FIGURAÇÕES DO INTELECTUAL MODERNISTA NA OBRA DE CYRO DOS ANJOS

Detalhes bibliográficos
Ano de defesa: 2023
Autor(a) principal: RAUL GOMES DA SILVA
Orientador(a): Rosana Cristina Zanelatto Santos
Banca de defesa: Não Informado pela instituição
Tipo de documento: Tese
Tipo de acesso: Acesso aberto
Idioma: por
Instituição de defesa: Fundação Universidade Federal de Mato Grosso do Sul
Programa de Pós-Graduação: Não Informado pela instituição
Departamento: Não Informado pela instituição
País: Brasil
Palavras-chave em Português:
Link de acesso: https://repositorio.ufms.br/handle/123456789/8260
Resumo: This thesis analyzes the figurations of the modernist intellectual in the work of Cyro dos Anjos, based on the author's journalistic texts, the letters exchanged with the poet Carlos Drummond, organized in the book Cyro & Drummond: correspondências de Cyro dos Anjos e Carlos Drummond de Andrade, by Wander Melo Miranda and Roberto Said (2012), and his three novels, Amanuense Belmiro (1937), Abdias (1945) and Montanha (1956). The aim was to point out the processes of inscription of the modernist intellectual in the collective memory, the conscious engendering of the subject, the construction and destruction of selfimages, the manipulation of his own archive as a gesture of performance and the implications of these procedures for understanding Brazilian late modernity in its plural and fragmentary aspect. It examined the role of the writer as an intellectual, the relations maintained with the state, the processes of artistic creation, taking into account the ambiguities and contradictions, the unfinished nature and erasure of intimate and autofictional writing, as well as the displacements operated on hegemonic identities and power relations. The research pointed to the diffuse and melancholic nature of intellectual performance, seen as intrinsic to the country's urban modernization process and the conflicts arising from the transit between the archaic and the modern, the rural and the urban, the regional and the cosmopolitan. This proposal was developed in dialogue with Eneida Maria de Souza (1998), (2011), Luís Bueno (2015), Leonor Arfuch (2010), Mônica Velloso (1987), Sergio Miceli (2001), Michael Löwy and Robert Sayre (2015), Edward Said (2005), Julien Benda (2007), among others.
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spelling 2024-01-12T11:40:54Z2024-01-12T11:40:54Z2023https://repositorio.ufms.br/handle/123456789/8260This thesis analyzes the figurations of the modernist intellectual in the work of Cyro dos Anjos, based on the author's journalistic texts, the letters exchanged with the poet Carlos Drummond, organized in the book Cyro & Drummond: correspondências de Cyro dos Anjos e Carlos Drummond de Andrade, by Wander Melo Miranda and Roberto Said (2012), and his three novels, Amanuense Belmiro (1937), Abdias (1945) and Montanha (1956). The aim was to point out the processes of inscription of the modernist intellectual in the collective memory, the conscious engendering of the subject, the construction and destruction of selfimages, the manipulation of his own archive as a gesture of performance and the implications of these procedures for understanding Brazilian late modernity in its plural and fragmentary aspect. It examined the role of the writer as an intellectual, the relations maintained with the state, the processes of artistic creation, taking into account the ambiguities and contradictions, the unfinished nature and erasure of intimate and autofictional writing, as well as the displacements operated on hegemonic identities and power relations. The research pointed to the diffuse and melancholic nature of intellectual performance, seen as intrinsic to the country's urban modernization process and the conflicts arising from the transit between the archaic and the modern, the rural and the urban, the regional and the cosmopolitan. This proposal was developed in dialogue with Eneida Maria de Souza (1998), (2011), Luís Bueno (2015), Leonor Arfuch (2010), Mônica Velloso (1987), Sergio Miceli (2001), Michael Löwy and Robert Sayre (2015), Edward Said (2005), Julien Benda (2007), among others.A presente tese realiza uma análise das figurações do intelectual modernista na obra de Cyro dos Anjos, a partir de textos jornalísticos do autor, das cartas intercambiadas com o poeta Carlos Drummond, organizadas no livro Cyro & Drummond: correspondências de Cyro dos Anjos e Carlos Drummond de Andrade, por Wander Melo Miranda e Roberto Said (2012), e dos seus três romances, amanuense Belmiro (1937), Abdias (1945) e Montanha (1956). Buscou-se apontar os processos de inscrição do intelectual modernista na memória coletiva, o engendramento consciente do sujeito, a construção e destruição de imagens de si, a manipulação do seu próprio arquivo como um gesto de performance e as implicações desses procedimentos para a compreensão da modernidade tardia brasileira em seu aspecto plural e fragmentário. Examinou-se o papel do escritor como intelectual, as relações mantidas com o Estado, os processos de criação artística, levando em consideração as