A invisibilidade da imagem: simulação, fantasia e realidade do mundo visível

• Ano de defesa: 2011
• Autor(a) principal: Costa, Alexandre
• Orientador(a): Baitello Junior, Norval
• Tipo de documento: Tese
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Pontifícia Universidade Católica de São Paulo
• Programa de Pós-Graduação: Programa de Estudos Pós-Graduados em Comunicação e Semiótica
• Departamento: Comunicação
• País: BR
• Palavras-chave em Português: Imagem; Percepção; Mídia; Visível; Invisível
• Palavras-chave em Inglês: Image; Perception; Media; Visible; Invisible
• Área do conhecimento CNPq: CNPQ::CIENCIAS SOCIAIS APLICADAS::COMUNICACAO
• Link de acesso: https://tede2.pucsp.br/handle/handle/4307

This thesis aims at understanding and presenting the image open, phenomenological, founding in his perception, which updates its full potential embodied in the means of visibility, which culminates in the process of representation and validation of the perceived real, where the image gains strength and takes the position of mediation between man and the world, adopting the assumptions of Flusser. This work is justified when it exposes the impossibility of viewing the real, or rather, points to the invisibility of the image that simulates the real perceived, given his acknowledged inability to naturally present to the world, according to the precepts of Merleau-Ponty. We try to track one of the most prolific and problematic of philosophy and Communication Sciences, feeling the concepts and functions of the image. For this, we use two types of approaches. An anthropological (empirical), history and culture, which describes the image "artefactum," propagated by the many supporters and media at the same time, the mediator of the ways of perceiving the man in the world. An introductory way, discusses the origin, evolution and characteristics of dialectical exchange with other languages and their hunger contemporary media. Another, on the epistemological approach (theoretical), examines the essence of the image function as an interface between the possibilities of sensible and intelligible subject, present and aware of their cognitive amplitudes. The analysis of the mechanisms of representation and language, representationalist presented by the studies of art history and media, where the image takes up space as a fundamental means of existence and visibility, a wide fertile reflection, that in contrast to studies of the phenomenology of perception and the principles of contemporary semiotics are examined, mainly in the assumptions and contributions of Merleau-Ponty, Flusser, Mitchell, Baitello, Belting and Català Domènech. The hypothesis search visibility for the phenomenological status of the image, in order to legitimize the proposal for a "reading" open the image without the proper supports media in which it takes shape and becomes visible. Regardless of your need to "embodiment" to support, knowledge "theoretical" and phenomenological characteristics of their epistemological and cultural image prior to "physical" noticeable, contribute to a better understanding of media studies and art, which is intrinsically present through the visible image. The idea that perception puts us in touch with an experience that keeps an inherently vital and at the same time, a cultural and rational intention that presents itself as our point of view about the world, expands this thesis