Os anos de formação de Drummond e a experiência de uma modernidade periférica
| Ano de defesa: | 2023 |
|---|---|
| Autor(a) principal: | |
| Orientador(a): | |
| Banca de defesa: | |
| Tipo de documento: | Dissertação |
| Tipo de acesso: | Acesso aberto |
| Idioma: | por |
| Instituição de defesa: |
Universidade Federal de Minas Gerais
|
| Programa de Pós-Graduação: |
Não Informado pela instituição
|
| Departamento: |
Não Informado pela instituição
|
| País: |
Não Informado pela instituição
|
| Palavras-chave em Português: | |
| Link de acesso: | https://hdl.handle.net/1843/69198 |
Resumo: | This master's thesis aims to analyze the literary production of Carlos Drummond de Andrade during the 1920s to investigate the formative process of the writer before the publication of his first book, Alguma poesia (1930). Through a comparison between literary criticism, chronicle, poetry and epistolography, the goal is to understand the main concerns confronted by the writer, who made efforts to establish himself in the public sphere by publishing numerous texts in newspapers and magazines of the period. Confronted with the difficult reality of literary tradition in Brazil, it is noteworthy that Drummond elaborated a critical solution to the challenge of formulating a national literature, which, far from conforming to the ideas in vogue, highlights a specificity of his work and of modernism in Minas Gerais. The texts from that period, when examined collectively, reveal that the development of a poetic persona, as well as the first work, was a non-linear process characterized by ruptures and continuities. In this poetics, the investigation focuses on how melancholy resides within the ambiguous constitution of the modern subject, which is formulated in the face of a profoundly contradictory process of modernization, placed as the center of its own personal history, to which the subject turns in an often corrosive way. |
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2024-06-14T13:52:10Z2025-09-09T00:01:28Z2024-06-14T13:52:10Z2023-07-14https://hdl.handle.net/1843/69198This master's thesis aims to analyze the literary production of Carlos Drummond de Andrade during the 1920s to investigate the formative process of the writer before the publication of his first book, Alguma poesia (1930). Through a comparison between literary criticism, chronicle, poetry and epistolography, the goal is to understand the main concerns confronted by the writer, who made efforts to establish himself in the public sphere by publishing numerous texts in newspapers and magazines of the period. Confronted with the difficult reality of literary tradition in Brazil, it is noteworthy that Drummond elaborated a critical solution to the challenge of formulating a national literature, which, far from conforming to the ideas in vogue, highlights a specificity of his work and of modernism in Minas Gerais. The texts from that period, when examined collectively, reveal that the development of a poetic persona, as well as the first work, was a non-linear process characterized by ruptures and continuities. In this poetics, the investigation focuses on how melancholy resides within the ambiguous constitution of the modern subject, which is formulated in the face of a profoundly contradictory process of modernization, placed as the center of its own personal history, to which the subject turns in an often corrosive way.CNPq - Conselho Nacional de Desenvolvimento Científico e TecnológicoporUniversidade Federal de Minas Geraishttp://creativecommons.org/licenses/by-nc-nd/3.0/pt/info:eu-repo/semantics/openAccessCarlos Drummond de Andrademelancoliamodernismo mineiropoesia modernaAndrade, Carlos Drummond de, 1902-1987. – Crítica e interpretaçãoPoesia brasileira – História e críticaModernismo (Literatura) – Minas GeraisMelancolia na literaturaOs anos de formação de Drummond e a experiência de uma modernidade periféricaDrummond's formative years and the experience of peripheral modernityinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisSara Meynard Begnamereponame:Repositório Institucional da UFMGinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGhttp://lattes.cnpq.br/2585944104791092Sérgio Alcides Pereira do Amaralhttp://lattes.cnpq.br/9254941821479342Daniel Reizinger BonomoEucanaã de Nazareno FerrazEsta dissertação propõe uma análise da produção literária de Carlos Drummond de Andrade durante a década de 1920 a fim de investigar o processo formativo do escritor antes da publicação de seu primeiro livro, Alguma poesia (1930). A partir de um cotejo entre crítica literária, crônica, poesia e epistolografia, busca-se compreender as principais inquietações enfrentadas pelo escritor, que empreendeu esforços para se inserir na cena pública, tendo publicado numerosos textos em jornais e revistas do período. Diante da difícil realidade da tradição literária no Brasil, nota-se que Drummond elaborou uma saída crítica ao problema da formulação de uma literatura nacional, que, longe de ser uma adesão às ideias em voga, evidencia uma especificidade de sua obra e do modernismo em Minas Gerais. Os textos do período, tomados em conjunto, revelam que a formulação de uma persona