Teatro de García Lorca: a arte que se levanta da vida
Ano de defesa: | 2011 |
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Autor(a) principal: | |
Orientador(a): | |
Banca de defesa: | |
Tipo de documento: | Tese |
Tipo de acesso: | Acesso aberto |
Idioma: | por |
Instituição de defesa: |
Pontifícia Universidade Católica de São Paulo
|
Programa de Pós-Graduação: |
Programa de Estudos Pós-Graduados em Ciências Sociais
|
Departamento: |
Ciências Sociais
|
País: |
BR
|
Palavras-chave em Português: | |
Palavras-chave em Inglês: | |
Área do conhecimento CNPq: | |
Link de acesso: | https://tede2.pucsp.br/handle/handle/3363 |
Resumo: | Was Federico García Lorca a political agent? This is the question that frames the research here presented. However, this question must be split in two in order to be properly answered: first, who was García Lorca, taking into account his life and work; second, the several possibilities for political action. Politics is not restricted to the institutional realm, but permeates individual and societal relationships, being present both in public and private affairs, touching and being touched by art. A tragic artist, Federico García Lorca constitutes the main focus of this research. To find the politics in Lorca, it is essential to understand the relationship between his art and his life and society. With that in mind, the investigation starts from both external and internal analyses of Lorca's works. The external analysis explores Spain before its Civil War, given the importance of the period which is mirrored in Lorca's works. For internal analysis, the theatrical pieces Yerma and The House of Bernarda Alba were analyzed to investigate both the relationships among characters, and the social conventions shown in these works. Furthermore, a number of conferences and interviews with the author are employed in a dialogue with the theatrical works, with the goal of understanding his relationships with art and society. García Lorca's art, voiced by flamenco, communicated with his society and received an answer: death by firing squad. Lorca wasn't limited to his own time and space, but survives today, be it through his deeply disquieting art, or be it through his still mystery-shrouded death |
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Chaia, Miguel Wadyhttp://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4771480U4Alves, Syntia Pereira2016-04-26T14:53:24Z2012-01-092011-12-09Alves, Syntia Pereira. Teatro de García Lorca: a arte que se levanta da vida. 2011. 319 f. Tese (Doutorado em Ciências Sociais) - Pontifícia Universidade Católica de São Paulo, São Paulo, 2011.https://tede2.pucsp.br/handle/handle/3363Was Federico García Lorca a political agent? This is the question that frames the research here presented. However, this question must be split in two in order to be properly answered: first, who was García Lorca, taking into account his life and work; second, the several possibilities for political action. Politics is not restricted to the institutional realm, but permeates individual and societal relationships, being present both in public and private affairs, touching and being touched by art. A tragic artist, Federico García Lorca constitutes the main focus of this research. To find the politics in Lorca, it is essential to understand the relationship between his art and his life and society. With that in mind, the investigation starts from both external and internal analyses of Lorca's works. The external analysis explores Spain before its Civil War, given the importance of the period which is mirrored in Lorca's works. For internal analysis, the theatrical pieces Yerma and The House of Bernarda Alba were analyzed to investigate both the relationships among characters, and the social conventions shown in these works. Furthermore, a number of conferences and interviews with the author are employed in a dialogue with the theatrical works, with the goal of understanding his relationships with art and society. García Lorca's art, voiced by flamenco, communicated with his society and received an answer: death by firing squad. Lorca wasn't limited to his own time and space, but survives today, be it through his deeply disquieting art, or be it through his still mystery-shrouded deathFederico García Lorca foi um agente político? Sobre este questionamento se desenvolve a presente pesquisa. Porém, para responder a essa pergunta, é fundamental dividi-la em duas, voltando um olhar para quem foi García Lorca levando em consideração sua vida e obra e outro olhar para as diversas possibilidades de atuação da política. A política não está apenas no âmbito institucional, mas permeia as relações dos indivíduos e sociedades, se faz presente nos âmbitos público e privado, alcançando e sendo alcançada pela arte. Artista trágico, Federico García Lorca é o foco central deste estudo. Para buscar a política em Lorca, é fundamental entender a relação de sua arte com a sociedade e a vida do escritor. Para tanto, a investigação parte de uma análise externa e uma análise interna a obra de Lorca. A análise externa mapeia a Espanha que antecede a Guerra Civil Espanhola, tendo em vista a importância desta época que se encontra refletida na obra de Lorca. Para análise interna foram escolhidas as obras teatrais Yerma e A casa de Bernarda Alba, sobre as quais é feita uma análise das relações das personagens entre si e os códigos sociais que essas obras expõem. Além disso, são usadas para dialogar com as obras teatrais algumas conferências e entrevistas do autor, com a finalidade de entender sua relação com a arte e com a sociedade. A arte de García Lorca, entoada pelo flamenco, dialogou com sua sociedade e recebeu resposta desta: seu fuzilamento. Mas Lorca não coube em seu tempo e espaço e