Uma semiótica dos objetos traumáticos na representação do Campo de Concentração: dos lugares comuns do best-seller à ótica acurada de Primo Levi

• Ano de defesa: 2005
• Autor(a) principal: Paiva, Roberto do Nascimento
• Orientador(a): Motta, Leda Tenorio da
• Tipo de documento: Tese
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Pontifícia Universidade Católica de São Paulo
• Programa de Pós-Graduação: Programa de Estudos Pós-Graduados em Comunicação e Semiótica
• Departamento: Comunicação
• País: BR
• Palavras-chave em Português: Comunicação; Semiótica; Memória; Psicanálise; Levi, Primo, 1919-1989 - Crítica e interpretação; Trauma psíquico
• Palavras-chave em Inglês: Communication; Semiotics; Memory; Trauma; Psychoanalysis.
• Área do conhecimento CNPq: CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES::FUNDAMENTOS E CRITICA DAS ARTES::CRITICA DA ARTE
• Link de acesso: https://tede2.pucsp.br/handle/handle/5254

This work consists of a semiotics of objects found inconcentration Camps as they were mentioned in a testimonial book by Primo Levi. It is an analysis whose main theoretical basis is in the Freud s trauma theory as it is depicted in many essays on war neurosis: Beyond the Pleasure Principle (1920) , Psycho-alasysis and the War Neuroses (1919) , Neuroses and Psychoses (1923 [1924]) , The Loss of Reallty in Neuroses and Psychosis (1924) , Inhibotion, Sympton and Anguish (1926) . This thesis on its first part thoroughly presents the book written by Primo Levi, If This is a Man? , and on its second part goes further into determining a list os objects that stand out for this great author from a Camp experience. On a first list of objects they are divided into those related and the prisioners insignificant personal life. We have diaries, photos, letters, musical instruments, office supplies, glasses, bags, pipes, clothes, blankets and, in another order of classification, food supplies that are recurrently part of this traumatic scene. More specifically it is about a semiotics of traumatic objects as they are listed in three different figure cases. It is meant to give Lager ¾ what Germans call a camp ¾ a face, for it appears to be abstract and in a certain way idealized in most of the texts on this topic.