Estudo do flautim pelo flautista: diferenças de abordagens técnicas com fins interpretativos

• Ano de defesa: 2017
• Autor(a) principal: Benatti, Stefânia Coppo Ribeiro
• Orientador(a): Costa, Carlos Henrique Coutinho Rodrigues
• Banca de defesa: Costa, Carlos Henrique Coutinho Rodrigues, Rosa, Robervaldo Linhares, Winter, Leonardo Loureiro
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal de Goiás
• Programa de Pós-Graduação: Programa de Pós-graduação em Musica (EMAC)
• Departamento: Escola de Música e Artes Cênicas - EMAC (RG)
• País: Brasil
• Palavras-chave em Português: Flautim; Flauta piccolo; Práticas interpretativas; Performance
• Palavras-chave em Inglês: Piccolo; Flute piccolo; Performance practices; Performance
• Área do conhecimento CNPq: ARTES::MUSICA
• Link de acesso: http://repositorio.bc.ufg.br/tede/handle/tede/7669

The piccolo has been used just recently for recitals and chamber music all around the world. Therefore, its presence in the orchestral scene became notable mostly on 20th c. composers, such as Shostakovich. With the recent use of the instrument as a soloist within and without the orchestra, raises the necessity of a specific formation for piccolo, regardless of the flute. Lately, orchestras search for professional piccolo players, not flute players that can eventually play the piccolo when they are required. There is an extensive market out there for a good piccolo player, but it requires a deep knowledge about the instrument. On this paper, I display an investigation of the parameters of the embouchure, sonority, articulation and intonation, grounded in the methods for flute Méthode Complète de Flûte (1958) by Paul Taffanel and Phillipe Gaubert, De La Sonorite: Art et Technique (1934), by Marcel Moyse, and for piccolo The Mazzanti Method (2011), by Nicola Mazzanti and Practice Book for the Piccolo (1988), by Patricia Morris e Trevor Wye. After the research, made by this author, about the difference presented in the methods between the piccolo and flute parameters, were defined the differences in the application of these elements in the piccolo. The partial result was a study of excerpts of selected works for piccolo, considering the particularities found about the execution of the instrument. This research has as goal to help the flutist having a specific piccolo study, respecting its execution particularities and making possible a development that is both effective and independent of the flute.