Cultura participativa na cibercinefilia : produção e consumo cinéfilo na internet
Ano de defesa: | 2017 |
---|---|
Autor(a) principal: | |
Orientador(a): | |
Banca de defesa: | , |
Tipo de documento: | Dissertação |
Tipo de acesso: | Acesso aberto |
Idioma: | por |
Instituição de defesa: |
Escola Superior de Propaganda e Marketing
|
Programa de Pós-Graduação: |
Programa de Mestrado em Comunicação e Práticas de Consumo
|
Departamento: |
ESPM::Pós-Graduação Stricto Sensu
|
País: |
Brasil
|
Palavras-chave em Português: | |
Palavras-chave em Inglês: | |
Área do conhecimento CNPq: | |
Link de acesso: | http://tede2.espm.br/handle/tede/253 |
Resumo: | The cinephile universe is recognized as an active sphere of cultural consumption and sociability who has in the reflexivity on the cinematographic works his mark. Be a movie buff, along the history, constitutes itself as a way of being. This research took as its object the cinéfilas in the digital environment. These practices of cultural consumption make up what we call such as cybercryphilia, a way of relating to cinema that has made use of the technological possibilities to connect people with close access to cinematographic works, dissemination of information, independent productions and reflections criticism as well as promoting the online debate on seventh art. To support reflection proposal, a dense bibliographical research sought to establish articulations between the studies of communication and consumption, cinema and cyberculture. In an empirical approach of the phenomenon, we investigate cybercryphilia environments through virtual ethnography and examine more detail a forum for sharing movies on the internet. The results that cibercinephilia has broadened and diversified cinema practices and proved to be a movement of resistance to the hegemonic logics of the great global film industry, by conflicts between free-sharing advocates and holders of intellectual property rights. The broad access to films and information made possible by cybercryphilia allows the cinephile develop more autonomously his expertise and judgment on the cinema than in the past. |
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Castro, Gisela Grangeiro da SilvaCasaqui, VanderSchvarzman, Sheila053.310.177-89http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4906459U0Ofemann, Rafael José Oliveira2017-11-22T12:58:22Z2017-05-19Ofemann, Rafael José Oliveira. Cultura participativa na cibercinefilia : produção e consumo cinéfilo na internet. 2017. [111 f.]. Dissertação ( Programa de Mestrado em Comunicação e Práticas de Consumo) - Escola Superior de Propaganda e Marketing, [São Paulo] .http://tede2.espm.br/handle/tede/253The cinephile universe is recognized as an active sphere of cultural consumption and sociability who has in the reflexivity on the cinematographic works his mark. Be a movie buff, along the history, constitutes itself as a way of being. This research took as its object the cinéfilas in the digital environment. These practices of cultural consumption make up what we call such as cybercryphilia, a way of relating to cinema that has made use of the technological possibilities to connect people with close access to cinematographic works, dissemination of information, independent productions and reflections criticism as well as promoting the online debate on seventh art. To support reflection proposal, a dense bibliographical research sought to establish articulations between the studies of communication and consumption, cinema and cyberculture. In an empirical approach of the phenomenon, we investigate cybercryphilia environments through virtual ethnography and examine more detail a forum for sharing movies on the internet. The results that cibercinephilia has broadened and diversified cinema practices and proved to be a movement of resistance to the hegemonic logics of the great global film industry, by conflicts between free-sharing advocates and holders of intellectual property rights. The broad access to films and information made possible by cybercryphilia allows the cinephile develop more autonomously his expertise and judgment on the cinema than in the past.O universo cinéfilo é reconhecidamente uma esfera ativa de consumo cultural e sociabilidade que tem na reflexividade sobre as obras cinematográficas sua marca. Ser cinéfilo, ao longo da história, constitui-se como um modo de ser. Esta pesquisa tomou como objeto as práticas cinéfilas no ambiente digital. Estas práticas de consumo cultural perfazem