De Oyó-Ilé a Ilé-Yo: Xangô e o patrimônio civilizatório nagô na identidade de um rapper afrodescendente

• Ano de defesa: 2007
• Autor(a) principal: Braga, Liliane Pereira
• Orientador(a): Ciampa, Antonio da Costa
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Pontifícia Universidade Católica de São Paulo
• Programa de Pós-Graduação: Programa de Estudos Pós-Graduados em Psicologia: Psicologia Social
• Departamento: Faculdade de Ciências Humanas e da Saúde
• País: BR
• Palavras-chave em Português: Identidade; Identidade afrodescendente; Metamorfose humana; Nagôs; Rap; Negros; Racismo; Diáspora africana; Rappers; Negros > Identidade racial > Brasil; Hip-hop (Cultura popular jovem)
• Palavras-chave em Inglês: Identity; Afrodescendent identity; Human metamorphosis; Nagôs; Hip-hop; Rap; Black; Racism; African diaspora
• Área do conhecimento CNPq: CNPQ::CIENCIAS HUMANAS::PSICOLOGIA::PSICOLOGIA SOCIAL
• Link de acesso: https://tede2.pucsp.br/handle/handle/17227

This research tried to understand how the civilizatory patrimony of the yorubas - known as "nagôs" in Brazil make it possible to constitute the afrodescendent identities with an emancipatory sense as they respect the freedom of the differences with the valorization of the social equality. The respect to diverseness is a fundamental value among the nagôs and the candomblé, one of the main receivers of its tradition, disseminates that value mainly through the yoruba mythology. This mythology is portrayed here as part of that civilizatory patrimony and encompasses, in persona of the orixás, the search for a society in which there is space for the diversity of human types, in an equalitarian way. To understand how the original inheritance of a piece of Africa makes it possible to constitute the afrodescendent identities with a emancipatory sense, a case study was done which involves the life history of Ilícito - a rapper who demonstrates in his music to share many of the present aspects of the African legacy being studied. Among them, it is the identification with the persona of the orixás, especially with Xangô. The plot around that orixá allows us to explore a little more the subject of the respect to alteration among the nagôs. We used the theoretical-methodological approach of Antonio da Costa Ciampa as the theoretical support for this research, in whose opinion identity is a metamorphosis process in search of human emancipation