A confissão como estratégia de restrição na poética de Carlos Drummond de Andrade

• Ano de defesa: 2015
• Autor(a) principal: Beltrão, Larissa Cardoso
• Orientador(a): Souza, Jamesson Buarque de
• Banca de defesa: Souza, Jamesson Buarque de, Camargo, Goiandira Ortiz de, Carvalho, Nilson Pereira de
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal de Goiás
• Programa de Pós-Graduação: Programa de Pós-graduação em Letras e Linguística (FL)
• Departamento: Faculdade de Letras - FL (RG)
• País: Brasil
• Palavras-chave em Português: Poesia; Criação; Restrição; Carlos Drummond de Andrade
• Palavras-chave em Inglês: Poetry; Criation; Restriction; Carlos Drummond de Andrade
• Área do conhecimento CNPq: LETRAS::LITERATURA BRASILEIRA
• Link de acesso: http://repositorio.bc.ufg.br/tede/handle/tede/4862

Throughout this work, we aim to highlight the importance of contingency process for the poetic production of Carlos Drummond de Andrade. We intend to investigate, through part of his work, that the restrictions imposed by him during the making poetry, are crucial to the result of his artistic creation. Moreover, they collaborate, directly, to the affirmation of its claim to tell the living from his poetry. As a methodological procedure, we start from three of his most famous poems, Confidentiality of Itabirano, Childhood and world feeling, as well as some statements of the poet himself, related to your making poetic, in order to highlight the lines introduced in drummondiana writing. This finds the impossibilities a privileged position because they are exactly the self restrictions imposed by the poet, giving it a huge range of possibilities to be said, to invent and, especially, to confess through his verses. The restrictions to which the poet undergoes over its creation process, are put in scene from some elements, such as: facts, situations, places and people. By recognizing life as a matter of poetry, according to the vision of Bakhtin (2010), the poet puts us, as readers, before a spirit work of concern and social values, as the poet as someone coated concern not only aesthetic, but also social and political. Thus, we observe that the perception of Drummond is sharpened by the prospect of looking he throws both inward and to the resulting capture outdoor scenes, since it catches the elements mentioned above, referring us to a work whose creating wire human life, with its virtues and evils. We base our work on Arrigucci (2002), Bakhtin (2010), Elster (2009), Longino (1996) and Moraes Neto (2010).