Entre fios e histórias: tecendo com essas mulheres - mães - negras - pesquisadoras na Educação

Detalhes bibliográficos
Ano de defesa: 2025
Autor(a) principal: Oliveira, Andressa Paula de
Orientador(a): Barros, Maria Elizabeth Barros de lattes
Banca de defesa: Oliveira, Edna de Castro de lattes, Paiva, Jacyara Silva de lattes, Freitas, Maria Carolina de Andrade lattes, Moraes, Cândida Andrade de lattes
Tipo de documento: Tese
Tipo de acesso: Acesso aberto
Idioma: por
Instituição de defesa: Universidade Federal do Espírito Santo
Doutorado em Educação
Programa de Pós-Graduação: Programa de Pós-Graduação em Educação
Departamento: Centro de Educação
País: BR
Palavras-chave em Português:
Área do conhecimento CNPq:
Link de acesso: http://repositorio.ufes.br/handle/10/20703
Resumo: The dissertation Among Threads and Stories: Weaving with These Black-Mother-Researcher Women in Education proposes to weave with the experiences of Black women who are mothers and researchers, spinning their trajectories of resistance, struggle, and existence in the field of education. In the preparation of the threads, escrevivência (life-writing) emerges as an ethical-political practice, and through the reinvention of lived experiences, the biografema (biographeme) acts as a line that captures fragments of these stories, highlighting seemingly insignificant details that, when narrated, gain strength. Thus, the narratives of these and with these women are reframed through a biographeme-infused escrevivência. The threads are interwoven through conversations that arise from collective encounters, where community is formed around the stories that emerge from each woman's lived experience. In this symbolic loom, the experiences of motherhood and academia are woven together with delicacy and strength, composing a fabric that does not follow rigid patterns but is instead reinvented with each new thread of resistance. Each voice is a thread; each verse, a weave that connects to the next, forming a tapestry of struggles, affections, and insurgencies, a tangle of lives that challenges the oppressions of race, gender, and class. This is a handcrafted dissertation. It has been spun and unraveled as many times as the stories it holds. Words were remade and undone like loose threads, while the fibers traced the paths of Black women weaving their lives between motherhood and the university, confronting the apparent neutrality of academic norms. The path crossed multiple territories, many marked by silent pain. Amid twists and detours, a recurring question echoed: what brought us to this search? No singular answers emerged—only fragments of experience that, with each new thread cast, composed a collective weave. Each chapter of this thesis opens with a short fictional-narrative text—crafted by myself, a researcher-artisan who weaves collectively, who fabulates, imagines, and creates fissures in the act of researching. These story-poems introduce the themes that follow and open cracks for a writing that disobeys, that embroiders other possibilities of thinking, feeling, and narrating research. The structure of the thesis is also guided by weaving gestures: it begins by finding the end of the thread, moves through the preparation of threads, enters the looms of writing, and reaches the moment of weaving the experiences. Each part is traversed by a thread that stitches together theory, sensibility, and lived experience. This construction is born from an imagined dialogue between Conceição Evaristo and Roland Barthes—she, who writes with her body and life; he, who reads the world through fragments and details. Between the two, I learned to spin: each chapter, a stitch; each fragment, a fold that unsettles the fabric of academic writing. Finally, the last chapter does not conclude the thesis: it leaves a thread loose—an open invitation for continuity. A thread that stretches on, open to new weavings and the possibility that other women may embroider their own escrevivências within the field of education.
