Sonoridades tecnológicas: a cultura digital e as transformações estéticas na música popular

• Ano de defesa: 2016
• Autor(a) principal: Estêvão, Helena Rojo
• Orientador(a): Basbaum, Sérgio Roclaw
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Pontifícia Universidade Católica de São Paulo
• Programa de Pós-Graduação: Programa de Estudos Pós-Graduados em Tecnologias da Inteligência e Design Digital
• Departamento: Faculdade de Ciências Exatas e Tecnologia
• País: Brasil
• Palavras-chave em Português: Meio e mensagem; Paisagem sonora; Performance; Mean and message; Sound landscape
• Área do conhecimento CNPq: CNPQ::ENGENHARIAS
• Link de acesso: https://tede2.pucsp.br/handle/handle/19017

Our primary focus is the relationship among musical performances and technology. We try to highlight the importance of performer’s aesthetical position towards technologic mediation so it becomes possible to appear new audibilities, knowing that technology influences directly the artistic doing. It has allowed the creation of musical genres, new methods of musical production and, specially, of diverse sounds and artistic expressions; as well as possibilities of dissemination and public access from also new technological basis. To get there, we go through examples from analogic to digital contrasting determining proprieties of analogical musical action and reception with current musical doings – digitals – that are spread primarily on the internet. It is not about register and reproduce what is made anymore, but to construct the work in its form of dissemination. The performance is as scenic, as it is placed to the audience, as musical, regarding what concerns instruments used as performer extensions, given that the performer’s perception is altered according as other technologies and, therefore, new extensions are implanted. The same occurs to the public. This work will look at some authors such as Marshall McLuhan, Raymond Murray Schafer, Paul Zumthor, that had analyzed different moments and issues of musical doing – with special attention to MPB – since the music made in analogical times until the digital era music, leading into consideration changes in culture, determinant to the work outcome