O falso documentário
Ano de defesa: | 2008 |
---|---|
Autor(a) principal: | |
Orientador(a): | |
Banca de defesa: | |
Tipo de documento: | Dissertação |
Tipo de acesso: | Acesso aberto |
Idioma: | por |
Instituição de defesa: |
Pontifícia Universidade Católica de São Paulo
|
Programa de Pós-Graduação: |
Programa de Estudos Pós-Graduados em Direito
|
Departamento: |
Faculdade de Direito
|
País: |
BR
|
Palavras-chave em Português: | |
Palavras-chave em Inglês: | |
Área do conhecimento CNPq: | |
Link de acesso: | https://tede2.pucsp.br/handle/handle/7921 |
Resumo: | This study has as its purpose the examination of a specific mode of representation: the fake documentary at its supports - television and cinema. Among hypothesis adopted, fake documentary has been analyzed as convention anti-normative in the face of its fiction predominance in a non-fiction body (discursive code) and its capacity to incorporate the documentary aspect of faith. Its creation agenda tends to deconstruct its significant, but in the other hand, can celebrate it by making parody. For all that matter, we pretend to assess and conceptualize documentary as a cinema genre to support the fake documentary definitions. Works of theorists as Bill Nichols were analyzed. Nichols made serious contributions to institute documentary as genre by texts which discuss since the cinema beginning to the emergence of documentary peculiar format structures. Fake documentary definitions were assessed having in its bases the study of Jane Roscoe and Craig Hight, who considered fake documentary as a fiction which works as non-fiction. However, it is necessary to inspect the documentary practices at television in order to adapt it into the concept. In this way, a disposition based on Arlindo Machado suggestion of television genre categories was organized: forms based on dialog; narrative in series; television news; live transmission. As for purpose to classify fake documentary, we discussed the possibility to divide it into two categories: parody and hoax. Studies of Linda Hutcheon defend that parody can only perform its function when recognized as something distinct from original. In opposite, hoax takes place as a parody not interpreted. This research had as its corpus: cinema movies which attend as fake documentaries. Specifically, the british movie called The War Game (Peter Watkins, 1965) was analyzed with more profundity aiming to verify the hypothesis adopted |
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Machado, Arlindohttp://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4260478Z2Emérito, Matheus Barbosa2016-04-26T20:26:34Z2012-11-282008-03-28Emérito, Matheus Barbosa. O falso documentário. 2008. 114 f. Dissertação (Mestrado em Direito) - Pontifícia Universidade Católica de São Paulo, São Paulo, 2008.https://tede2.pucsp.br/handle/handle/7921This study has as its purpose the examination of a specific mode of representation: the fake documentary at its supports - television and cinema. Among hypothesis adopted, fake documentary has been analyzed as convention anti-normative in the face of its fiction predominance in a non-fiction body (discursive code) and its capacity to incorporate the documentary aspect of faith. Its creation agenda tends to deconstruct its significant, but in the other hand, can celebrate it by making parody. For all that matter, we pretend to assess and conceptualize documentary as a cinema genre to support the fake documentary definitions. Works of theorists as Bill Nichols were analyzed. Nichols made serious contributions to institute documentary as genre by texts which discuss since the cinema beginning to the emergence of documentary peculiar format structures. Fake documentary definitions were assessed having in its bases the study of Jane Roscoe and Craig Hight, who considered fake documentary as a fiction which works as non-fiction. However, it is necessary to inspect the documentary practices at television in order to adapt it into the concept. In this way, a disposition based on Arlindo Machado suggestion of television genre categories was organized: forms based on dialog; narrative in series; television news; live transmission. As for purpose to classify fake documentary, we discussed the possibility to divide it into two categories: parody and hoax. Studies of Linda Hutcheon defend that parody can only perform its function