out the uses of it in the lived experiences. Emphasizes that the rebellion acts in front of the regulamentation makes the exchanges of know-do more true and legitimate by being based on life and then surpassing the writings. It believes that it is in the experience of quotidian that actually happens the accomplishments of things that prescriptions can not reach.