O jardim das ilusões

Detalhes bibliográficos
Ano de defesa: 2005
Autor(a) principal: Silva, Édio Raniere da lattes
Orientador(a): Orlandi, Luiz Benedicto Lacerda
Banca de defesa: Não Informado pela instituição
Tipo de documento: Dissertação
Tipo de acesso: Acesso aberto
Idioma: por
Instituição de defesa: Pontifícia Universidade Católica de São Paulo
Programa de Pós-Graduação: Programa de Estudos Pós-Graduados em Psicologia: Psicologia Clínica
Departamento: Psicologia
País: BR
Palavras-chave em Português:
Palavras-chave em Inglês:
Map
Área do conhecimento CNPq:
Link de acesso: https://tede2.pucsp.br/handle/handle/15351
Resumo: The Garden of the Illusions tries to map the 33 years of the Theatrical Group "Vira Lata", from Blumenau, Santa Catarina. Obviously, we work, then, with a past, with an immersed memory in reality. However, it s in its pure form, in itself, this duration remains virtually. Of this form, we were taken, initially, for a problematically: if our body, even that subtly, it serves as a link between the virtual and the current one, could we use the writing as a way to provoke updates of this virtual one? A writing that would finish for being worried not only about what it happened, but with what the event could put in motion the bodies of the people who had tried it. The challenge consists, therefore, in taking a writing to describe the affections that had gained life through the work of the Group "Vira Lata". The result of this challenge is the best of small texts organized in a structure of theatrical spectacle. We count on a Prologue of Illusions, eleven Acts and an Epilogue of Illusions. Each Act sets in motion a Machine Vira Lata . We have an infancy machine, an actor machine, a selling of illusions machine and others. Our map spreads itself in many territories, it dialogues with many forces. But if there is a plus in the Garden of the Illusions it is called: the duel between the forces that cross ourselves when we are trying to survive. It was not without some daring that we condense these forces around two great vectors. I - Vector of destruction of the unique processes, in which are joined the forces that want us weak, sad, servants, fools, frivolous, daily and taxable. It is the will of private, of privatization of the bodies. A condensation where the fear and the paranoia take account of the life. They congeal the creation processes leading to the destruction of the potentials and an oppressive submission to the ideal. The models, the essences, they appear as redeemer of pain. II - Vector of increase of the unique processes, in which are joined the forces that cross us. It is the will of delirium, of creation, of intoxication. The life is flooded by the risk. The models, the essences, the ideal could not support themselves. There is not a correct way, insurance, comfortable to survive. Greedy is still delirious. Balsams only slacken
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spelling Orlandi, Luiz Benedicto Lacerdahttp://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4775285P3Silva, Édio Raniere da2016-04-28T20:38:54Z2008-04-032005-11-30Silva, Édio Raniere da. The garden of the illusions. 2005. 161 f. Dissertação (Mestrado em Psicologia) - Pontifícia Universidade Católica de São Paulo, São Paulo, 2005.https://tede2.pucsp.br/handle/handle/15351The Garden of the Illusions tries to map the 33 years of the Theatrical Group "Vira Lata", from Blumenau, Santa Catarina. Obviously, we work, then, with a past, with an immersed memory in reality. However, it s in its pure form, in itself, this duration remains virtually. Of this form, we were taken, initially, for a problematically: if our body, even that subtly, it serves as a link between the virtual and the current one, could we use the writing as a way to provoke updates of this virtual one? A writing that would finish for being worried not only about what it happened, but with what the event could put in motion the bodies of the people who had tried it. The challenge consists, therefore, in taking a writing to describe the affections that had gained life through the work of the Group "Vira Lata". The result of this challenge is the best of small texts organized in a structure of theatrical spectacle. We count on a Prologue of Illusions, eleven Acts and an Epilogue of Illusions. Each Act sets in motion a Machine Vira Lata . We have an infancy machine, an actor machine, a selling of illusions machine and others. Our map spreads itself in many territories, it dialogues with many forces. But if there is a plus in the Garden of the Illusions it is called: the duel between