O teatro de Machado de Assis - 1860 - 1870: uma alternativa na dramaturgia brasileira

Detalhes bibliográficos
Ano de defesa: 2020
Autor(a) principal: Nilton de Paiva Pinto
Orientador(a): Não Informado pela instituição
Banca de defesa: Não Informado pela instituição
Tipo de documento: Tese
Tipo de acesso: Acesso aberto
Idioma: por
Instituição de defesa: Universidade Federal de Minas Gerais
Programa de Pós-Graduação: Não Informado pela instituição
Departamento: Não Informado pela instituição
País: Não Informado pela instituição
Palavras-chave em Português:
Link de acesso: https://hdl.handle.net/1843/46556
Resumo: This research aimed to analyze the theatrical work of Machado de Assis, from 1860 to 1870. Although this author is well-known for his fictional works, more specifically short stories and novels, little is known about his other literary facets, mainly that of a poet and playwright. Despite the lack of knowledge surrounding his performance in the theatrical field even today, Machado de Assis was a critic, a translator, a censor at the drama conservatory, and the author of several plays. This intense activity allowed him to be an attentive observer of the Brazilian Theater in Rio de Janeiro in his day and to play a major role in the theatrical renovation process that took place, in the mid-nineteenth century, in the Brazilian court. For these reasons, Machado de Assis' dramatic work represents an important source of knowledge that provides a better understanding of the dynamics of Brazilian theater in the second half of the nineteenth century.
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spelling 2022-10-24T21:49:29Z2025-09-08T23:53:17Z2022-10-24T21:49:29Z2020-03-30https://hdl.handle.net/1843/46556This research aimed to analyze the theatrical work of Machado de Assis, from 1860 to 1870. Although this author is well-known for his fictional works, more specifically short stories and novels, little is known about his other literary facets, mainly that of a poet and playwright. Despite the lack of knowledge surrounding his performance in the theatrical field even today, Machado de Assis was a critic, a translator, a censor at the drama conservatory, and the author of several plays. This intense activity allowed him to be an attentive observer of the Brazilian Theater in Rio de Janeiro in his day and to play a major role in the theatrical renovation process that took place, in the mid-nineteenth century, in the Brazilian court. For these reasons, Machado de Assis' dramatic work represents an important source of knowledge that provides a better understanding of the dynamics of Brazilian theater in the second half of the nineteenth century.porUniversidade Federal de Minas GeraisLiteraturaMachado de AssisTeatro RealistaSéculo XIXAssis, Machado de, 1839-1908. – Crítica e interpretaçãoTeatro brasileiro – História e críticaO teatro de Machado de Assis - 1860 - 1870: uma alternativa na dramaturgia brasileirainfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/doctoralThesisNilton de Paiva Pintoinfo:eu-repo/semantics/openAccessreponame:Repositório Institucional da UFMGinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGhttp://lattes.cnpq.br/6009661792448895Marcus Vinícius de Freitashttp://lattes.cnpq.br/6393295940474533Elen de MedeirosJacyntho José Lins BrandãoJoelma Rezende XavierJoão Roberto Gomes de FariaEsta pesquisa teve como objetivo analisar a obra teatral de Machado de Assis, de 1860 a 1870. Embora esse autor seja muito conhecido por suas obras ficcionais, mais especificamente o conto e o romance, pouco se sabe sobre suas outras facetas literárias, principalmente a de poeta e a de dramaturgo. Apesar do desconhecimento que ainda hoje paira sobre a sua atuação na área do teatral, Machado de Assis foi crítico, tradutor, censor do conservatório dramático e autor de várias peças. Essa atuação intensa permitiu a ele ser