Os anos de formação de Drummond e a experiência de uma modernidade periférica

Detalhes bibliográficos
Ano de defesa: 2023
Autor(a) principal: Sara Meynard Begname
Orientador(a): Não Informado pela instituição
Banca de defesa: Não Informado pela instituição
Tipo de documento: Dissertação
Tipo de acesso: Acesso aberto
Idioma: por
Instituição de defesa: Universidade Federal de Minas Gerais
Programa de Pós-Graduação: Não Informado pela instituição
Departamento: Não Informado pela instituição
País: Não Informado pela instituição
Palavras-chave em Português:
Link de acesso: https://hdl.handle.net/1843/69198
Resumo: This master's thesis aims to analyze the literary production of Carlos Drummond de Andrade during the 1920s to investigate the formative process of the writer before the publication of his first book, Alguma poesia (1930). Through a comparison between literary criticism, chronicle, poetry and epistolography, the goal is to understand the main concerns confronted by the writer, who made efforts to establish himself in the public sphere by publishing numerous texts in newspapers and magazines of the period. Confronted with the difficult reality of literary tradition in Brazil, it is noteworthy that Drummond elaborated a critical solution to the challenge of formulating a national literature, which, far from conforming to the ideas in vogue, highlights a specificity of his work and of modernism in Minas Gerais. The texts from that period, when examined collectively, reveal that the development of a poetic persona, as well as the first work, was a non-linear process characterized by ruptures and continuities. In this poetics, the investigation focuses on how melancholy resides within the ambiguous constitution of the modern subject, which is formulated in the face of a profoundly contradictory process of modernization, placed as the center of its own personal history, to which the subject turns in an often corrosive way.
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spelling 2024-06-14T13:52:10Z2025-09-09T00:01:28Z2024-06-14T13:52:10Z2023-07-14https://hdl.handle.net/1843/69198This master's thesis aims to analyze the literary production of Carlos Drummond de Andrade during the 1920s to investigate the formative process of the writer before the publication of his first book, Alguma poesia (1930). Through a comparison between literary criticism, chronicle, poetry and epistolography, the goal is to understand the main concerns confronted by the writer, who made efforts to establish himself in the public sphere by publishing numerous texts in newspapers and magazines of the period. Confronted with the difficult reality of literary tradition in Brazil, it is noteworthy that Drummond elaborated a critical solution to the challenge of formulating a national literature, which, far from conforming to the ideas in vogue, highlights a specificity of his work and of modernism in Minas Gerais. The texts from that period, when examined collectively, reveal that the development of a poetic persona, as well as the first work, was a non-linear process characterized by ruptures and continuities. In this poetics, the investigation focuses on how melancholy resides within the ambiguous constitution of the modern subject, which is formulated in the face of a profoundly contradictory process of modernization, placed as the center of its own personal history, to which the subject turns in an often corrosive way.CNPq - Conselho Nacional de Desenvolvimento Científico e TecnológicoporUniversidade Federal de Minas Geraishttp://creativecommons.org/licenses/by-nc-nd/3.0/pt/info:eu-repo/semantics/openAccessCarlos Drummond de Andrademelancoliamodernismo mineiropoesia modernaAndrade, Carlos Drummond de, 1902-1987. – Crítica e interpretaçãoPoesia brasileira – História e críticaModernismo (Literatura) – Minas GeraisMelancolia na literaturaOs anos de formação de Drummond e a experiência de uma modernidade periféricaDrummond's formative years and the experience of peripheral modernityinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisSara Meynard Begnamereponame:Repositório Institucional da UFMGinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGhttp://lattes.cnpq.br/2585944104791092Sérgio Alcides Pereira do Amaralhttp://lattes.cnpq.br/9254941821479342Daniel Reizinger BonomoEucanaã de Nazareno FerrazEsta dissertação propõe uma análise da produção literária de Carlos Drummond de Andrade durante a década de 1920 a fim de investigar o processo formativo do escritor antes da publicação de seu primeiro livro, Alguma poesia (1930). A partir de um cotejo entre crítica literária, crônica, poesia e epistolografia, busca-se compreender as principais inquietações enfrentadas pelo escritor, que empreendeu esforços para se inserir na cena pública, tendo publicado numerosos textos em jornais e revistas do período. Diante da difícil realidade da tradição literária no Brasil, nota-se que Drummond elaborou uma saída crítica ao problema da