Atividades artísticas e lutas democráticas na construção da sociabilidade de resistência contemporânea

• Ano de defesa: 2014
• Autor(a) principal: Fuziwara, Aurea Satomi
• Orientador(a): Barroco, Maria Lúcia Silva
• Tipo de documento: Tese
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Pontifícia Universidade Católica de São Paulo
• Programa de Pós-Graduação: Programa de Estudos Pós-Graduados em Serviço Social
• Departamento: Serviço Social
• País: BR
• Palavras-chave em Português: Sociabilidade; Resistência; Trabalho; Atividade artística; Democratização
• Palavras-chave em Inglês: Sociability; Resistance; Work; Artistic activities; Democratization
• Área do conhecimento CNPq: CNPQ::CIENCIAS SOCIAIS APLICADAS::SERVICO SOCIAL
• Link de acesso: https://tede2.pucsp.br/handle/handle/17694

The artistic expressions with content and shape similar to the revolutionaries and/or resistance processes can be expressions that indicate the need for democratization in Brazil, which is the 7th world economy, but the 3rd with the highest level of inequality. With this concern, this study coined the thesis that there is a contemporary sociability of resistance, which challenges the current form of democracy in Brazil, opposite the violation (lack or insufficiency) of fundamental rights. This sociability is not a parallel world, but a counter-hegemonic, everyday experience of collective subjects who struggle for the overcoming of the capitalist system that is destroying humanity itself. Based on Marxist productions, we present our thesis starting from the theoretical categories: work (foundational category of social being), artistic activity and democracy. Articulating these categories we analyzed the contradictory development of Brazil, the democratic process in this country and debate aspects of democratization. The analysis of the Creative Economy Report (PNUD and UNCTAD) and positions the movement of cultural and art in defense of a policy for culture indicated the elements subjected to the interests of capital. Reflecting on the violation of rights, we discuss the gentrification, which implies real estate speculation and commercialization of fundamental rights, including the use of art and culture as mechanisms of people domination and appeasement. With this in mind, we conducted an exploratory study which was based on literature and document analysis and field research in the Sacolão das Artes (through group and individual interviews and observation during meetings of the Managing Collective), producing a reinterpretation of the Focus Group (which we understand to be a part of the contribution of this process of scientific investigation). We did not try to theorize about Aesthetics; instead, we discussed the artistic activity as fundamental to the development of social being and praxis which enables us to a particular form of knowledge. Guided by an ontological perspective of social being, we understand that this contemporary sociability of resistance provides relevant elements on the confronting capitalist ethos and barbarism present in society. As a result of this thesis we present some clues we hope will contribute to the construction of the possible and necessary mediations in building a stronger sociability whose horizon is the emancipatory project of society