Cenas da encruzilhada: A representa??o m?tico/religiosa africana em Viva o povo brasileiro e Tocaia Grande: a face obscura
Ano de defesa: | 2009 |
---|---|
Autor(a) principal: | |
Orientador(a): | |
Banca de defesa: | |
Tipo de documento: | Dissertação |
Tipo de acesso: | Acesso aberto |
Idioma: | por |
Instituição de defesa: |
Universidade Estadual de Feira de Santana
|
Programa de Pós-Graduação: |
Mestrado Acad?mico em Literatura e Diversidade Cultural
|
Departamento: |
DEPARTAMENTO DE LETRAS E ARTES
|
País: |
Brasil
|
Palavras-chave em Português: | |
Palavras-chave em Inglês: | |
Área do conhecimento CNPq: | |
Link de acesso: | http://tede2.uefs.br:8080/handle/tede/1254 |
Resumo: | This paper studies the mythical/religious representation in the novels Viva o Povo Brasileiro by Jo?o Ubaldo Ribeiro (1984) and Tocaia Grande by Jorge Amado (1986), with the objective to realize, in the making of such work, the imprint of the African cultural root contribution, most of all the mythical narratives linked to the language of the Nag? tradition: the Itans. This study is settled in the consideration of the dialog relations among the myths, expressed in the typical and oral practice performances of the Afro-Brazilian religions, and its literary reborn in the contemporaneous writing production. Categories such as, crossings, oral practice, performance, ancestors, will be used as tools of reading according to theoretical, critical and historical postulates from African and Afro-Brazilian culture, such as Juana Elbein dos Santos (1986), Jo?o Jos? Reis (1991), Paul Zumthor (1993), Laura Padilha (1995), Leda Maria Martins (1997), Eduardo David Oliveira (2006) , Amarino Oliveira de Queiroz (2007), Rui do Carmo P?voas(2007); we intend to demonstrate how the African mythical/religious knowledge preserved by the rituals and re-dimensioned by writing constitutes a mark of the African cultural resistance after the Diaspora. In this context of cultural mixture, there is a clash of dualities in conflict: memory and history, sacred and profane, oral and written, individual and collective, passivity and resistance. |
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Pereira, Elvya Shirley Ribeiro65814550597http://lattes.cnpq.br/1279490135994599Azevedo, Silvia Olivia Smith Lima de2021-06-28T23:32:04Z2009-08-28AZEVEDO, Silvia Olivia Smith Lima de. Cenas da encruzilhada: A representa??o m?tico/religiosa africana em Viva o povo brasileiro e Tocaia Grande: a face obscura. 2009. 103 f. Disserta??o (Mestrado Acad?mico em Literatura e Diversidade Cultural)- Universidade Estadual de Feira de Santana, Feira de Santana, 2009.http://tede2.uefs.br:8080/handle/tede/1254This paper studies the mythical/religious representation in the novels Viva o Povo Brasileiro by Jo?o Ubaldo Ribeiro (1984) and Tocaia Grande by Jorge Amado (1986), with the objective to realize, in the making of such work, the imprint of the African cultural root contribution, most of all the mythical narratives linked to the language of the Nag? tradition: the Itans. This study is settled in the consideration of the dialog relations among the myths, expressed in the typical and oral practice performances of the Afro-Brazilian religions, and its literary reborn in the contemporaneous writing production. Categories such as, crossings, oral practice, performance, ancestors, will be used as tools of reading according to theoretical, critical and historical postulates from African and Afro-Brazilian culture, such as Juana Elbein dos Santos (1986), Jo?o Jos? Reis (1991), Paul Zumthor (1993), Laura Padilha (1995), Leda Maria Martins (1997), Eduardo David Oliveira (2006) , Amarino Oliveira de Queiroz (2007), Rui do Carmo P?voas(2007); we intend to demonstrate how the African mythical/religious knowledge preserved by the rituals and re-dimensioned by writing constitutes a mark of the African cultural resistance after the Diaspora. In this context of cultural mixture, there is a clash of dualities in conflict: memory and history, sacred and profane, oral and written, individual and collective, passivity and resistance.Este trabalho estuda a representa??o m?tico/religiosa africana nos romances Viva o povo brasileiro (1984), de Jo?o Ubaldo