ambiguidades e contradições, o caráter de inacabamento e de rasura da escrita íntima e autoficcional, assim como os deslocamentos operados nas identidades hegemônicas e nas relações de poder. As investigações apontaram a natureza difusa e melancólica da atuação intelectual, apreendida como intrínseca ao processo de modernização urbana do país e aos conflitos decorrentes do trânsito entre o arcaico e o moderno, o rural e o urbano, o regional e o cosmopolita. Tal proposta foi desdobrada em diálogo com Eneida Maria de Souza (1998), (2011), Luís Bueno (2015), Leonor Arfuch (2010), Mônica Velloso (1987), Sergio Miceli (2001), Michael Löwy e Robert Sayre (2015), Edward Said (2005), Julien Benda (2007), entre outros.Fundação Universidade Federal de Mato Grosso do SulUFMSBrasilCyro dos AnjosIntelectual modernistaRomancesDiário íntimo, FiguraçõesFIGURAÇÕES DO INTELECTUAL MODERNISTA NA OBRA DE CYRO DOS ANJOSinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/doctoralThesisRosana Cristina Zanelatto SantosRAUL GOMES DA SILVAinfo:eu-repo/semantics/openAccessporreponame:Repositório Institucional da UFMSinstname:Universidade Federal de Mato Grosso do Sul (UFMS)instacron:UFMSORIGINALTese.pdfTese.pdfapplication/pdf1345293https://repositorio.ufms.br/bitstream/123456789/8260/-1/Tese.pdf51203d13b506193dc37c69641079dea5MD5-1123456789/82602024-01-12 07:40:55.887oai:repositorio.ufms.br:123456789/8260Repositório InstitucionalPUBhttps://repositorio.ufms.br/oai/requestri.prograd@ufms.bropendoar:21242024-01-12T11:40:55Repositório Institucional da UFMS - Universidade Federal de Mato Grosso do Sul (UFMS)false
dc.title.pt_BR.fl_str_mv FIGURAÇÕES DO INTELECTUAL MODERNISTA NA OBRA DE CYRO DOS ANJOS
title FIGURAÇÕES DO INTELECTUAL MODERNISTA NA OBRA DE CYRO DOS ANJOS
spellingShingle FIGURAÇÕES DO INTELECTUAL MODERNISTA NA OBRA DE CYRO DOS ANJOS
RAUL GOMES DA SILVA
Cyro dos Anjos
Intelectual modernista
Romances
Diário íntimo, Figurações
title_short FIGURAÇÕES DO INTELECTUAL MODERNISTA NA OBRA DE CYRO DOS ANJOS
title_full FIGURAÇÕES DO INTELECTUAL MODERNISTA NA OBRA DE CYRO DOS ANJOS
title_fullStr FIGURAÇÕES DO INTELECTUAL MODERNISTA NA OBRA DE CYRO DOS ANJOS
title_full_unstemmed FIGURAÇÕES DO INTELECTUAL MODERNISTA NA OBRA DE CYRO DOS ANJOS
title_sort FIGURAÇÕES DO INTELECTUAL MODERNISTA NA OBRA DE CYRO DOS ANJOS
author RAUL GOMES DA SILVA
author_facet RAUL GOMES DA SILVA
author_role author
dc.contributor.advisor1.fl_str_mv Rosana Cristina Zanelatto Santos
dc.contributor.author.fl_str_mv RAUL GOMES DA SILVA
contributor_str_mv Rosana Cristina Zanelatto Santos
dc.subject.por.fl_str_mv Cyro dos Anjos
Intelectual modernista
Romances
Diário íntimo, Figurações
topic Cyro dos Anjos
Intelectual modernista
Romances
Diário íntimo, Figurações
description This thesis analyzes the figurations of the modernist intellectual in the work of Cyro dos Anjos, based on the author's journalistic texts, the letters exchanged with the poet Carlos Drummond, organized in the book Cyro & Drummond: correspondências de Cyro dos Anjos e Carlos Drummond de Andrade, by Wander Melo Miranda and Roberto Said (2012), and his three novels, Amanuense Belmiro (1937), Abdias (1945) and Montanha (1956). The aim was to point out the processes of inscription of the modernist intellectual in the collective memory, the conscious engendering of the subject, the construction and destruction of selfimages, the manipulation of his own archive as a gesture of performance and the implications of these procedures for understanding Brazilian late modernity in its plural and fragmentary aspect. It examined the role of the writer as an intellectual, the relations maintained with the state, the processes of artistic creation, taking into account the ambiguities and contradictions, the unfinished nature and erasure of intimate and autofictional writing, as well as the displacements operated on hegemonic identities and power relations. The research pointed to the diffuse and melancholic nature of intellectual performance, seen as intrinsic to the country's urban modernization process and the conflicts arising from the transit between the archaic and the modern, the rural and the urban, the regional and the cosmopolitan. This proposal was developed in dialogue with Eneida Maria de Souza (1998), (2011), Luís Bueno (2015), Leonor Arfuch (2010), Mônica Velloso (1987), Sergio Miceli (2001), Michael Löwy and Robert Sayre (2015), Edward Said (2005), Julien Benda (2007), among others.
publishDate 2023
dc.date.issued.fl_str_mv 2023
dc.date.accessioned.fl_str_mv 2024-01-12T11:40:54Z
dc.date.available.fl_str_mv 2024-01-12T11:40:54Z
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/doctoralThesis
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dc.publisher.none.fl_str_mv Fundação Universidade Federal de Mato Grosso do Sul
dc.publisher.initials.fl_str_mv UFMS
dc.publisher.country.fl_str_mv Brasil
publisher.none.fl_str_mv Fundação Universidade Federal de Mato Grosso do Sul
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reponame_str Repositório Institucional da UFMS
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