Pipiruí e caixa de assovio: tocadores de pífanos e caixas nas festas de reinado
| Ano de defesa: | 2009 |
|---|---|
| Autor(a) principal: | |
| Orientador(a): | |
| Banca de defesa: | |
| Tipo de documento: | Dissertação |
| Tipo de acesso: | Acesso aberto |
| Idioma: | por |
| Instituição de defesa: |
Universidade Federal de Minas Gerais
|
| Programa de Pós-Graduação: |
Não Informado pela instituição
|
| Departamento: |
Não Informado pela instituição
|
| País: |
Não Informado pela instituição
|
| Palavras-chave em Português: | |
| Link de acesso: | https://hdl.handle.net/1843/GMMA-7XNFTX |
Resumo: | This work aimed at establishing a panorama about the performance of fife and drum players at the reinado feasts, in Minas Gerais, with emphasis on the musicological analysis of two groups belonging to this style: Pipiruí, from Conceição do Mato Dentro and Caixa de Assovio, from Serro. The reinado feasts were promoted since the colonial period by the Our Lady of the Rosary sisterhoods. The research was developed upon a variety of sources: sisterhood documents, historical and memorialist literature, musical instruments, interviews, photographs, movies, recordings, among others. It was also analysed here the European military filiation of these players, according to several evidences of the existence of these groups in that continent, consolidated in the Renaissance period and in the ambit of the Portuguese military forces in Brazil. The study was complemented with a survey that included the activity of at least five other fife and drum groups from the present time or that existed in the past, in the State of Minas. The informations about the groups were confronted generating a comparative chart that included instrumentation, repertoire and kinds of functions played in the contexts in which they perform. |
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Pipiruí e caixa de assovio: tocadores de pífanos e caixas nas festas de reinadoMúsicaCaixa de AssovioFestas de ReinadoPipiruíThis work aimed at establishing a panorama about the performance of fife and drum players at the reinado feasts, in Minas Gerais, with emphasis on the musicological analysis of two groups belonging to this style: Pipiruí, from Conceição do Mato Dentro and Caixa de Assovio, from Serro. The reinado feasts were promoted since the colonial period by the Our Lady of the Rosary sisterhoods. The research was developed upon a variety of sources: sisterhood documents, historical and memorialist literature, musical instruments, interviews, photographs, movies, recordings, among others. It was also analysed here the European military filiation of these players, according to several evidences of the existence of these groups in that continent, consolidated in the Renaissance period and in the ambit of the Portuguese military forces in Brazil. The study was complemented with a survey that included the activity of at least five other fife and drum groups from the present time or that existed in the past, in the State of Minas. The informations about the groups were confronted generating a comparative chart that included instrumentation, repertoire and kinds of functions played in the contexts in which they perform.Universidade Federal de Minas Gerais2019-08-10T10:08:55Z2025-09-08T23:47:42Z2019-08-10T10:08:55Z2009-03-26info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisapplication/pdfhttps://hdl.handle.net/1843/GMMA-7XNFTXDaniel de Lima Magalhaesinfo:eu-repo/semantics/openAccessporreponame:Repositório Institucional da UFMGinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMG2025-09-08T23:47:42Zoai:repositorio.ufmg.br:1843/GMMA-7XNFTXRepositório InstitucionalPUBhttps://repositorio.ufmg.br/oairepositorio@ufmg.bropendoar:2025-09-08T23:47:42Repositório Institucional da UFMG - Universidade Federal de Minas Gerais (UFMG)false |
| dc.title.none.fl_str_mv |
Pipiruí e caixa de assovio: tocadores de pífanos e caixas nas festas de reinado |
| title |
Pipiruí e caixa de assovio: tocadores de pífanos e caixas nas festas de reinado |
| spellingShingle |
Pipiruí e caixa de assovio: tocadores de pífanos e caixas nas festas de reinado Daniel de Lima Magalhaes Música Caixa de Assovio Festas de Reinado Pipiruí |
| title_short |
Pipiruí e caixa de assovio: tocadores de pífanos e caixas nas festas de reinado |
| title_full |
Pipiruí e caixa de assovio: tocadores de pífanos e caixas nas festas de reinado |
| title_fullStr |
Pipiruí e caixa de assovio: tocadores de pífanos e caixas nas festas de reinado |
| title_full_unstemmed |
Pipiruí e caixa de assovio: tocadores de pífanos e caixas nas festas de reinado |
| title_sort |
Pipiruí e caixa de assovio: tocadores de pífanos e caixas nas festas de reinado |
| author |
Daniel de Lima Magalhaes |
| author_facet |
Daniel de Lima Magalhaes |
| author_role |
author |
| dc.contributor.author.fl_str_mv |
Daniel de Lima Magalhaes |
| dc.subject.por.fl_str_mv |
Música Caixa de Assovio Festas de Reinado Pipiruí |
| topic |
Música Caixa de Assovio Festas de Reinado Pipiruí |
| description |
This work aimed at establishing a panorama about the performance of fife and drum players at the reinado feasts, in Minas Gerais, with emphasis on the musicological analysis of two groups belonging to this style: Pipiruí, from Conceição do Mato Dentro and Caixa de Assovio, from Serro. The reinado feasts were promoted since the colonial period by the Our Lady of the Rosary sisterhoods. The research was developed upon a variety of sources: sisterhood documents, historical and memorialist literature, musical instruments, interviews, photographs, movies, recordings, among others. It was also analysed here the European military filiation of these players, according to several evidences of the existence of these groups in that continent, consolidated in the Renaissance period and in the ambit of the Portuguese military forces in Brazil. The study was complemented with a survey that included the activity of at least five other fife and drum groups from the present time or that existed in the past, in the State of Minas. The informations about the groups were confronted generating a comparative chart that included instrumentation, repertoire and kinds of functions played in the contexts in which they perform. |
| publishDate |
2009 |
| dc.date.none.fl_str_mv |
2009-03-26 2019-08-10T10:08:55Z 2019-08-10T10:08:55Z 2025-09-08T23:47:42Z |
| dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
| dc.type.driver.fl_str_mv |
info:eu-repo/semantics/masterThesis |
| format |
masterThesis |
| status_str |
publishedVersion |
| dc.identifier.uri.fl_str_mv |
https://hdl.handle.net/1843/GMMA-7XNFTX |
| url |
https://hdl.handle.net/1843/GMMA-7XNFTX |
| dc.language.iso.fl_str_mv |
por |
| language |
por |
| dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
| eu_rights_str_mv |
openAccess |
| dc.format.none.fl_str_mv |
application/pdf |
| dc.publisher.none.fl_str_mv |
Universidade Federal de Minas Gerais |
| publisher.none.fl_str_mv |
Universidade Federal de Minas Gerais |
| dc.source.none.fl_str_mv |
reponame:Repositório Institucional da UFMG instname:Universidade Federal de Minas Gerais (UFMG) instacron:UFMG |
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Universidade Federal de Minas Gerais (UFMG) |
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UFMG |
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UFMG |
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Repositório Institucional da UFMG |
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Repositório Institucional da UFMG |
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Repositório Institucional da UFMG - Universidade Federal de Minas Gerais (UFMG) |
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repositorio@ufmg.br |
| _version_ |
1856413954800091136 |