transborda para os dias de hoje, seja por sua arte, profundamente inquietante, seja por sua morte, até hoje envolta em mistériosConselho Nacional de Desenvolvimento Científico e Tecnológicoapplication/pdfhttp://tede2.pucsp.br/tede/retrieve/12030/Syntia%20Pereira%20Alves.pdf.jpgporPontifícia Universidade Católica de São PauloPrograma de Estudos Pós-Graduados em Ciências SociaisPUC-SPBRCiências SociaisFederico García LorcaEspanhaGuerra Civil EspanholaAtePolíticaTragédiaSpainSpanish Civil WarArtPoliticsTragedyCNPQ::CIENCIAS SOCIAIS APLICADASTeatro de García Lorca: a arte que se levanta da vidainfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/doctoralThesisinfo:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações da PUC_SPinstname:Pontifícia Universidade Católica de São Paulo (PUC-SP)instacron:PUC_SPTEXTSyntia Pereira Alves.pdf.txtSyntia Pereira Alves.pdf.txtExtracted texttext/plain593882https://repositorio.pucsp.br/xmlui/bitstream/handle/3363/3/Syntia%20Pereira%20Alves.pdf.txt81e25790f9b16963dd595a0f97a3312cMD53ORIGINALSyntia Pereira Alves.pdfapplication/pdf6145209https://repositorio.pucsp.br/xmlui/bitstream/handle/3363/1/Syntia%20Pereira%20Alves.pdf6ed1f8946f7c01f1edb9772275c49ca9MD51THUMBNAILSyntia Pereira Alves.pdf.jpgSyntia Pereira Alves.pdf.jpgGenerated Thumbnailimage/jpeg1943https://repositorio.pucsp.br/xmlui/bitstream/handle/3363/2/Syntia%20Pereira%20Alves.pdf.jpgcc73c4c239a4c332d642ba1e7c7a9fb2MD52handle/33632022-04-28 18:15:22.66oai:repositorio.pucsp.br:handle/3363Biblioteca Digital de Teses e Dissertaçõeshttps://sapientia.pucsp.br/https://sapientia.pucsp.br/oai/requestbngkatende@pucsp.br||rapassi@pucsp.bropendoar:2022-04-28T21:15:22Biblioteca Digital de Teses e Dissertações da PUC_SP - Pontifícia Universidade Católica de São Paulo (PUC-SP)false |
dc.title.por.fl_str_mv |
Teatro de García Lorca: a arte que se levanta da vida |
title |
Teatro de García Lorca: a arte que se levanta da vida |
spellingShingle |
Teatro de García Lorca: a arte que se levanta da vida Alves, Syntia Pereira Federico García Lorca Espanha Guerra Civil Espanhola Ate Política Tragédia Spain Spanish Civil War Art Politics Tragedy CNPQ::CIENCIAS SOCIAIS APLICADAS |
title_short |
Teatro de García Lorca: a arte que se levanta da vida |
title_full |
Teatro de García Lorca: a arte que se levanta da vida |
title_fullStr |
Teatro de García Lorca: a arte que se levanta da vida |
title_full_unstemmed |
Teatro de García Lorca: a arte que se levanta da vida |
title_sort |
Teatro de García Lorca: a arte que se levanta da vida |
author |
Alves, Syntia Pereira |
author_facet |
Alves, Syntia Pereira |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Chaia, Miguel Wady |
dc.contributor.authorLattes.fl_str_mv |
http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4771480U4 |
dc.contributor.author.fl_str_mv |
Alves, Syntia Pereira |
contributor_str_mv |
Chaia, Miguel Wady |
dc.subject.por.fl_str_mv |
Federico García Lorca Espanha Guerra Civil Espanhola Ate Política Tragédia |
topic |
Federico García Lorca Espanha Guerra Civil Espanhola Ate Política Tragédia Spain Spanish Civil War Art Politics Tragedy CNPQ::CIENCIAS SOCIAIS APLICADAS |
dc.subject.eng.fl_str_mv |
Spain Spanish Civil War Art Politics Tragedy |
dc.subject.cnpq.fl_str_mv |
CNPQ::CIENCIAS SOCIAIS APLICADAS |
description |
Was Federico García Lorca a political agent? This is the question that frames the research here presented. However, this question must be split in two in order to be properly answered: first, who was García Lorca, taking into account his life and work; second, the several possibilities for political action. Politics is not restricted to the institutional realm, but permeates individual and societal relationships, being present both in public and private affairs, touching and being touched by art. A tragic artist, Federico García Lorca constitutes the main focus of this research. To find the politics in Lorca, it is essential to understand the relationship between his art and his life and society. With that in mind, the investigation starts from both external and internal analyses of Lorca's works. The external analysis explores Spain before its Civil War, given the importance of the period which is mirrored in Lorca's works. For internal analysis, the theatrical pieces Yerma and The House of Bernarda Alba were analyzed to investigate both the relationships among characters, and the social conventions shown in these works. Furthermore, a number of conferences and interviews with the author are employed in a dialogue with the theatrical works, with the goal of understanding his relationships with art and society. García Lorca's art, voiced by flamenco, communicated with his society and received an answer: death by firing squad. Lorca wasn't limited to his own time and space, but survives today, be it through his deeply disquieting art, or be it through his still mystery-shrouded death |
publishDate |
2011 |
dc.date.issued.fl_str_mv |
2011-12-09 |
dc.date.available.fl_str_mv |
2012-01-09 |
dc.date.accessioned.fl_str_mv |
2016-04-26T14:53:24Z |
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doctoralThesis |
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publishedVersion |
dc.identifier.citation.fl_str_mv |
Alves, Syntia Pereira. Teatro de García Lorca: a arte que se levanta da vida. 2011. 319 f. Tese (Doutorado em Ciências Sociais) - Pontifícia Universidade Católica de São Paulo, São Paulo, 2011. |
dc.identifier.uri.fl_str_mv |
https://tede2.pucsp.br/handle/handle/3363 |
identifier_str_mv |
Alves, Syntia Pereira. Teatro de García Lorca: a arte que se levanta da vida. 2011. 319 f. Tese (Doutorado em Ciências Sociais) - Pontifícia Universidade Católica de São Paulo, São Paulo, 2011. |
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