A invenção do futuro no cinema: representações de futuro nos filmes de Méliès, Lang e Menzies

Detalhes bibliográficos
Ano de defesa: 2021
Autor(a) principal: Vidal, Juliana Barros Pettersen da Costa lattes
Orientador(a): Abdala Junior, Roberto lattes
Banca de defesa: Abdala Junior, Roberto, Trovão, Flávio Vilas Boas, Mendes, Breno
Tipo de documento: Dissertação
Tipo de acesso: Acesso aberto
Idioma: por
Instituição de defesa: Universidade Federal de Goiás
Programa de Pós-Graduação: Programa de Pós-graduação em História (FH)
Departamento: Faculdade de História - FH (RMG)
País: Brasil
Palavras-chave em Português:
cultura histórica
modernidade
expectativa de futuro
cinema ocidental
Palavras-chave em Inglês:
historical culture
modernity
expectation of future
western cinema
Área do conhecimento CNPq:
CIENCIAS HUMANAS::HISTORIA
Link de acesso: http://repositorio.bc.ufg.br/tede/handle/tede/13872
Resumo: This work proposes an analysis of three films with a futuristic theme dating from the beginning of the 20th century: Le voyage dans la Lune (1902) by Georges Méliès, Metropolis (1927) by Fritz Lang and Things to Come (1936) by Willian Cameron Menzies. The analysis has as a theoretical assumption the methodological possibility of transforming films into historical documents, as suggested and initiated by the third generation of the Annales School in the 1970s, following the singular acceleration process of time in modernity (Koselleck, 2006), so as to enable fiction to project futures which are different from the past, recognizing the typically modern structure of narrative present in cinema (CHARNEY and SCHWARTZ, 2004) and the characterization of cinematographic works as a historical artifact integrated into the historical culture of its time (RÜSEN). From these premises, the objective is to analyze, discuss and compare the first representations of future in Western cinema and propose a reflection on the possible relationship between the selected films and the collective expectation of future at the time of their realization.
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spelling Abdala Junior, Robertohttp://lattes.cnpq.br/7014946989727038Abdala Junior, RobertoTrovão, Flávio Vilas BoasMendes, Brenohttp://lattes.cnpq.br/4072875784889913Vidal, Juliana Barros Pettersen da Costa2025-02-18T15:27:07Z2025-02-18T15:27:07Z2021-05-11COSTA, J. B. P. A invenção do futuro no cinema: representações de futuro nos filmes de Méliès, Lang e Menzies. 2021. 113 f. Dissertação (Mestrado em História) - Faculdade de História, Universidade Federal de Goiás. Goiânia, 2021.http://repositorio.bc.ufg.br/tede/handle/tede/13872This work proposes an analysis of three films with a futuristic theme dating from the beginning of the 20th century: Le voyage dans la Lune (1902) by Georges Méliès, Metropolis (1927) by Fritz Lang and Things to Come (1936) by Willian Cameron Menzies. The analysis has as a theoretical assumption the methodological possibility of transforming films into historical documents, as suggested and initiated by the third generation of the Annales School in the 1970s, following the singular acceleration process of time in modernity (Koselleck, 2006), so as to enable fiction to project futures which are different from the past, recognizing the typically modern structure of narrative present in cinema (CHARNEY and SCHWARTZ, 2004) and the characterization of cinematographic works as a historical artifact integrated into the historical culture of its time (RÜSEN). From these premises, the objective is to analyze, discuss and compare the first representations of future in Western cinema and propose a reflection on the possible relationship between the selected films and the collective expectation of future at the time of their realization.Este trabalho propõe analisar três películas de temática futurista datadas do início do século XX: Viagem à Lua (1902) de Georges Méliès, Metropolis (1927) de Fritz Lang e Daqui a Cem Anos (1936) de Willian Cameron Menzies. A