A velhice e o envelhecimento do ator: entre o palco e os bastidores

Detalhes bibliográficos
Ano de defesa: 2007
Autor(a) principal: Dias, Ricardo Aparecido
Orientador(a): Almeida, Vera Lucia Valsecchi de
Banca de defesa: Não Informado pela instituição
Tipo de documento: Dissertação
Tipo de acesso: Acesso aberto
Idioma: por
Instituição de defesa: Pontifícia Universidade Católica de São Paulo
Programa de Pós-Graduação: Programa de Estudos Pós-Graduados em Gerontologia
Departamento: Gerontologia
País: BR
Palavras-chave em Português:
Palavras-chave em Inglês:
Área do conhecimento CNPq:
Link de acesso: https://tede2.pucsp.br/handle/handle/12515
Resumo: This essay looks trough the process of how an actor deals with his own oldness, precisely in the city of São Paulo, in between 1948/49/50 by the time theater (TBC ), radio (Tupi / Diffused ), movie (Vera Cruz ) and television (TV Tupi) connection and the 2006. At the first chapter, the reasons take took the author to choose these theme will be exposed, followed by the purpose and the methodology used in the research. At the second chapter, this paper will presents the concepts of Social Gerontology, old age and the process trough an actor deals with his own oldness and performing arts, playwright and languages of performing arts. At the third chapter the chronology of the main artistic and politician facts related to the old actors in São Paulo during the period of the research will be presented. This period of 58 years will be separated in different phases: Performing Arts and the Modernity, Performing Arts as Social Engagement, Resistance at the Censorship and to the Military Regime, Fights for Amnesty and Redemocratization and Performing Arts by the time of early democracy. The purpose of this is to evidence the participation of who nowadays are the old actors focused in this paper and the role played by them in today's at the social questions. The fourth chapter that's a analysis of this chronology , apportioned well into motifs appurtenant to the performing arts and at the old age. At the considerations endings completes as the old actors today's did not can and must not be considered all of equal : than it is to there are several oldness among them. Considers as well than it is to they are not influential merely now and they always have been social acting. Another closure is, in the last 58 years, the old actor left of having chance to work well into the radio soup operas , but , on the other hand , he saw the opening the doors from the television and the one theater best organised in spite of that difficulties as of in case that hold at the occupation ( and as of age into it ) still they may be unlimited.. The labour contains still , as an addendum , a list of the main theatrical spectacles with old actors stars, as of 2001 the one 2006, and also a list of the more important movies played by old actors at the period between 2003 and 2006 with the names of your interpreters
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spelling Almeida, Vera Lucia Valsecchi deDias, Ricardo Aparecido2016-04-27T18:47:23Z2007-07-022007-06-01Dias, Ricardo Aparecido. A velhice e o envelhecimento do ator: entre o palco e os bastidores. 2007. 215 f. Dissertação (Mestrado em Gerontologia) - Pontifícia Universidade Católica de São Paulo, São Paulo, 2007.https://tede2.pucsp.br/handle/handle/12515This essay looks trough the process of how an actor deals with his own oldness, precisely in the city of São Paulo, in between 1948/49/50 by the time theater (TBC ), radio (Tupi / Diffused ), movie (Vera Cruz ) and television (TV Tupi) connection and the 2006. At the first chapter, the reasons take took the author to choose these theme will be exposed, followed by the purpose and the methodology used in the research. At the second chapter, this paper will presents the concepts of Social Gerontology, old age and the process trough an actor deals with his own oldness and performing arts, playwright and languages of performing arts. At the third chapter the chronology of the main artistic and politician facts related to the old actors in São Paulo during the period of the research will be presented. This period of 58 years will be separated in different phases: Performing Arts and the Modernity, Performing Arts as Social Engagement, Resistance at the Censorship and to the Military Regime, Fights for Amnesty and Redemocratization and Performing Arts by the time of early democracy. The purpose of this is to evidence the participation of who nowadays are the old actors focused in this paper and the role played by them in today's at the social