Ribeiro e Tocaia Grande: a face obscura (1984), de Jorge Amado com o objetivo de demarcar, na arquitetura de tais obras, a contribui??o cultural de raiz africana, notadamente, das narrativas m?ticas ligadas ao sistema oracular da tradi??o nag?: os itans. O estudo se assenta na reflex?o das rela??es dial?gicas entre os mitos, expressos nas pr?ticas orais e perform?ticas das religi?es afro-brasileiras, e sua recria??o liter?ria na produ??o escrita contempor?nea. Categorias como encruzilhada, oralidade, performance, ancestralidade ser?o acionadas como operadores de leitura, em conson?ncia com os postulados te?ricos, cr?ticos e hist?ricos de estudiosos das culturas africanas e afrobrasileiras: Juana Elbein dos Santos (1986), Jo?o Jos? Reis (1991), Paul Zumthor (1993), Laura Padilha (1995), Leda Maria Martins (1997), Eduardo David Oliveira (2006), Amarino Oliveira de Queiroz (2007), Rui do Carmo P?voas (2007). Pretendemos demonstrar como o conhecimento m?tico/religioso africano, preservado pelos rituais e redimensionados pela escrita liter?ria, constitui um tra?o marcante da resist?ncia cultural negra ap?s a Di?spora. Nesse contexto de mesclas culturais, entrecruzam-se dualidades em conflito: mem?ria e hist?ria, sagrado e profano, oral e escrito, individual e coletivo, passividade e resist?ncia.Submitted by Bruno Matos Nascimento (brunomatos@uefs.br) on 2021-06-28T23:32:04Z No. of bitstreams: 1 Disserta??o Silvia Smith.pdf: 779446 bytes, checksum: 3b1aa1f1e6e232ed9e048134696746ed (MD5)Made available in DSpace on 2021-06-28T23:32:04Z (GMT). No. of bitstreams: 1 Disserta??o Silvia Smith.pdf: 779446 bytes, checksum: 3b1aa1f1e6e232ed9e048134696746ed (MD5) Previous issue date: 2009-08-28application/pdfporUniversidade Estadual de Feira de SantanaMestrado Acad?mico em Literatura e Diversidade CulturalUEFSBrasilDEPARTAMENTO DE LETRAS E ARTESCultura africanaLiteratura afro-brasileiraOralidadePerformanceMem?riaAfrican cultureAfro-Brazilian literatureOral practicePerformanceMemoryLINGUISTICA, LETRAS E ARTESLETRAS::LITERATURA BRASILEIRACenas da encruzilhada: A representa??o m?tico/religiosa africana em Viva o povo brasileiro e Tocaia Grande: a face obscurainfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesis412143063665730672860060060060064512934844738769864828026023044017992-324704315598873511info:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações da UEFSinstname:Universidade Estadual de Feira de Santana (UEFS)instacron:UEFSORIGINALDisserta??o Silvia Smith.pdfDisserta??o Silvia Smith.pdfapplication/pdf779446http://tede2.uefs.br:8080/bitstream/tede/1254/2/Disserta%C3%A7%C3%A3o+Silvia+Smith.pdf3b1aa1f1e6e232ed9e048134696746edMD52LICENSElicense.txtlicense.txttext/plain; charset=utf-82089http://tede2.uefs.br:8080/bitstream/tede/1254/1/license.txt7b5ba3d2445355f386edab96125d42b7MD51tede/12542021-06-28 20:32:04.428oai:tede2.uefs.br:8080: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Biblioteca Digital de Teses e Dissertaçõeshttp://tede2.uefs.br:8080/PUBhttp://tede2.uefs.br:8080/oai/requestbcuefs@uefs.br|| bcref@uefs.br||bcuefs@uefs.bropendoar:2021-06-28T23:32:04Biblioteca Digital de Teses e Dissertações da UEFS - Universidade Estadual de Feira de Santana (UEFS)false |
dc.title.por.fl_str_mv |
Cenas da encruzilhada: A representa??o m?tico/religiosa africana em Viva o povo brasileiro e Tocaia Grande: a face obscura |
title |
Cenas da encruzilhada: A representa??o m?tico/religiosa africana em Viva o povo brasileiro e Tocaia Grande: a face obscura |
spellingShingle |
Cenas da encruzilhada: A representa??o m?tico/religiosa africana em Viva o povo brasileiro e Tocaia Grande: a face obscura Azevedo, Silvia Olivia Smith Lima de Cultura africana Literatura afro-brasileira Oralidade Performance Mem?ria African culture Afro-Brazilian literature Oral practice Performance Memory LINGUISTICA, LETRAS E ARTES LETRAS::LITERATURA BRASILEIRA |
title_short |
Cenas da encruzilhada: A representa??o m?tico/religiosa africana em Viva o povo brasileiro e Tocaia Grande: a face obscura |
title_full |
Cenas da encruzilhada: A representa??o m?tico/religiosa africana em Viva o povo brasileiro e Tocaia Grande: a face obscura |
title_fullStr |