análise tem como pressuposto teórico a possibilidade metodológica de transformar filmes em documentos históricos, conforme sugerido e iniciado pela terceira geração da Escola dos Annales na década de 1970, acompanhando o processo de aceleração singular do tempo na modernidade (Koselleck, 2006), de forma a permitir que a ficção pudesse projetar futuros diferentes do passado, reconhecendo a estrutura narrativa tipicamente moderna presente no cinema (CHARNEY e SCHWARTZ, 2004) e a caracterização das obras cinematográficas enquanto artefato histórico integrante da cultura histórica de seu tempo (RÜSEN). A partir dessas premissas o objetivo é analisar, discutir e comparar as primeiras representações do futuro do cinema ocidental e propor uma reflexão acerca da possível relação entre os filmes selecionados e a expectativa de futuro coletiva da época de sua realização.porUniversidade Federal de GoiásPrograma de Pós-graduação em História (FH)UFGBrasilFaculdade de História - FH (RMG)Attribution-NonCommercial-NoDerivatives 4.0 Internationalinfo:eu-repo/semantics/openAccesscultura históricamodernidadeexpectativa de futurocinema ocidentalhistorical culturemodernityexpectation of futurewestern cinemaCIENCIAS HUMANAS::HISTORIAA invenção do futuro no cinema: representações de futuro nos filmes de Méliès, Lang e MenziesThe invention of the future in cinema: representations os the future in Méliès, Lang and Menzies filmsinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisreponame:Repositório Institucional da UFGinstname:Universidade Federal de Goiás (UFG)instacron:UFGORIGINALDissertação - Juliana Barros Pettersen da Costa Vidal - 2021.pdfDissertação - Juliana Barros Pettersen da Costa Vidal - 2021.pdfapplication/pdf1526141http://repositorio.bc.ufg.br/tede/bitstreams/d5982ab5-0d0d-4ea8-97b2-306739da5974/download484c619b6f93ad5d64adb3714d6c0119MD51LICENSElicense.txtlicense.txttext/plain; charset=utf-81748http://repositorio.bc.ufg.br/tede/bitstreams/fe782d5f-85fe-4317-849e-0b5c207f3303/download8a4605be74aa9ea9d79846c1fba20a33MD52CC-LICENSElicense_rdflicense_rdfapplication/rdf+xml; charset=utf-8805http://repositorio.bc.ufg.br/tede/bitstreams/612bdee8-5f89-4131-b679-484c645937a4/download4460e5956bc1d1639be9ae6146a50347MD53tede/138722025-02-18 12:27:17.334http://creativecommons.org/licenses/by-nc-nd/4.0/Attribution-NonCommercial-NoDerivatives 4.0 Internationalopen.accessoai:repositorio.bc.ufg.br:tede/13872http://repositorio.bc.ufg.br/tedeRepositório InstitucionalPUBhttps://repositorio.bc.ufg.br/tedeserver/oai/requestgrt.bc@ufg.bropendoar:oai:repositorio.bc.ufg.br:tede/12342025-02-18T15:27:17Repositório Institucional da UFG - Universidade Federal de Goiás (UFG)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
dc.title.none.fl_str_mv A invenção do futuro no cinema: representações de futuro nos filmes de Méliès, Lang e Menzies
dc.title.alternative.eng.fl_str_mv The invention of the future in cinema: representations os the future in Méliès, Lang and Menzies films
title A invenção do futuro no cinema: representações de futuro nos filmes de Méliès, Lang e Menzies
spellingShingle A invenção do futuro no cinema: representações de futuro nos filmes de Méliès, Lang e Menzies
Vidal, Juliana Barros Pettersen da Costa
cultura histórica
modernidade
expectativa de futuro
cinema ocidental
historical culture
modernity
expectation of future
western cinema
CIENCIAS HUMANAS::HISTORIA
title_short A invenção do futuro no cinema: representações de futuro nos filmes de Méliès, Lang e Menzies
title_full A invenção do futuro no cinema: representações de futuro nos filmes de Méliès, Lang e Menzies
title_fullStr A invenção do futuro no cinema: representações de futuro nos filmes de Méliès, Lang e Menzies
title_full_unstemmed A invenção do futuro no cinema: representações de futuro nos filmes de Méliès, Lang e Menzies
title_sort A invenção do futuro no cinema: representações de futuro nos filmes de Méliès, Lang e Menzies
author Vidal, Juliana Barros Pettersen da Costa
