Redes de escrituras: confluências narrativas nos livros de processo de A pedra do reino, minissérie de Luiz Fernando Carvalho

• Ano de defesa: 2015
• Autor(a) principal: Tailze Melo Ferreira
• Tipo de documento: Tese
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal de Minas Gerais
• Palavras-chave em Português: Ficção brasileira; Literatura brasileira Adaptações para a televisão; Pensamento crítico; Tradução intersemiótica; A pedra do reino (Minissérie); Televisão Minisséries; Suassuna, Ariano , 1927-2014 Romance d'a pedra do reino e o príncipe do sangue vai-e-volta Crítica e interpretação
• Link de acesso: https://hdl.handle.net/1843/ECAP-9WUJF6

This research investigates the process documents as networks of writing and, accordingly, as well as a space of overlaps and narrative confluences resulting of translating movements. In order to consider the creative process of the series 'A pedra do Reino', we take as object of study the set of the director Luiz Fernando Carvalho's six books of process, published on the occasion of the exhibition of the micro-series in June 2007. The series is a translation of the work 'Romance d' Pedra do Reino e o príncipe do sangue do vai e volta', written by Ariano Suassuna, from Paraíba - Brazil. Thus, in the case of the process of Carvalho's books, the writing movement rases from the dialogue with the work of Suassuna, being therefore, such creative gesture of remarkably intertextual nature. The analysis focuses on the seizure of the translating movement seeking to interpret important points of intersemiotic translation held - even in the form of unfinished - from Suassuna's novel to the animated narrative elements of the micro-series. To undertake such an analysis, we resort to theoretical domains related to genetics and to criticism recently called criticism of process. It is of important conceptual contributions that turn to the investigation of the creative process in different semiotic systems and whose prospects, once linked to the notion of Rhizome, allow us to understand the creation as a network in process. In this way, the reading of the documents in the analyzed process was performed in order to seek interconnect creation procedures that form a network of meanings extracted from always plural possibilities, that the writing presents us with in its genetic moment