H2 O2: Hélio por Hélio; Oiticica pós Oiticica

• Ano de defesa: 2007
• Autor(a) principal: Daniel Cassin Dutra Alves
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal de Minas Gerais
• Palavras-chave em Português: Vanguarda (Estética); Oiticica, Hélio, 1937-1980 Crítica e interpretação; Arte; Criação (Literária, artística, etc); exposições póstumas; Hélio Oiticica; Parangolé
• Link de acesso: https://hdl.handle.net/1843/JSSS-82JFTT

This dissertation carries through a study concerning the current exhibitions and conditions of reading of works Hélio Oiticica. The question is to argue as the exposition of these workmanships occurs and which the counterpoint of these projects in relation to the depositions of the author. We will go, with this, to approach, from one definitive clipping of its workmanship, a ampler question, that if extend in the relations between neoavanguardes of the Sixties and its current reception and stage for the artistic institutions of today: Helio for Helio; Helio after Helio. Some texts produced for the artist and curator texts of some relative critics to expositions had been electing for study object the posthumous Hélio Oiticica. The boarding considers a study on and texts Hélio Oiticica for Hélio Oiticica and Hélio Oiticica redefined for contemporaries curator actions. At a first moment the texts are analyzed that Oiticica wrote on the Parangolés, gifts in books, catalogues and in maintenance for the Program Hélio Oiticica. At as a moment, the Helio after Helio, or either, the texts produced for critics and relative custodians to the re-assemblies of the Helio works are argued in posthumous expositions.