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spelling Barros, Maria Elizabeth Barros dehttps://orcid.org/0000-0003-1123-4374http://lattes.cnpq.br/1908967025244386Oliveira, Andressa Paula dehttps://orcid.org/0000-0001-8122-6682http://lattes.cnpq.br/2811498334139855Oliveira, Edna de Castro dehttps://orcid.org/0000-0003-0798-7090http://lattes.cnpq.br/1029441038069805Paiva, Jacyara Silva dehttps://orcid.org/0000-0002-2917-7673http://lattes.cnpq.br/9259877374436417Freitas, Maria Carolina de Andradehttps://orcid.org/0000-0002-6585-1370http://lattes.cnpq.br/6064991736503180Moraes, Cândida Andrade dehttps://orcid.org/0000-0001-5160-5921http://lattes.cnpq.br/68114064707841102025-12-11T11:51:08Z2025-12-11T11:51:08Z2025-09-29The dissertation Among Threads and Stories: Weaving with These Black-Mother-Researcher Women in Education proposes to weave with the experiences of Black women who are mothers and researchers, spinning their trajectories of resistance, struggle, and existence in the field of education. In the preparation of the threads, escrevivência (life-writing) emerges as an ethical-political practice, and through the reinvention of lived experiences, the biografema (biographeme) acts as a line that captures fragments of these stories, highlighting seemingly insignificant details that, when narrated, gain strength. Thus, the narratives of these and with these women are reframed through a biographeme-infused escrevivência. The threads are interwoven through conversations that arise from collective encounters, where community is formed around the stories that emerge from each woman's lived experience. In this symbolic loom, the experiences of motherhood and academia are woven together with delicacy and strength, composing a fabric that does not follow rigid patterns but is instead reinvented with each new thread of resistance. Each voice is a thread; each verse, a weave that connects to the next, forming a tapestry of struggles, affections, and insurgencies, a tangle of lives that challenges the oppressions of race, gender, and class. This is a handcrafted dissertation. It has been spun and unraveled as many times as the stories it holds. Words were remade and undone like loose threads, while the fibers traced the paths of Black women weaving their lives between motherhood and the university, confronting the apparent neutrality of academic norms. The path crossed multiple territories, many marked by silent pain. Amid twists and detours, a recurring question echoed: what brought us to this search? No singular answers emerged—only fragments of experience that, with each new thread cast, composed a collective weave. Each chapter of this thesis opens with a short fictional-narrative text—crafted by myself, a researcher-artisan who weaves collectively, who fabulates, imagines, and creates fissures in the act of researching. These story-poems introduce the themes that follow and open cracks for a writing that disobeys, that embroiders other possibilities of thinking, feeling, and narrating research. The structure of the thesis is also guided by weaving gestures: it begins by finding the end of the thread, moves through the preparation of threads, enters the looms of writing, and reaches the moment of weaving the experiences. Each part is traversed by a thread that stitches together theory, sensibility, and lived experience. This construction is born from an imagined dialogue between Conceição Evaristo and Roland Barthes—she, who writes with her body and life; he, who reads the world through fragments and details. Between the two, I learned to spin: each chapter, a stitch; each fragment, a fold that unsettles the fabric of academic writing. Finally, the last chapter does not conclude the thesis: it leaves a thread loose—an open invitation for continuity. A thread that stretches on, open to new weavings and the possibility that other women may embroider their own escrevivências within the field of education.A tese se propõe a tecer com as experiências de mulheres negras, mães e pesquisadoras, fiando suas trajetórias de resistência, luta e existência no campo educacional. Na preparação dos fios, a escrevivência emerge como uma prática ético-política e, na reinvenção das experiências de vida, o biografema atua como linha que captura fragmentos de histórias, destacando detalhes aparentemente insignificantes que, ao serem narrados, ganham potência. Assim, as narrativas dessas — e com essas — mulheres são ressignificadas por meio de uma escrevivência biografemática. Entrelaçam-se os fios nas conversas que brotam dos encontros, onde o coletivo se forma em torno das histórias que emergem da experiência de cada mulher. Nesse tear simbólico, maternidade e academia são tramadas com delicadeza e força, compondo uma trama que não segue padrões rígidos, mas se reinventa a cada fio de resistência lançado. Cada voz, um fio; cada verso, uma trama que se une à próxima, formando uma tapeçaria de lutas, afetos e insurgências — um emaranhado