questions. The fourth chapter that's a analysis of this chronology , apportioned well into motifs appurtenant to the performing arts and at the old age. At the considerations endings completes as the old actors today's did not can and must not be considered all of equal : than it is to there are several oldness among them. Considers as well than it is to they are not influential merely now and they always have been social acting. Another closure is, in the last 58 years, the old actor left of having chance to work well into the radio soup operas , but , on the other hand , he saw the opening the doors from the television and the one theater best organised in spite of that difficulties as of in case that hold at the occupation ( and as of age into it ) still they may be unlimited.. The labour contains still , as an addendum , a list of the main theatrical spectacles with old actors stars, as of 2001 the one 2006, and also a list of the more important movies played by old actors at the period between 2003 and 2006 with the names of your interpretersEste trabalho investiga o processo de envelhecimento e a velhice do ator, na cidade de São Paulo, de 1948/49/50 - quando se estabelece a interação teatro, (TBC), rádio (Tupi/Difusora), cinema (Vera Cruz) e televisão (TV Tupi) - até o ano de 2006. No primeiro capítulo exponho a justificativa, os objetivos e a metodologia da pesquisa. No segundo capítulo conceituo Gerontologia Social, velhice e envelhescência, ator e artes cênicas, dramaturgia e linguagens de artes cênicas, e a cidade de São Paulo em 1948 e nos dias de hoje. No terceiro capítulo apresento a cronologia dos principais fatos artísticos e políticos envolvendo atores envelhescentes e idosos, ocorridos em São Paulo no período pesquisado. Para tanto divido este período de 58 anos em fases distintas: Artes Cênicas e a Modernidade, Artes Cênicas em Tempo de Engajamento Social, Resistência à Censura e ao Regime Militar, Luta pela Anistia e pela Redemocratização e Artes Cênicas em tempo de democracia. Busco evidenciar, com isso, a participação dos atores idosos de hoje nas questões sociais, desde o tempo em que eles estavam na idade madura. O quarto capítulo é uma análise desta cronologia, dividida em temas relacionados às artes cênicas, à velhice e ao envelhecimento. Nas considerações finais concluo que os atores idosos de hoje não podem e não devem ser considerados todos iguais; que há várias velhices entre eles. Considero também que eles não são influentes apenas agora e sim que sempre foram socialmente atuantes. Outra conclusão é que durante estes 58 anos o ator deixou de ter como possibilidade o trabalho em radionovelas, mas, por outro lado, viu abrirem-se as portas da televisão e de um teatro melhor organizado, embora as dificuldades de se manter na profissão (e de envelhecer nela) ainda sejam imensas. O trabalho contém ainda, como apêndice, uma lista dos principais espetáculos teatrais protagonizados por atores idosos, de 2001 a 2006, bem como uma lista dos filmes mais importantes protagonizados por atores idosos no período de 2003 a 2006, com os nomes de seus intérpretesCoordenação de Aperfeiçoamento de Pessoal de Nível Superiorapplication/pdfhttp://tede2.pucsp.br/tede/retrieve/25546/Ricardo.pdf.jpgporPontifícia Universidade Católica de São PauloPrograma de Estudos Pós-Graduados em GerontologiaPUC-SPBRGerontologiavelhiceenvelhescênciaator idosopersonagem idosodramaturgiaOld ageOld characterAdvanced in years and playwrightCNPQ::CIENCIAS SOCIAIS APLICADAS::SERVICO SOCIALA velhice e o envelhecimento do ator: entre o palco e os bastidoresinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisinfo:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações da PUC_SPinstname:Pontifícia Universidade Católica de São Paulo (PUC-SP)instacron:PUC_SPTEXTRicardo.pdf.txtRicardo.pdf.txtExtracted texttext/plain404507https://repositorio.pucsp.br/xmlui/bitstream/handle/12515/3/Ricardo.pdf.txtccfedbbd2e1eae54b133ddc3d4c5a463MD53ORIGINALRicardo.pdfapplication/pdf1049330https://repositorio.pucsp.br/xmlui/bitstream/handle/12515/1/Ricardo.pdfa011a53110f6bc64a984dbe5a301d7b4MD51THUMBNAILRicardo.pdf.jpgRicardo.pdf.jpgGenerated Thumbnailimage/jpeg1943https://repositorio.pucsp.br/xmlui/bitstream/handle/12515/2/Ricardo.pdf.jpgcc73c4c239a4c332d642ba1e7c7a9fb2MD52handle/125152022-04-27 19:27:06.761oai:repositorio.pucsp.br:handle/12515Biblioteca Digital de Teses e Dissertaçõeshttps://sapientia.pucsp.br/https://sapientia.pucsp.br/oai/requestbngkatende@pucsp.br||rapassi@pucsp.bropendoar:2022-04-27T22:27:06Biblioteca Digital de Teses e Dissertações da PUC_SP - Pontifícia Universidade Católica de São Paulo (PUC-SP)false