the forces that cross ourselves when we are trying to survive. It was not without some daring that we condense these forces around two great vectors. I - Vector of destruction of the unique processes, in which are joined the forces that want us weak, sad, servants, fools, frivolous, daily and taxable. It is the will of private, of privatization of the bodies. A condensation where the fear and the paranoia take account of the life. They congeal the creation processes leading to the destruction of the potentials and an oppressive submission to the ideal. The models, the essences, they appear as redeemer of pain. II - Vector of increase of the unique processes, in which are joined the forces that cross us. It is the will of delirium, of creation, of intoxication. The life is flooded by the risk. The models, the essences, the ideal could not support themselves. There is not a correct way, insurance, comfortable to survive. Greedy is still delirious. Balsams only slackenO Jardim das Ilusões tenta cartografar os 33 anos da Equipe Teatral Vira Lata , de Blumenau, Santa Catarina. Obviamente, trabalhamos, então, com um passado, com uma memória imersa em realidade. Porém, que em sua forma pura, em seu em si, essa duração permanece virtual. Dessa forma, fomos tomados, inicialmente, por uma problematização: se nosso corpo, ainda que sutilmente, serve de ponte entre o virtual e o atual, poderíamos utilizar a escritura como meio de provocar atualizações desse virtual? Uma escritura que acabaria por preocupar-se não apenas com aquilo que aconteceu, mas com aquilo que o acontecimento fez/faz movimentar nos corpos das pessoas que o experimentaram. O desafio consiste, portanto, em levar uma escrita a descrever as afecções que ganharam passagem através do trabalho da Equipe Vira Lata . O resultado desse desafio é uma coletânea de pequenos textos organizados numa estrutura teatral de espetáculo. Contamos com um Prólogo de Ilusões, onze Atos e um Epílogo de Ilusões. Cada Ato aciona uma Máquina Vira Lata. Temos uma máquina infância, uma máquina ator, uma máquina vendedor de ilusões etc. Nosso mapa se espalha em muitos territórios, dialoga com muitas forças. Mas se há uma unidade diferenciante em O Jardim das Ilusões ela se chama: o duelo entre as forças que nos atravessam ao tentarmos sobreviver. Não foi sem alguma ousadia que condensamos essas forças em torno de dois grandes vetores. I Vetor de aniquilamento dos processos de singularização, no qual são reunidas as forças que nos querem fracos, tristes, servos, tolos, fúteis, cotidianos e tributáveis. É a vontade de privada, de privatização dos corpos. Uma condensação onde o medo e a paranóia tomam conta da vida. Congelam os processos de criação levando ao aniquilamento das potencias e a uma opressiva submissão ao ideal. Os modelos, as essências, surgem como redentores da dor. II Vetor de potencialização dos processos de singularização, no qual são reunidas as forças que pedem passagem, que nos atravessam. É a vontade de delírio, de criação, de embriaguez. A vida é inundada pelo risco. Os modelos, as essências, o ideal não conseguem mais se sustentar. Não há uma maneira correta, segura, confortável de sobreviver. Famintos ainda deliram. Bálsamos apenas amortecemConselho Nacional de Desenvolvimento Científico e Tecnológicoapplication/pdfhttp://tede2.pucsp.br/tede/retrieve/31755/Dissertacaook.pdf.jpgporPontifícia Universidade Católica de São PauloPrograma de Estudos Pós-Graduados em Psicologia: Psicologia ClínicaPUC-SPBRPsicologiaNomadismoTeatro - Aspectos psicológicosCartografiaEquipe Vira-LataMemóriaNomadismeMapTheatreGroup Vira-LataCNPQ::CIENCIAS HUMANAS::PSICOLOGIA::PSICOLOGIA SOCIALO jardim das ilusõesThe garden of the illusionsinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisinfo:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações da PUC_SPinstname:Pontifícia Universidade Católica de São Paulo (PUC-SP)instacron:PUC_SPORIGINALDissertacaook.pdfapplication/pdf1574734https://repositorio.pucsp.br/xmlui/bitstream/handle/15351/1/Dissertacaook.pdf8de7b0c1e27c4b84a67ab252bb8885e3MD51TEXTDissertacaook.pdf.txtDissertacaook.pdf.txtExtracted Texttext/plain301257https://repositorio.pucsp.br/xmlui/bitstream/handle/15351/2/Dissertacaook.pdf.txt1b0ae7ea223f1329c49cdf460dc00421MD52THUMBNAILDissertacaook.pdf.jpgDissertacaook.pdf.jpgGenerated Thumbnailimage/jpeg2104https://repositorio.pucsp.br/xmlui/bitstream/handle/15351/3/Dissertacaook.pdf.jpgc4715912a635b5fbde63d2a9b070733fMD53handle/153512022-04-27 23:57:39.125oai:repositorio.pucsp.br:handle/15351Biblioteca Digital de Teses e Dissertaçõeshttps://sapientia.pucsp.br/https://sapientia.pucsp.br/oai/requestbngkatende@pucsp.br||rapassi@pucsp.bropendoar:2022-04-28T02:57:39Biblioteca Digital de Teses e Dissertações da PUC_SP - Pontifícia Universidade Católica de São Paulo (PUC-SP)false