when recognized as something distinct from original. In opposite, hoax takes place as a parody not interpreted. This research had as its corpus: cinema movies which attend as fake documentaries. Specifically, the british movie called The War Game (Peter Watkins, 1965) was analyzed with more profundity aiming to verify the hypothesis adoptedEste trabalho tem como propósito estudar um específico modo de representação: o falso documentário no suporte televisivo e no cinema. Dentre as hipóteses adotadas, o falso documentário é analisado como convenção anti-normativa , ao predominar a ficção no corpo (código discursivo) de não-ficção e, assim, incorporar a qualidade de crédito da linguagem documental. Seu processo de criação tende, por um lado, a desconstruir seu significante, mas, por outro, o celebra através da paródia. Para tanto, pretendeu-se verificar e conceituar o documentário como gênero cinematográfico para amparar as definições do falso documentário. Foram analisadas obras, como a do teórico Bill Nichols, que institucionalizam o gênero através de textos que abordam desde a origem do cinema e do próprio gênero, até o surgimento de estruturas peculiares ao formato documental. Procurou-se definir o falso documentário tendo como base o estudo de Jane Roscoe e Craig Hight, que caracterizam o falso documentário como obra ficcional que gesta a não-ficção. Porém, fez-se necessário examinar a prática do falso documentário na televisão para adequá-lo suficientemente ao conceito. Dessa forma, organiza-se uma disposição formada basicamente de acordo com a proposta de Arlindo Machado para os gêneros televisivos: formas fundadas no diálogo; a narrativa seriada; o telejornal; as transmissões ao vivo. Quanto ao propósito de classificar o falso documentário, levantamos a possibilidade de dividi-lo em duas categorias: a paródia e o trote. Partimos dos estudos das formas de arte de Linda Hutcheon, autora para quem a paródia somente desempenha o seu papel se for igualmente reconhecida como algo distinto do referente original. Opostamente, o trote ocupa o lugar deixado pela paródia não interpretada. A pesquisa teve como corpus : obras cinematográficas que atendem às características do falso documentário, em especial, o filme The War Game (Peter Watkins,1965), analisado com mais profundidade para a verificação das hipóteses propostasConselho Nacional de Desenvolvimento Científico e Tecnológicoapplication/pdfhttp://tede2.pucsp.br/tede/retrieve/16237/Matheus%20Barbosa%20Emerito.pdf.jpgporPontifícia Universidade Católica de São PauloPrograma de Estudos Pós-Graduados em DireitoPUC-SPBRFaculdade de DireitoDocumentárioFalso documentárioCinemaTelevisãoDocumentario (Cinema)TelejornalismoParodiaDocumentaryFake documentaryCinemaTelevisionParodyCNPQ::CIENCIAS SOCIAIS APLICADAS::COMUNICACAOO falso documentárioinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisinfo:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações da PUC_SPinstname:Pontifícia Universidade Católica de São Paulo (PUC-SP)instacron:PUC_SPTEXTMatheus Barbosa Emerito.pdf.txtMatheus Barbosa Emerito.pdf.txtExtracted texttext/plain235669https://repositorio.pucsp.br/xmlui/bitstream/handle/7921/3/Matheus%20Barbosa%20Emerito.pdf.txt664655629e9f222ed930b858341f17fdMD53ORIGINALMatheus Barbosa Emerito.pdfapplication/pdf1957395https://repositorio.pucsp.br/xmlui/bitstream/handle/7921/1/Matheus%20Barbosa%20Emerito.pdf704149e6769bf3605043f989475dad90MD51THUMBNAILMatheus Barbosa Emerito.pdf.jpgMatheus Barbosa Emerito.pdf.jpgGenerated Thumbnailimage/jpeg1943https://repositorio.pucsp.br/xmlui/bitstream/handle/7921/2/Matheus%20Barbosa%20Emerito.pdf.jpgcc73c4c239a4c332d642ba1e7c7a9fb2MD52handle/79212022-08-22 18:11:18.201oai:repositorio.pucsp.br:handle/7921Biblioteca Digital de Teses e Dissertaçõeshttps://sapientia.pucsp.br/https://sapientia.pucsp.br/oai/requestbngkatende@pucsp.br||rapassi@pucsp.bropendoar:2022-08-22T21:11:18Biblioteca Digital de Teses e Dissertações da PUC_SP - Pontifícia Universidade Católica de São Paulo (PUC-SP)false |
dc.title.por.fl_str_mv |
O falso documentário |
title |
O falso documentário |
spellingShingle |
O falso documentário Emérito, Matheus Barbosa Documentário Falso documentário Cinema Televisão Documentario (Cinema) Telejornalismo Parodia Documentary Fake documentary Cinema Television Parody CNPQ::CIENCIAS SOCIAIS APLICADAS::COMUNICACAO |
title_short |