author_facet Vidal, Juliana Barros Pettersen da Costa
author_role author
dc.contributor.advisor1.fl_str_mv Abdala Junior, Roberto
dc.contributor.advisor1Lattes.fl_str_mv http://lattes.cnpq.br/7014946989727038
dc.contributor.referee1.fl_str_mv Abdala Junior, Roberto
dc.contributor.referee2.fl_str_mv Trovão, Flávio Vilas Boas
dc.contributor.referee3.fl_str_mv Mendes, Breno
dc.contributor.authorLattes.fl_str_mv http://lattes.cnpq.br/4072875784889913
dc.contributor.author.fl_str_mv Vidal, Juliana Barros Pettersen da Costa
contributor_str_mv Abdala Junior, Roberto
Abdala Junior, Roberto
Trovão, Flávio Vilas Boas
Mendes, Breno
dc.subject.por.fl_str_mv cultura histórica
modernidade
expectativa de futuro
cinema ocidental
topic cultura histórica
modernidade
expectativa de futuro
cinema ocidental
historical culture
modernity
expectation of future
western cinema
CIENCIAS HUMANAS::HISTORIA
dc.subject.eng.fl_str_mv historical culture
modernity
expectation of future
western cinema
dc.subject.cnpq.fl_str_mv CIENCIAS HUMANAS::HISTORIA
description This work proposes an analysis of three films with a futuristic theme dating from the beginning of the 20th century: Le voyage dans la Lune (1902) by Georges Méliès, Metropolis (1927) by Fritz Lang and Things to Come (1936) by Willian Cameron Menzies. The analysis has as a theoretical assumption the methodological possibility of transforming films into historical documents, as suggested and initiated by the third generation of the Annales School in the 1970s, following the singular acceleration process of time in modernity (Koselleck, 2006), so as to enable fiction to project futures which are different from the past, recognizing the typically modern structure of narrative present in cinema (CHARNEY and SCHWARTZ, 2004) and the characterization of cinematographic works as a historical artifact integrated into the historical culture of its time (RÜSEN). From these premises, the objective is to analyze, discuss and compare the first representations of future in Western cinema and propose a reflection on the possible relationship between the selected films and the collective expectation of future at the time of their realization.
publishDate 2021
dc.date.issued.fl_str_mv 2021-05-11
dc.date.accessioned.fl_str_mv 2025-02-18T15:27:07Z
dc.date.available.fl_str_mv 2025-02-18T15:27:07Z
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/masterThesis
format masterThesis
status_str publishedVersion
dc.identifier.citation.fl_str_mv COSTA, J. B. P. A invenção do futuro no cinema: representações de futuro nos filmes de Méliès, Lang e Menzies. 2021. 113 f. Dissertação (Mestrado em História) - Faculdade de História, Universidade Federal de Goiás. Goiânia, 2021.
dc.identifier.uri.fl_str_mv http://repositorio.bc.ufg.br/tede/handle/tede/13872
identifier_str_mv COSTA, J. B. P. A invenção do futuro no cinema: representações de futuro nos filmes de Méliès, Lang e Menzies. 2021. 113 f. Dissertação (Mestrado em História) - Faculdade de História, Universidade Federal de Goiás. Goiânia, 2021.
url http://repositorio.bc.ufg.br/tede/handle/tede/13872
dc.language.iso.fl_str_mv por
language por
dc.rights.driver.fl_str_mv Attribution-NonCommercial-NoDerivatives 4.0 International
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Attribution-NonCommercial-NoDerivatives 4.0 International
eu_rights_str_mv openAccess
dc.publisher.none.fl_str_mv Universidade Federal de Goiás
dc.publisher.program.fl_str_mv Programa de Pós-graduação em História (FH)
dc.publisher.initials.fl_str_mv UFG
dc.publisher.country.fl_str_mv Brasil
dc.publisher.department.fl_str_mv Faculdade de História - FH (RMG)
publisher.none.fl_str_mv Universidade Federal de Goiás
dc.source.none.fl_str_mv reponame:Repositório Institucional da UFG
instname:Universidade Federal de Goiás (UFG)
instacron:UFG
instname_str Universidade Federal de Goiás (UFG)
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reponame_str Repositório Institucional da UFG
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