Cenas da encruzilhada: A representa??o m?tico/religiosa africana em Viva o povo brasileiro e Tocaia Grande: a face obscura |
title_full_unstemmed |
Cenas da encruzilhada: A representa??o m?tico/religiosa africana em Viva o povo brasileiro e Tocaia Grande: a face obscura |
title_sort |
Cenas da encruzilhada: A representa??o m?tico/religiosa africana em Viva o povo brasileiro e Tocaia Grande: a face obscura |
author |
Azevedo, Silvia Olivia Smith Lima de |
author_facet |
Azevedo, Silvia Olivia Smith Lima de |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Pereira, Elvya Shirley Ribeiro |
dc.contributor.authorID.fl_str_mv |
65814550597 |
dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/1279490135994599 |
dc.contributor.author.fl_str_mv |
Azevedo, Silvia Olivia Smith Lima de |
contributor_str_mv |
Pereira, Elvya Shirley Ribeiro |
dc.subject.por.fl_str_mv |
Cultura africana Literatura afro-brasileira Oralidade Performance Mem?ria |
topic |
Cultura africana Literatura afro-brasileira Oralidade Performance Mem?ria African culture Afro-Brazilian literature Oral practice Performance Memory LINGUISTICA, LETRAS E ARTES LETRAS::LITERATURA BRASILEIRA |
dc.subject.eng.fl_str_mv |
African culture Afro-Brazilian literature Oral practice Performance Memory |
dc.subject.cnpq.fl_str_mv |
LINGUISTICA, LETRAS E ARTES LETRAS::LITERATURA BRASILEIRA |
description |
This paper studies the mythical/religious representation in the novels Viva o Povo Brasileiro by Jo?o Ubaldo Ribeiro (1984) and Tocaia Grande by Jorge Amado (1986), with the objective to realize, in the making of such work, the imprint of the African cultural root contribution, most of all the mythical narratives linked to the language of the Nag? tradition: the Itans. This study is settled in the consideration of the dialog relations among the myths, expressed in the typical and oral practice performances of the Afro-Brazilian religions, and its literary reborn in the contemporaneous writing production. Categories such as, crossings, oral practice, performance, ancestors, will be used as tools of reading according to theoretical, critical and historical postulates from African and Afro-Brazilian culture, such as Juana Elbein dos Santos (1986), Jo?o Jos? Reis (1991), Paul Zumthor (1993), Laura Padilha (1995), Leda Maria Martins (1997), Eduardo David Oliveira (2006) , Amarino Oliveira de Queiroz (2007), Rui do Carmo P?voas(2007); we intend to demonstrate how the African mythical/religious knowledge preserved by the rituals and re-dimensioned by writing constitutes a mark of the African cultural resistance after the Diaspora. In this context of cultural mixture, there is a clash of dualities in conflict: memory and history, sacred and profane, oral and written, individual and collective, passivity and resistance. |
publishDate |
2009 |
dc.date.issued.fl_str_mv |
2009-08-28 |
dc.date.accessioned.fl_str_mv |
2021-06-28T23:32:04Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/masterThesis |
format |
masterThesis |
status_str |
publishedVersion |
dc.identifier.citation.fl_str_mv |
AZEVEDO, Silvia Olivia Smith Lima de. Cenas da encruzilhada: A representa??o m?tico/religiosa africana em Viva o povo brasileiro e Tocaia Grande: a face obscura. 2009. 103 f. Disserta??o (Mestrado Acad?mico em Literatura e Diversidade Cultural)- Universidade Estadual de Feira de Santana, Feira de Santana, 2009. |
dc.identifier.uri.fl_str_mv |
http://tede2.uefs.br:8080/handle/tede/1254 |
identifier_str_mv |
AZEVEDO, Silvia Olivia Smith Lima de. Cenas da encruzilhada: A representa??o m?tico/religiosa africana em Viva o povo brasileiro e Tocaia Grande: a face obscura. 2009. 103 f. Disserta??o (Mestrado Acad?mico em Literatura e Diversidade Cultural)- Universidade Estadual de Feira de Santana, Feira de Santana, 2009. |
url |
http://tede2.uefs.br:8080/handle/tede/1254 |
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por |
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por |
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Universidade Estadual de Feira de Santana |
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UEFS |
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Universidade Estadual de Feira de Santana |
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