de vidas que desafia as opressões de raça, gênero e classe. Essa é uma tese artesanal. Foi fiada e desfiada tantas vezes quanto as histórias que a compõem. Palavras foram refeitas, desmanchadas como linhas soltas, enquanto os fios desenhavam o percurso de mulheres negras que tecem suas vidas entre a maternidade e a universidade, lidando com a aparente neutralidade dos moldes acadêmicos. O caminho atravessou territórios diversos, muitos marcados por dores silenciosas. Entre voltas e desvios, uma pergunta retornava como ponto recorrente: o que nos trouxe a essa busca? Não surgiam respostas individuais, mas fragmentos de experiências que, a cada novo fio lançado, compunham uma trama coletiva. Cada capítulo desta tese é iniciado por um texto-conto, criado por mim — pesquisadora-artesã que tece no coletivo, que fabula, imagina e cria fissuras no fazer pesquisa. Esses contos-poéticos anunciam os temas seguintes e abrem frestas para uma escritura que desobedece, que borda possibilidades outras de pensar, sentir e narrar a pesquisa. A estrutura da tese também é guiada por gestos da tecelagem: começa por encontrar o fio da meada, passa pela preparação dos fios, segue pelos teares da escritura e alcança o momento de tecer as vivências. Cada parte é atravessada por um fio que costura teoria, sensibilidade e experiência. Essa construção nasce de uma escuta imaginada entre Conceição Evaristo e Roland Barthes — ela, que escreve com o corpo e a vida; ele, que lê o mundo por detalhes e fragmentos. Entre os dois, aprendi a fiar: cada capítulo, um ponto; cada fragmento, uma dobra que desestabiliza o tecido da escritura acadêmica. Por fim, o capítulo derradeiro não encerra a tese: ele deixa um fio solto, daqueles que convidam à continuidade. Um fio que segue, aberto a novas tramas e à possibilidade de que outras mulheres também bordem suas escrevivências no campo da educação.Texthttp://repositorio.ufes.br/handle/10/20703porptUniversidade Federal do Espírito SantoDoutorado em EducaçãoPrograma de Pós-Graduação em EducaçãoUFESBRCentro de Educaçãohttps://creativecommons.org/licenses/by-nc-sa/4.0/info:eu-repo/semantics/openAccessEducaçãoEscrevivênciaBiografemaMulheres negrasMaternidadeInterseccionalidadeEducaçãoBlack womenMotherhoodIntersectionalityEducationEntre fios e histórias: tecendo com essas mulheres - mães - negras - pesquisadoras na Educaçãoinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/doctoralThesisreponame:Repositório Institucional da Universidade Federal do Espírito Santo (riUfes)instname:Universidade Federal do Espírito Santo (UFES)instacron:UFESORIGINALAndressaPauladeOliveira-2025-tese.pdfAndressaPauladeOliveira-2025-tese.pdfapplication/pdf98182432http://repositorio.ufes.br/bitstreams/2a34ec95-b195-4a1d-a75b-f5b8e5e14ed8/download6f61e49d0cf62fcee3128531e5a47a1fMD51LICENSElicense.txtlicense.txttext/plain; charset=utf-81748http://repositorio.ufes.br/bitstreams/2bf9655b-d5f4-4eda-915d-5e896d4a0d46/download8a4605be74aa9ea9d79846c1fba20a33MD5210/207032025-12-11 09:08:09.811https://creativecommons.org/licenses/by-nc-sa/4.0/open accessoai:repositorio.ufes.br:10/20703http://repositorio.ufes.brRepositório InstitucionalPUBhttp://repositorio.ufes.br/oai/requestriufes@ufes.bropendoar:21082025-12-11T09:08:09Repositório Institucional da Universidade Federal do Espírito Santo (riUfes) - Universidade Federal do Espírito Santo (UFES)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
dc.title.none.fl_str_mv Entre fios e histórias: tecendo com essas mulheres - mães - negras - pesquisadoras na Educação
title Entre fios e histórias: tecendo com essas mulheres - mães - negras - pesquisadoras na Educação
spellingShingle Entre fios e histórias: tecendo com essas mulheres - mães - negras - pesquisadoras na Educação
Oliveira, Andressa Paula de
Educação
Escrevivência
Biografema
Mulheres negras
Maternidade
Interseccionalidade
Educação
Black women
Motherhood
Intersectionality
Education
title_short Entre fios e histórias: tecendo com essas mulheres - mães - negras - pesquisadoras na Educação
title_full Entre fios e histórias: tecendo com essas mulheres - mães - negras - pesquisadoras na Educação
title_fullStr Entre fios e histórias: tecendo com essas mulheres - mães - negras - pesquisadoras na Educação
title_full_unstemmed Entre fios e histórias: tecendo com essas mulheres - mães - negras - pesquisadoras na Educação
title_sort Entre fios e histórias: tecendo com essas mulheres - mães - negras - pesquisadoras na Educação
author Oliveira, Andressa Paula de
author_facet Oliveira, Andressa Paula de
author_role author
dc.contributor.authorID.none.fl_str_mv https://orcid.org/0000-0001-8122-6682
dc.contributor.authorLattes.none.fl_str_mv http://lattes.cnpq.br/2811498334139855
dc.contributor.advisor1.fl_str_mv Barros, Maria Elizabeth Barros de
dc.contributor.advisor1ID.fl_str_mv https://orcid.org/0000-0003-1123-4374
dc.contributor.advisor1Lattes.fl_str_mv http://lattes.cnpq.br/1908967025244386
dc.contributor.author.fl_str_mv Oliveira, Andressa Paula de