dc.title.por.fl_str_mv O jardim das ilusões
dc.title.alternative.eng.fl_str_mv The garden of the illusions
title O jardim das ilusões
spellingShingle O jardim das ilusões
Silva, Édio Raniere da
Nomadismo
Teatro - Aspectos psicológicos
Cartografia
Equipe Vira-Lata
Memória
Nomadisme
Map
Theatre
Group Vira-Lata
CNPQ::CIENCIAS HUMANAS::PSICOLOGIA::PSICOLOGIA SOCIAL
title_short O jardim das ilusões
title_full O jardim das ilusões
title_fullStr O jardim das ilusões
title_full_unstemmed O jardim das ilusões
title_sort O jardim das ilusões
author Silva, Édio Raniere da
author_facet Silva, Édio Raniere da
author_role author
dc.contributor.advisor1.fl_str_mv Orlandi, Luiz Benedicto Lacerda
dc.contributor.authorLattes.fl_str_mv http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4775285P3
dc.contributor.author.fl_str_mv Silva, Édio Raniere da
contributor_str_mv Orlandi, Luiz Benedicto Lacerda
dc.subject.por.fl_str_mv Nomadismo
Teatro - Aspectos psicológicos
Cartografia
Equipe Vira-Lata
Memória
topic Nomadismo
Teatro - Aspectos psicológicos
Cartografia
Equipe Vira-Lata
Memória
Nomadisme
Map
Theatre
Group Vira-Lata
CNPQ::CIENCIAS HUMANAS::PSICOLOGIA::PSICOLOGIA SOCIAL
dc.subject.eng.fl_str_mv Nomadisme
Map
Theatre
Group Vira-Lata
dc.subject.cnpq.fl_str_mv CNPQ::CIENCIAS HUMANAS::PSICOLOGIA::PSICOLOGIA SOCIAL
description The Garden of the Illusions tries to map the 33 years of the Theatrical Group "Vira Lata", from Blumenau, Santa Catarina. Obviously, we work, then, with a past, with an immersed memory in reality. However, it s in its pure form, in itself, this duration remains virtually. Of this form, we were taken, initially, for a problematically: if our body, even that subtly, it serves as a link between the virtual and the current one, could we use the writing as a way to provoke updates of this virtual one? A writing that would finish for being worried not only about what it happened, but with what the event could put in motion the bodies of the people who had tried it. The challenge consists, therefore, in taking a writing to describe the affections that had gained life through the work of the Group "Vira Lata". The result of this challenge is the best of small texts organized in a structure of theatrical spectacle. We count on a Prologue of Illusions, eleven Acts and an Epilogue of Illusions. Each Act sets in motion a Machine Vira Lata . We have an infancy machine, an actor machine, a selling of illusions machine and others. Our map spreads itself in many territories, it dialogues with many forces. But if there is a plus in the Garden of the Illusions it is called: the duel between the forces that cross ourselves when we are trying to survive. It was not without some daring that we condense these forces around two great vectors. I - Vector of destruction of the unique processes, in which are joined the forces that want us weak, sad, servants, fools, frivolous, daily and taxable. It is the will of private, of privatization of the bodies. A condensation where the fear and the paranoia take account of the life. They congeal the creation processes leading to the destruction of the potentials and an oppressive submission to the ideal. The models, the essences, they appear as redeemer of pain. II - Vector of increase of the unique processes, in which are joined the forces that cross us. It is the will of delirium, of creation, of intoxication. The life is flooded by the risk. The models, the essences, the ideal could not support themselves. There is not a correct way, insurance, comfortable to survive. Greedy is still delirious. Balsams only slacken
publishDate 2005
dc.date.issued.fl_str_mv 2005-11-30
dc.date.available.fl_str_mv 2008-04-03
dc.date.accessioned.fl_str_mv 2016-04-28T20:38:54Z
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/masterThesis
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dc.identifier.citation.fl_str_mv Silva, Édio Raniere da. The garden of the illusions. 2005. 161 f. Dissertação (Mestrado em Psicologia) - Pontifícia Universidade Católica de São Paulo, São Paulo, 2005.
dc.identifier.uri.fl_str_mv https://tede2.pucsp.br/handle/handle/15351
identifier_str_mv Silva, Édio Raniere da. The garden of the illusions. 2005. 161 f. Dissertação (Mestrado em Psicologia) - Pontifícia Universidade Católica de São Paulo, São Paulo, 2005.
url https://tede2.pucsp.br/handle/handle/15351
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