A causa material em o olho de vidro do meu avô: a quadrilogia da matéria

• Ano de defesa: 2016
• Autor(a) principal: Freire, Francielly Câmara Lopes
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Brasil; UFRN; PROGRAMA DE PÓS-GRADUAÇÃO EM ESTUDOS DA LINGUAGEM
• Palavras-chave em Português: O olho de vidro do meu avô; Devaneio; Imaginário; CNPQ::LINGUISTICA, LETRAS E ARTES::LINGUISTICA
• Link de acesso: https://repositorio.ufrn.br/jspui/handle/123456789/22062

In O olho de vidro do meu avô," Bartolomeu Campos de Queirós shoots his mnesic current from an object that embodies the sense of sight and makes up space for a synesthetic perception of the world: the eye. Not keen eye, organ, but the eye objectified, the glass eye. This object is dissected in all its possibilities, from its materiality in search of the heart of copyright reverie. From this, it analyzes the work from the perspective of aesthetic reverie Gaston Bachelard, seeking a depth psychology of the pictures imagined by the writer. Within that depth psychology, we seek the root causes of imagery gathered in the narrative. Is identified, then a formal cause behind certain synesthetic images and their sensations of touch, smell, taste, hearing and vision. Likewise, if it severs the material cause the images encoding a deep psychology of the elements fire, earth, water and air. In this way, we seek to understand how the shape of the eye synthesizes a range of psychological sensitivities that are beyond the writer's own style, finding resonance in all literature. After the discovery of the way eye, it goes in search of something more intimate, matter. Therefore, it is essential to understand how the eye glass contains in itself aesthetic reflections of matter proposed by Bachelard. A series of images and constructions of O olho de vidro do meu avô reflect the forces of hardness of earth, fire sexuality, maternity water and air movement.