Estratégias de desenvolvimento da embocadura, técnica e preparação para performance do trompetista: um estudo autobiográfico considerando o uso do aparelho ortodôntico fixo

• Ano de defesa: 2018
• Autor(a) principal: Silveira, Thiago Sousa
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Brasil; UFRN; PROGRAMA DE PÓS-GRADUAÇÃO EM MÚSICA
• Palavras-chave em Português: Pedagogia da performance instrumental; Prática do trompete; Embocadura; Aparelho ortodôntico.; CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES::MUSICA
• Link de acesso: https://repositorio.ufrn.br/jspui/handle/123456789/26723

The present work deals with an autobiographical study in which an interdisciplinary relationship between the Pedagogy of Instrumental Performance and the Health Sciences is exposed, in this case, Dentistry. By looking at the best understanding of this conjuncture, this research is based on the methodological representation of a triangulation of data collection, contemplating respectively three pillars, which in turn, develop the three chapters of this dissertation, to know: a literature review of the technical and orthodontic aspects concerning embouchure: an autobiographical account of the processes of adaptation and development of the trumpet embouchure at the expense of the use of the fixed orthodontic appliance; an analytical and evaluative approach to technical-instrumental performance. With this, we aim to bring the point of view of practice and instrumental performance, presenting the influences that the use of the fixed orthodontic appliance could infer in the development of the mouth, technique and preparation for the performance of the trumpet player in question, besides the methodological alternatives found to deal with this circumstance and the results obtained during the experience lived by the object of this study. Thus, observing the use of the orthodontic appliance, with this experience, some basic problems related to the functioning of the muscles of the face that, by being directly in contact with the mechanisms of this apparatus, end up harming the work performed by the mouth, as well as the use of the technique in its instrumental performance.