Autodestruição e Autopoiese

• Ano de defesa: 2012
• Autor(a) principal: Alves, Alda Maria Soares Abreu
• Orientador(a): Rolnik, Suely Belinha
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Pontifícia Universidade Católica de São Paulo
• Programa de Pós-Graduação: Programa de Estudos Pós-Graduados em Psicologia: Psicologia Clínica
• Departamento: Psicologia
• País: BR
• Palavras-chave em Português: Experiência; Artes cênicas; Autopoiese; Autodestruição; Anorexia; Bulimia
• Palavras-chave em Inglês: Experience; Scenic arts; Self-destruction; Self-poiesis; Anorexia; Bulimia
• Área do conhecimento CNPq: CNPQ::CIENCIAS HUMANAS::PSICOLOGIA
• Link de acesso: https://tede2.pucsp.br/handle/handle/15134

This research is composed for VI Experiments of writing that put in check, each one its way, a certain kind of politics of subjectivity, the practical ones and the hegemonic speeches of its institutions, that based on the identity principles and anthropocentric logic of the traditional occidental thought, tend to the homogenization of the experience human being. In special, it questions the practice to pathologize the human suffering established in the medical and scientific speech of its same tradition. The question that places the set of Experiments of this research composes is the creation of one speak that it testifies the ethical-aesthetic experimentation of the researcher in the field of the scenic arts throughout the years since 2008 until 2012. The starting point of this research was the psychic and physical collapse that the experience of anorexia s muteness and bulimia s muteness provoked in the existence of the researcher. The reverberation of the echoes of this singular dumb shout unchained the necessity to testify and to nominate the power of the self-destruction and self-poiesis forces that had produced this kind of experience and its way to exist. Throughout these VI Experiments, the researcher will be visited for many other types of silence ritualistic, xamanistic, theatrical, cosmic, existential, not historical and performatives. It is about thresholds or border silence that inhabit the crossroads enter the world of the livings creature and deceased. This research intends to disclose the power of the affirmative life that inhabits in this crossroads: composed field for the shock of self-destruction and self-poiesis forces. Forces these that, clotted in the viscera of the existential and artistic experience of the researcher give birth ways to try the writing that dislocate the meaning usual of the words silence , pain , life and death . In In a writing that be it itself an experimentation, the too much human limits of the body and the word had been being tested, with intention of to consider the creation and the experience as processes of (dis)subjectivation