o que denominamos como cibercinefilia, uma forma de se relacionar com o cinema que tem feito uso das possibilidades tecnológicas atuais para conectar pessoas com interesses próximos, ampliar o acesso a obras cinematográficas, disseminar informações, produções independentes e reflexões críticas, bem como promover o debate online sobre a sétima arte. Para fundamentar a reflexão proposta, uma densa pesquisa bibliográfica buscou estabelecer articulações entre os estudos de comunicação e consumo, cinema e cibercultura. Em uma abordagem empírica do fenômeno, investigamos por meio da etnografia virtual ambientes de cibercinefilia e examinamos com mais detalhe um fórum de compartilhamento de filmes na internet. Os resultados demonstram que a cibercinefilia ampliou e diversificou as práticas cinéfilas e revelou ser um movimento de resistência às lógicas hegemônicas da grande indústria cinematográfica global, ao embarcar os conflitos entre os defensores do livre compartilhamento e os detentores de direito intelectual. O amplo acesso a filmes e informação possibilitados pela cibercinefilia permite que o cinéfilo desenvolva de maneira mais autônoma sua perícia e juízo sobre o cinema do que no passado.Submitted by Adriana Alves Rodrigues (aalves@espm.br) on 2017-11-16T13:40:14Z No. of bitstreams: 1 RAFAEL J OLIVEIRA OFEMANN.pdf: 1794512 bytes, checksum: 6cfea8e99d965205d8dac35d39e46e3f (MD5)Approved for entry into archive by Adriana Alves Rodrigues (aalves@espm.br) on 2017-11-16T13:40:36Z (GMT) No. of bitstreams: 1 RAFAEL J OLIVEIRA OFEMANN.pdf: 1794512 bytes, checksum: 6cfea8e99d965205d8dac35d39e46e3f (MD5)Approved for entry into archive by Ana Cristina Ropero (ana@espm.br) on 2017-11-22T12:58:09Z (GMT) No. of bitstreams: 1 RAFAEL J OLIVEIRA OFEMANN.pdf: 1794512 bytes, checksum: 6cfea8e99d965205d8dac35d39e46e3f (MD5)Made available in DSpace on 2017-11-22T12:58:22Z (GMT). No. of bitstreams: 1 RAFAEL J OLIVEIRA OFEMANN.pdf: 1794512 bytes, checksum: 6cfea8e99d965205d8dac35d39e46e3f (MD5) Previous issue date: 2017-05-19application/pdfhttp://tede2.espm.br/retrieve/719/RAFAEL%20J%20OLIVEIRA%20OFEMANN.pdf.jpgporEscola Superior de Propaganda e MarketingPrograma de Mestrado em Comunicação e Práticas de ConsumoESPMBrasilESPM::Pós-Graduação Stricto Sensucomunicação e consumo; cibercultura; cinefilia; cinema; cultura participativacommunication and consumption; cyberculture; cinefilia; movie theater; participatory cultureCIENCIAS SOCIAIS APLICADAS::COMUNICACAOCultura participativa na cibercinefilia : produção e consumo cinéfilo na internetParticipatory culture in cyber-cynics: production and consumption on the internetinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesis1478719854366591830500500600-4455193753091852328-4056021055502874573info:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações da ESPMinstname:Escola Superior de Propaganda e Marketing (ESPM)instacron:ESPMORIGINALRAFAEL J OLIVEIRA OFEMANN.pdfRAFAEL J OLIVEIRA OFEMANN.pdfapplication/pdf1794512http://tede2.espm.br:8080/tede/bitstream/tede/253/2/RAFAEL+J+OLIVEIRA+OFEMANN.pdf6cfea8e99d965205d8dac35d39e46e3fMD52LICENSElicense.txtlicense.txttext/plain; charset=utf-81912http://tede2.espm.br:8080/tede/bitstream/tede/253/1/license.txt652c58b294e08ded719d10bdbc42f8ceMD51TEXTRAFAEL J OLIVEIRA OFEMANN.pdf.txtRAFAEL J OLIVEIRA OFEMANN.pdf.txttext/plain288608http://tede2.espm.br:8080/tede/bitstream/tede/253/3/RAFAEL+J+OLIVEIRA+OFEMANN.pdf.txt0867320806e413f369b3df9706e5a34cMD53THUMBNAILRAFAEL J OLIVEIRA OFEMANN.pdf.jpgRAFAEL J OLIVEIRA OFEMANN.pdf.jpgimage/jpeg2166http://tede2.espm.br:8080/tede/bitstream/tede/253/4/RAFAEL+J+OLIVEIRA+OFEMANN.pdf.jpg5a458ca838d417478f1a69dbf49f4b56MD54tede/2532017-11-23 01:01:14.989oai:tede2.espm.br: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Biblioteca Digital de Teses e Dissertaçõeshttps://tede2.espm.br/http://tede2.espm.br/oai/requestacervodigital@espm.br||hribeiro@espm.bropendoar:2017-11-23T03:01:14Biblioteca Digital de Teses e Dissertações da ESPM - Escola Superior de Propaganda e Marketing (ESPM)false |
dc.title.por.fl_str_mv |
Cultura participativa na cibercinefilia : produção e consumo cinéfilo na internet |
dc.title.alternative.eng.fl_str_mv |
Participatory culture in cyber-cynics: production and consumption on the internet |
title |
Cultura participativa na cibercinefilia : produção e consumo cinéfilo na internet |
spellingShingle |