dc.contributor.referee1.fl_str_mv Oliveira, Edna de Castro de
dc.contributor.referee1ID.fl_str_mv https://orcid.org/0000-0003-0798-7090
dc.contributor.referee1Lattes.fl_str_mv http://lattes.cnpq.br/1029441038069805
dc.contributor.referee2.fl_str_mv Paiva, Jacyara Silva de
dc.contributor.referee2ID.fl_str_mv https://orcid.org/0000-0002-2917-7673
dc.contributor.referee2Lattes.fl_str_mv http://lattes.cnpq.br/9259877374436417
dc.contributor.referee3.fl_str_mv Freitas, Maria Carolina de Andrade
dc.contributor.referee3ID.fl_str_mv https://orcid.org/0000-0002-6585-1370
dc.contributor.referee3Lattes.fl_str_mv http://lattes.cnpq.br/6064991736503180
dc.contributor.referee4.fl_str_mv Moraes, Cândida Andrade de
dc.contributor.referee4ID.fl_str_mv https://orcid.org/0000-0001-5160-5921
dc.contributor.referee4Lattes.fl_str_mv http://lattes.cnpq.br/6811406470784110
contributor_str_mv Barros, Maria Elizabeth Barros de
Oliveira, Edna de Castro de
Paiva, Jacyara Silva de
Freitas, Maria Carolina de Andrade
Moraes, Cândida Andrade de
dc.subject.cnpq.fl_str_mv Educação
topic Educação
Escrevivência
Biografema
Mulheres negras
Maternidade
Interseccionalidade
Educação
Black women
Motherhood
Intersectionality
Education
dc.subject.por.fl_str_mv Escrevivência
Biografema
Mulheres negras
Maternidade
Interseccionalidade
Educação
Black women
Motherhood
Intersectionality
Education
description The dissertation Among Threads and Stories: Weaving with These Black-Mother-Researcher Women in Education proposes to weave with the experiences of Black women who are mothers and researchers, spinning their trajectories of resistance, struggle, and existence in the field of education. In the preparation of the threads, escrevivência (life-writing) emerges as an ethical-political practice, and through the reinvention of lived experiences, the biografema (biographeme) acts as a line that captures fragments of these stories, highlighting seemingly insignificant details that, when narrated, gain strength. Thus, the narratives of these and with these women are reframed through a biographeme-infused escrevivência. The threads are interwoven through conversations that arise from collective encounters, where community is formed around the stories that emerge from each woman's lived experience. In this symbolic loom, the experiences of motherhood and academia are woven together with delicacy and strength, composing a fabric that does not follow rigid patterns but is instead reinvented with each new thread of resistance. Each voice is a thread; each verse, a weave that connects to the next, forming a tapestry of struggles, affections, and insurgencies, a tangle of lives that challenges the oppressions of race, gender, and class. This is a handcrafted dissertation. It has been spun and unraveled as many times as the stories it holds. Words were remade and undone like loose threads, while the fibers traced the paths of Black women weaving their lives between motherhood and the university, confronting the apparent neutrality of academic norms. The path crossed multiple territories, many marked by silent pain. Amid twists and detours, a recurring question echoed: what brought us to this search? No singular answers emerged—only fragments of experience that, with each new thread cast, composed a collective weave. Each chapter of this thesis opens with a short fictional-narrative text—crafted by myself, a researcher-artisan who weaves collectively, who fabulates, imagines, and creates fissures in the act of researching. These story-poems introduce the themes that follow and open cracks for a writing that disobeys, that embroiders other possibilities of thinking, feeling, and narrating research. The structure of the thesis is also guided by weaving gestures: it begins by finding the end of the thread, moves through the preparation of threads, enters the looms of writing, and reaches the moment of weaving the experiences. Each part is traversed by a thread that stitches together theory, sensibility, and lived experience. This construction is born from an imagined dialogue between Conceição Evaristo and Roland Barthes—she, who writes with her body and life; he, who reads the world through fragments and details. Between the two, I learned to spin: each chapter, a stitch; each fragment, a fold that unsettles the fabric of academic writing. Finally, the last chapter does not conclude the thesis: it leaves a thread loose—an open invitation for continuity. A thread that stretches on, open to new weavings and the possibility that other women may embroider their own escrevivências within the field of education.
publishDate 2025
dc.date.accessioned.fl_str_mv 2025-12-11T11:51:08Z
dc.date.available.fl_str_mv 2025-12-11T11:51:08Z
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Doutorado em Educação
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publisher.none.fl_str_mv Universidade Federal do Espírito Santo
Doutorado em Educação
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