formulação de uma literatura nacional, que, longe de ser uma adesão às ideias em voga, evidencia uma especificidade de sua obra e do modernismo em Minas Gerais. Os textos do período, tomados em conjunto, revelam que a formulação de uma persona poética, assim como da primeira obra, foi um processo não-linear, marcado por rupturas e continuidades. Nessa poética, investiga-se como a melancolia está na constituição ambígua do sujeito moderno que se formula diante de um processo profundamente contraditório de modernização, posto como centro de sua própria história pessoal, à qual o sujeito se volta de forma muitas vezes corrosiva.BrasilFALE - FACULDADE DE LETRASPrograma de Pós-Graduação em Estudos LiteráriosUFMGORIGINALDissertação. Versão Final..pdfapplication/pdf63856622https://repositorio.ufmg.br//bitstreams/4b4b6b5c-2da3-4f5d-83cd-deb27539070b/downloadcb864bc40d2b1391bf0904457cf600e0MD51trueAnonymousREADCC-LICENSElicense_rdfapplication/octet-stream811https://repositorio.ufmg.br//bitstreams/7edf6725-12c5-47c7-b67d-bce707d6b640/downloadcfd6801dba008cb6adbd9838b81582abMD52falseAnonymousREADLICENSElicense.txttext/plain2118https://repositorio.ufmg.br//bitstreams/b1602506-30dc-4105-baf0-d0b01a19e92d/downloadcda590c95a0b51b4d15f60c9642ca272MD53falseAnonymousREAD1843/691982025-09-08 21:01:28.277http://creativecommons.org/licenses/by-nc-nd/3.0/pt/Acesso Abertoopen.accessoai:repositorio.ufmg.br:1843/69198https://repositorio.ufmg.br/Repositório InstitucionalPUBhttps://repositorio.ufmg.br/oairepositorio@ufmg.bropendoar:2025-09-09T00:01:28Repositório Institucional da UFMG - Universidade Federal de Minas Gerais (UFMG)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
dc.title.none.fl_str_mv Os anos de formação de Drummond e a experiência de uma modernidade periférica
dc.title.alternative.none.fl_str_mv Drummond's formative years and the experience of peripheral modernity
title Os anos de formação de Drummond e a experiência de uma modernidade periférica
spellingShingle Os anos de formação de Drummond e a experiência de uma modernidade periférica
Sara Meynard Begname
Andrade, Carlos Drummond de, 1902-1987. – Crítica e interpretação
Poesia brasileira – História e crítica
Modernismo (Literatura) – Minas Gerais
Melancolia na literatura
Carlos Drummond de Andrade
melancolia
modernismo mineiro
poesia moderna
title_short Os anos de formação de Drummond e a experiência de uma modernidade periférica
title_full Os anos de formação de Drummond e a experiência de uma modernidade periférica
title_fullStr Os anos de formação de Drummond e a experiência de uma modernidade periférica
title_full_unstemmed Os anos de formação de Drummond e a experiência de uma modernidade periférica
title_sort Os anos de formação de Drummond e a experiência de uma modernidade periférica
author Sara Meynard Begname
author_facet Sara Meynard Begname
author_role author
dc.contributor.author.fl_str_mv Sara Meynard Begname
dc.subject.por.fl_str_mv Andrade, Carlos Drummond de, 1902-1987. – Crítica e interpretação
Poesia brasileira – História e crítica
Modernismo (Literatura) – Minas Gerais
Melancolia na literatura
topic Andrade, Carlos Drummond de, 1902-1987. – Crítica e interpretação
Poesia brasileira – História e crítica
Modernismo (Literatura) – Minas Gerais
Melancolia na literatura
Carlos Drummond de Andrade
melancolia
modernismo mineiro
poesia moderna
dc.subject.other.none.fl_str_mv Carlos Drummond de Andrade
melancolia
modernismo mineiro
poesia moderna
description This master's thesis aims to analyze the literary production of Carlos Drummond de Andrade during the 1920s to investigate the formative process of the writer before the publication of his first book, Alguma poesia (1930). Through a comparison between literary criticism, chronicle, poetry and epistolography, the goal is to understand the main concerns confronted by the writer, who made efforts to establish himself in the public sphere by publishing numerous texts in newspapers and magazines of the period. Confronted with the difficult reality of literary tradition in Brazil, it is noteworthy that Drummond elaborated a critical solution to the challenge of formulating a national literature, which, far from conforming to the ideas in vogue, highlights a specificity of his work and of modernism in Minas Gerais. The texts from that period, when examined collectively, reveal that the development of a poetic persona, as well as the first work, was a non-linear process characterized by ruptures and continuities. In this poetics, the investigation focuses on how melancholy resides within the ambiguous constitution of the modern subject, which is formulated in the face of a profoundly contradictory process of modernization, placed as the center of its own personal history, to which the subject turns in an often corrosive way.
publishDate 2023
dc.date.issued.fl_str_mv 2023-07-14
dc.date.accessioned.fl_str_mv 2024-06-14T13:52:10Z
2025-09-09T00:01:28Z
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