poética, assim como da primeira obra, foi um processo não-linear, marcado por rupturas e continuidades. Nessa poética, investiga-se como a melancolia está na constituição ambígua do sujeito moderno que se formula diante de um processo profundamente contraditório de modernização, posto como centro de sua própria história pessoal, à qual o sujeito se volta de forma muitas vezes corrosiva.BrasilFALE - FACULDADE DE LETRASPrograma de Pós-Graduação em Estudos LiteráriosUFMGORIGINALDissertação. Versão Final..pdfapplication/pdf63856622https://repositorio.ufmg.br//bitstreams/4b4b6b5c-2da3-4f5d-83cd-deb27539070b/downloadcb864bc40d2b1391bf0904457cf600e0MD51trueAnonymousREADCC-LICENSElicense_rdfapplication/octet-stream811https://repositorio.ufmg.br//bitstreams/7edf6725-12c5-47c7-b67d-bce707d6b640/downloadcfd6801dba008cb6adbd9838b81582abMD52falseAnonymousREADLICENSElicense.txttext/plain2118https://repositorio.ufmg.br//bitstreams/b1602506-30dc-4105-baf0-d0b01a19e92d/downloadcda590c95a0b51b4d15f60c9642ca272MD53falseAnonymousREAD1843/691982025-09-08 21:01:28.277http://creativecommons.org/licenses/by-nc-nd/3.0/pt/Acesso Abertoopen.accessoai:repositorio.ufmg.br:1843/69198https://repositorio.ufmg.br/Repositório InstitucionalPUBhttps://repositorio.ufmg.br/oairepositorio@ufmg.bropendoar:2025-09-09T00:01:28Repositório Institucional da UFMG - Universidade Federal de Minas Gerais (UFMG)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 |
| dc.title.none.fl_str_mv |
Os anos de formação de Drummond e a experiência de uma modernidade periférica |
| dc.title.alternative.none.fl_str_mv |
Drummond's formative years and the experience of peripheral modernity |
| title |
Os anos de formação de Drummond e a experiência de uma modernidade periférica |
| spellingShingle |
Os anos de formação de Drummond e a experiência de uma modernidade periférica Sara Meynard Begname Andrade, Carlos Drummond de, 1902-1987. – Crítica e interpretação Poesia brasileira – História e crítica Modernismo (Literatura) – Minas Gerais Melancolia na literatura Carlos Drummond de Andrade melancolia modernismo mineiro poesia moderna |
| title_short |
Os anos de formação de Drummond e a experiência de uma modernidade periférica |
| title_full |
Os anos de formação de Drummond e a experiência de uma modernidade periférica |
| title_fullStr |
Os anos de formação de Drummond e a experiência de uma modernidade periférica |
| title_full_unstemmed |
Os anos de formação de Drummond e a experiência de uma modernidade periférica |
| title_sort |
Os anos de formação de Drummond e a experiência de uma modernidade periférica |
| author |
Sara Meynard Begname |
| author_facet |
Sara Meynard Begname |
| author_role |
author |
| dc.contributor.author.fl_str_mv |
Sara Meynard Begname |
| dc.subject.por.fl_str_mv |
Andrade, Carlos Drummond de, 1902-1987. – Crítica e interpretação Poesia brasileira – História e crítica Modernismo (Literatura) – Minas Gerais Melancolia na literatura |
| topic |
Andrade, Carlos Drummond de, 1902-1987. – Crítica e interpretação Poesia brasileira – História e crítica Modernismo (Literatura) – Minas Gerais Melancolia na literatura Carlos Drummond de Andrade melancolia modernismo mineiro poesia moderna |
| dc.subject.other.none.fl_str_mv |
Carlos Drummond de Andrade melancolia modernismo mineiro poesia moderna |
| description |
This master's thesis aims to analyze the literary production of Carlos Drummond de Andrade during the 1920s to investigate the formative process of the writer before the publication of his first book, Alguma poesia (1930). Through a comparison between literary criticism, chronicle, poetry and epistolography, the goal is to understand the main concerns confronted by the writer, who made efforts to establish himself in the public sphere by publishing numerous texts in newspapers and magazines of the period. Confronted with the difficult reality of literary tradition in Brazil, it is noteworthy that Drummond elaborated a critical solution to the challenge of formulating a national literature, which, far from conforming to the ideas in vogue, highlights a specificity of his work and of modernism in Minas Gerais. The texts from that period, when examined collectively, reveal that the development of a poetic persona, as well as the first work, was a non-linear process characterized by ruptures and continuities. In this poetics, the investigation focuses on how melancholy resides within the ambiguous constitution of the modern subject, which is formulated in the face of a profoundly contradictory process of modernization, placed as the center of its own personal history, to which the subject turns in an often corrosive way. |
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2023 |
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2023-07-14 |
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2024-06-14T13:52:10Z 2025-09-09T00:01:28Z |
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2024-06-14T13:52:10Z |
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Universidade Federal de Minas Gerais |
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Universidade Federal de Minas Gerais |
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