Cultura participativa na cibercinefilia : produção e consumo cinéfilo na internet Ofemann, Rafael José Oliveira comunicação e consumo; cibercultura; cinefilia; cinema; cultura participativa communication and consumption; cyberculture; cinefilia; movie theater; participatory culture CIENCIAS SOCIAIS APLICADAS::COMUNICACAO |
title_short |
Cultura participativa na cibercinefilia : produção e consumo cinéfilo na internet |
title_full |
Cultura participativa na cibercinefilia : produção e consumo cinéfilo na internet |
title_fullStr |
Cultura participativa na cibercinefilia : produção e consumo cinéfilo na internet |
title_full_unstemmed |
Cultura participativa na cibercinefilia : produção e consumo cinéfilo na internet |
title_sort |
Cultura participativa na cibercinefilia : produção e consumo cinéfilo na internet |
author |
Ofemann, Rafael José Oliveira |
author_facet |
Ofemann, Rafael José Oliveira |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Castro, Gisela Grangeiro da Silva |
dc.contributor.referee1.fl_str_mv |
Casaqui, Vander |
dc.contributor.referee2.fl_str_mv |
Schvarzman, Sheila |
dc.contributor.authorID.fl_str_mv |
053.310.177-89 |
dc.contributor.authorLattes.fl_str_mv |
http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4906459U0 |
dc.contributor.author.fl_str_mv |
Ofemann, Rafael José Oliveira |
contributor_str_mv |
Castro, Gisela Grangeiro da Silva Casaqui, Vander Schvarzman, Sheila |
dc.subject.por.fl_str_mv |
comunicação e consumo; cibercultura; cinefilia; cinema; cultura participativa |
topic |
comunicação e consumo; cibercultura; cinefilia; cinema; cultura participativa communication and consumption; cyberculture; cinefilia; movie theater; participatory culture CIENCIAS SOCIAIS APLICADAS::COMUNICACAO |
dc.subject.eng.fl_str_mv |
communication and consumption; cyberculture; cinefilia; movie theater; participatory culture |
dc.subject.cnpq.fl_str_mv |
CIENCIAS SOCIAIS APLICADAS::COMUNICACAO |
description |
The cinephile universe is recognized as an active sphere of cultural consumption and sociability who has in the reflexivity on the cinematographic works his mark. Be a movie buff, along the history, constitutes itself as a way of being. This research took as its object the cinéfilas in the digital environment. These practices of cultural consumption make up what we call such as cybercryphilia, a way of relating to cinema that has made use of the technological possibilities to connect people with close access to cinematographic works, dissemination of information, independent productions and reflections criticism as well as promoting the online debate on seventh art. To support reflection proposal, a dense bibliographical research sought to establish articulations between the studies of communication and consumption, cinema and cyberculture. In an empirical approach of the phenomenon, we investigate cybercryphilia environments through virtual ethnography and examine more detail a forum for sharing movies on the internet. The results that cibercinephilia has broadened and diversified cinema practices and proved to be a movement of resistance to the hegemonic logics of the great global film industry, by conflicts between free-sharing advocates and holders of intellectual property rights. The broad access to films and information made possible by cybercryphilia allows the cinephile develop more autonomously his expertise and judgment on the cinema than in the past. |
publishDate |
2017 |
dc.date.accessioned.fl_str_mv |
2017-11-22T12:58:22Z |
dc.date.issued.fl_str_mv |
2017-05-19 |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/masterThesis |
format |
masterThesis |
status_str |
publishedVersion |
dc.identifier.citation.fl_str_mv |
Ofemann, Rafael José Oliveira. Cultura participativa na cibercinefilia : produção e consumo cinéfilo na internet. 2017. [111 f.]. Dissertação ( Programa de Mestrado em Comunicação e Práticas de Consumo) - Escola Superior de Propaganda e Marketing, [São Paulo] . |
dc.identifier.uri.fl_str_mv |
http://tede2.espm.br/handle/tede/253 |
identifier_str_mv |
Ofemann, Rafael José Oliveira. Cultura participativa na cibercinefilia : produção e consumo cinéfilo na internet. 2017. [111 f.]. Dissertação ( Programa de Mestrado em Comunicação e Práticas de Consumo) - Escola Superior de Propaganda e Marketing, [São Paulo] . |
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Escola Superior de Propaganda e Marketing |
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ESPM |
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Escola Superior de Propaganda e Marketing |
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