O falso documentário |
title_full |
O falso documentário |
title_fullStr |
O falso documentário |
title_full_unstemmed |
O falso documentário |
title_sort |
O falso documentário |
author |
Emérito, Matheus Barbosa |
author_facet |
Emérito, Matheus Barbosa |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Machado, Arlindo |
dc.contributor.authorLattes.fl_str_mv |
http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4260478Z2 |
dc.contributor.author.fl_str_mv |
Emérito, Matheus Barbosa |
contributor_str_mv |
Machado, Arlindo |
dc.subject.por.fl_str_mv |
Documentário Falso documentário Cinema Televisão Documentario (Cinema) Telejornalismo Parodia |
topic |
Documentário Falso documentário Cinema Televisão Documentario (Cinema) Telejornalismo Parodia Documentary Fake documentary Cinema Television Parody CNPQ::CIENCIAS SOCIAIS APLICADAS::COMUNICACAO |
dc.subject.eng.fl_str_mv |
Documentary Fake documentary Cinema Television Parody |
dc.subject.cnpq.fl_str_mv |
CNPQ::CIENCIAS SOCIAIS APLICADAS::COMUNICACAO |
description |
This study has as its purpose the examination of a specific mode of representation: the fake documentary at its supports - television and cinema. Among hypothesis adopted, fake documentary has been analyzed as convention anti-normative in the face of its fiction predominance in a non-fiction body (discursive code) and its capacity to incorporate the documentary aspect of faith. Its creation agenda tends to deconstruct its significant, but in the other hand, can celebrate it by making parody. For all that matter, we pretend to assess and conceptualize documentary as a cinema genre to support the fake documentary definitions. Works of theorists as Bill Nichols were analyzed. Nichols made serious contributions to institute documentary as genre by texts which discuss since the cinema beginning to the emergence of documentary peculiar format structures. Fake documentary definitions were assessed having in its bases the study of Jane Roscoe and Craig Hight, who considered fake documentary as a fiction which works as non-fiction. However, it is necessary to inspect the documentary practices at television in order to adapt it into the concept. In this way, a disposition based on Arlindo Machado suggestion of television genre categories was organized: forms based on dialog; narrative in series; television news; live transmission. As for purpose to classify fake documentary, we discussed the possibility to divide it into two categories: parody and hoax. Studies of Linda Hutcheon defend that parody can only perform its function when recognized as something distinct from original. In opposite, hoax takes place as a parody not interpreted. This research had as its corpus: cinema movies which attend as fake documentaries. Specifically, the british movie called The War Game (Peter Watkins, 1965) was analyzed with more profundity aiming to verify the hypothesis adopted |
publishDate |
2008 |
dc.date.issued.fl_str_mv |
2008-03-28 |
dc.date.available.fl_str_mv |
2012-11-28 |
dc.date.accessioned.fl_str_mv |
2016-04-26T20:26:34Z |
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info:eu-repo/semantics/publishedVersion |
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info:eu-repo/semantics/masterThesis |
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masterThesis |
status_str |
publishedVersion |
dc.identifier.citation.fl_str_mv |
Emérito, Matheus Barbosa. O falso documentário. 2008. 114 f. Dissertação (Mestrado em Direito) - Pontifícia Universidade Católica de São Paulo, São Paulo, 2008. |
dc.identifier.uri.fl_str_mv |
https://tede2.pucsp.br/handle/handle/7921 |
identifier_str_mv |
Emérito, Matheus Barbosa. O falso documentário. 2008. 114 f. Dissertação (Mestrado em Direito) - Pontifícia Universidade Católica de São Paulo, São Paulo, 2008. |
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https://tede2.pucsp.br/handle/handle/7921 |
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Pontifícia Universidade Católica de São Paulo |
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Programa de Estudos Pós-Graduados em Direito |
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PUC-SP |
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BR |
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Pontifícia Universidade Católica de São Paulo |
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