um observador atento da cena dramática do Rio de Janeiro de seu tempo e um nome importante no processo de renovação teatral que aconteceu, em meados do século XIX, na corte do Brasil. Por tudo isso, a obra dramática de Machado de Assis representa uma fonte de conhecimento importante para que possamos compreender melhor a dinâmica da cena teatral brasileira na segunda metade do Século XIX.https://orcid.org/0000-0003-2925-3426BrasilFALE - FACULDADE DE LETRASPrograma de Pós-Graduação em Estudos LiteráriosUFMGLICENSElicense.txttext/plain2118https://repositorio.ufmg.br//bitstreams/8fb3b724-3e8c-4d21-8ad2-2b3b7b1686f6/downloadcda590c95a0b51b4d15f60c9642ca272MD51falseAnonymousREADORIGINALO TEATRO DE MACHADO DE ASSIS – 1860-1870 - uma alternativa na dramaturgia brasileira.pdfapplication/pdf3168126https://repositorio.ufmg.br//bitstreams/8748bec3-b599-43d8-a520-c220fbafca16/download65658c83a6183f98b85812a5a51c5e36MD52trueAnonymousREAD1843/465562025-09-08 20:53:17.857open.accessoai:repositorio.ufmg.br:1843/46556https://repositorio.ufmg.br/Repositório InstitucionalPUBhttps://repositorio.ufmg.br/oairepositorio@ufmg.bropendoar:2025-09-08T23:53:17Repositório Institucional da UFMG - Universidade Federal de Minas Gerais (UFMG)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
dc.title.none.fl_str_mv O teatro de Machado de Assis - 1860 - 1870: uma alternativa na dramaturgia brasileira
title O teatro de Machado de Assis - 1860 - 1870: uma alternativa na dramaturgia brasileira
spellingShingle O teatro de Machado de Assis - 1860 - 1870: uma alternativa na dramaturgia brasileira
Nilton de Paiva Pinto
Assis, Machado de, 1839-1908. – Crítica e interpretação
Teatro brasileiro – História e crítica
Literatura
Machado de Assis
Teatro Realista
Século XIX
title_short O teatro de Machado de Assis - 1860 - 1870: uma alternativa na dramaturgia brasileira
title_full O teatro de Machado de Assis - 1860 - 1870: uma alternativa na dramaturgia brasileira
title_fullStr O teatro de Machado de Assis - 1860 - 1870: uma alternativa na dramaturgia brasileira
title_full_unstemmed O teatro de Machado de Assis - 1860 - 1870: uma alternativa na dramaturgia brasileira
title_sort O teatro de Machado de Assis - 1860 - 1870: uma alternativa na dramaturgia brasileira
author Nilton de Paiva Pinto
author_facet Nilton de Paiva Pinto
author_role author
dc.contributor.author.fl_str_mv Nilton de Paiva Pinto
dc.subject.por.fl_str_mv Assis, Machado de, 1839-1908. – Crítica e interpretação
Teatro brasileiro – História e crítica
topic Assis, Machado de, 1839-1908. – Crítica e interpretação
Teatro brasileiro – História e crítica
Literatura
Machado de Assis
Teatro Realista
Século XIX
dc.subject.other.none.fl_str_mv Literatura
Machado de Assis
Teatro Realista
Século XIX
description This research aimed to analyze the theatrical work of Machado de Assis, from 1860 to 1870. Although this author is well-known for his fictional works, more specifically short stories and novels, little is known about his other literary facets, mainly that of a poet and playwright. Despite the lack of knowledge surrounding his performance in the theatrical field even today, Machado de Assis was a critic, a translator, a censor at the drama conservatory, and the author of several plays. This intense activity allowed him to be an attentive observer of the Brazilian Theater in Rio de Janeiro in his day and to play a major role in the theatrical renovation process that took place, in the mid-nineteenth century, in the Brazilian court. For these reasons, Machado de Assis' dramatic work represents an important source of knowledge that provides a better understanding of the dynamics of Brazilian theater in the second half of the nineteenth century.
publishDate 2020
dc.date.issued.fl_str_mv 2020-03-30
dc.date.accessioned.fl_str_mv 2022-10-24T21:49:29Z
2025-09-08T23:53:17Z
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