dc.title.por.fl_str_mv A velhice e o envelhecimento do ator: entre o palco e os bastidores
title A velhice e o envelhecimento do ator: entre o palco e os bastidores
spellingShingle A velhice e o envelhecimento do ator: entre o palco e os bastidores
Dias, Ricardo Aparecido
velhice
envelhescência
ator idoso
personagem idoso
dramaturgia
Old age
Old character
Advanced in years and playwright
CNPQ::CIENCIAS SOCIAIS APLICADAS::SERVICO SOCIAL
title_short A velhice e o envelhecimento do ator: entre o palco e os bastidores
title_full A velhice e o envelhecimento do ator: entre o palco e os bastidores
title_fullStr A velhice e o envelhecimento do ator: entre o palco e os bastidores
title_full_unstemmed A velhice e o envelhecimento do ator: entre o palco e os bastidores
title_sort A velhice e o envelhecimento do ator: entre o palco e os bastidores
author Dias, Ricardo Aparecido
author_facet Dias, Ricardo Aparecido
author_role author
dc.contributor.advisor1.fl_str_mv Almeida, Vera Lucia Valsecchi de
dc.contributor.author.fl_str_mv Dias, Ricardo Aparecido
contributor_str_mv Almeida, Vera Lucia Valsecchi de
dc.subject.por.fl_str_mv velhice
envelhescência
ator idoso
personagem idoso
dramaturgia
topic velhice
envelhescência
ator idoso
personagem idoso
dramaturgia
Old age
Old character
Advanced in years and playwright
CNPQ::CIENCIAS SOCIAIS APLICADAS::SERVICO SOCIAL
dc.subject.eng.fl_str_mv Old age
Old character
Advanced in years and playwright
dc.subject.cnpq.fl_str_mv CNPQ::CIENCIAS SOCIAIS APLICADAS::SERVICO SOCIAL
description This essay looks trough the process of how an actor deals with his own oldness, precisely in the city of São Paulo, in between 1948/49/50 by the time theater (TBC ), radio (Tupi / Diffused ), movie (Vera Cruz ) and television (TV Tupi) connection and the 2006. At the first chapter, the reasons take took the author to choose these theme will be exposed, followed by the purpose and the methodology used in the research. At the second chapter, this paper will presents the concepts of Social Gerontology, old age and the process trough an actor deals with his own oldness and performing arts, playwright and languages of performing arts. At the third chapter the chronology of the main artistic and politician facts related to the old actors in São Paulo during the period of the research will be presented. This period of 58 years will be separated in different phases: Performing Arts and the Modernity, Performing Arts as Social Engagement, Resistance at the Censorship and to the Military Regime, Fights for Amnesty and Redemocratization and Performing Arts by the time of early democracy. The purpose of this is to evidence the participation of who nowadays are the old actors focused in this paper and the role played by them in today's at the social questions. The fourth chapter that's a analysis of this chronology , apportioned well into motifs appurtenant to the performing arts and at the old age. At the considerations endings completes as the old actors today's did not can and must not be considered all of equal : than it is to there are several oldness among them. Considers as well than it is to they are not influential merely now and they always have been social acting. Another closure is, in the last 58 years, the old actor left of having chance to work well into the radio soup operas , but , on the other hand , he saw the opening the doors from the television and the one theater best organised in spite of that difficulties as of in case that hold at the occupation ( and as of age into it ) still they may be unlimited.. The labour contains still , as an addendum , a list of the main theatrical spectacles with old actors stars, as of 2001 the one 2006, and also a list of the more important movies played by old actors at the period between 2003 and 2006 with the names of your interpreters
publishDate 2007
dc.date.available.fl_str_mv 2007-07-02
dc.date.issued.fl_str_mv 2007-06-01
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dc.identifier.citation.fl_str_mv Dias, Ricardo Aparecido. A velhice e o envelhecimento do ator: entre o palco e os bastidores. 2007. 215 f. Dissertação (Mestrado em Gerontologia) - Pontifícia Universidade Católica de São Paulo, São Paulo, 2007.
dc.identifier.uri.fl_str_mv https://tede2.pucsp.br/handle/handle/12515
identifier_str_mv Dias, Ricardo Aparecido. A velhice e o envelhecimento do ator: entre o palco e os bastidores. 2007. 215 f. Dissertação (Mestrado em Gerontologia) - Pontifícia Universidade Católica de São Paulo, São Paulo, 2007.
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