Sinfonia para violino solo de Caio Facó: interações entre compositor e intérprete

• Ano de defesa: 2019
• Autor(a) principal: Araújo, Antonio Renato de
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Brasil; UFRN; PROGRAMA DE PÓS-GRADUAÇÃO EM MÚSICA
• Palavras-chave em Português: Sinfonia para violino solo; Caio Facó; Música Armorial; CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES::MUSICA
• Link de acesso: https://repositorio.ufrn.br/jspui/handle/123456789/28942

This work presents an account of the interaction between composer and performer on the construction of the interpretation of the work Sinfonia Para Violino Solo by Caio Facó, commissioned especially for this research. The proposal for the order was that the composition was inspired by the aesthetics of Armorial Music, coupled with the compositional techniques already used by Caio Facó in his compositional process. In the literature review carried out in this research, no papers were found dealing with the compositional trajectory of Caio Facó, with the exception of his graduation work and his master's thesis; so it was decided to dedicate a part of this work to the life and work of the composer. The research also has a structural analysis of the Sinfonia, which may facilitate understanding about the piece. It also addresses some of the methodological tools used in the research. This research will result in an interpretative proposal for the work, built in contact with the composer, which can serve as a basis for future interpretations, a detailed edition of the score, as well as an audio-visual record.