Deus no catolicismo sertanejo do “Romance d’A Pedra do Reino”, de Ariano Suassuna

Detalhes bibliográficos
Ano de defesa: 2011
Autor(a) principal: Alves, Weber Firmino
Orientador(a): Silva, Eli Brandão da
Banca de defesa: Não Informado pela instituição
Tipo de documento: Dissertação
Tipo de acesso: Acesso aberto
Idioma: por
Instituição de defesa: Universidade Estadual da Paraíba
Programa de Pós-Graduação: Programa de Pós-Graduação em Literatura e Interculturalidade - PPGLI
Departamento: Centro de Educação - CEDUC
País: Brasil
Palavras-chave em Português:
Área do conhecimento CNPq:
Link de acesso: http://tede.bc.uepb.edu.br/tede/jspui/handle/tede/2513
Resumo: The text literary evokes inside speeches from various backgrounds who have in the human world, which includes, among other aspects, the cultural expressions, within which is religion. For this reason, theological discourses and symbols of religions are refracted in the literature, the same way as other speeches. Either as subject or as figure (character), the presence of "God" is repeated throughout the literature, various figurations and thematizations engendered in constant dialogue and interdiscursive with the different religious traditions. From this, this research aims to identify and analyze these figures of God in the work of Ariano Suassuna, "Romance of The Stone of the Kingdom," in which a single Catholic religion, with certain peculiarities typical of the Brazilian Northeast, is woven. In such a religion formed in the work of textual space Suassuna, various depictions of God will take place in the narrative, dialogue interdiscursivecarnavalizante and, more specifically, with Christian traditions of Roman Catholicism. It is noticed that the figures presented in the god in this religion of Suassuna refracts literary elements of the official theology of the Roman Catholic Church and popular Catholicism by introducing different and controversial forms of expression, including syncretic, that divine person, shaper of much of Western imagination. The research, basing himself in literary theories and discourses, including contributions from Bakhtin (carnivalization and dialogism), Maingueneau (Interdiscursivity) and Ricoeur (hermeneutics), among others, has resulted in a rich dialogue samples interdiscursive established from figures and themes related to the god of the religion of Catholicism backcountry Stone of the Kingdom, seeking to identify similarities between concepts of theology and religion Suassuna, interpreting possible meanings generated in the world of the literary text.
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spelling Silva, Eli Brandão daAlves, Weber Firmino2016-09-02T14:37:53Z2011-03-16Alves, Weber Firmino. Deus no catolicismo sertanejo do “Romance d’A Pedra do Reino”, de Ariano Suassuna. 2011. 191 p. Dissertação (Programa de Pós-Graduação em Literatura e Interculturalidade - PPGLI) - Universidade Estadual da Paraíba, Campina Grande.http://tede.bc.uepb.edu.br/tede/jspui/handle/tede/2513The text literary evokes inside speeches from various backgrounds who have in the human world, which includes, among other aspects, the cultural expressions, within which is religion. For this reason, theological discourses and symbols of religions are refracted in the literature, the same way as other speeches. Either as subject or as figure (character), the presence of "God" is repeated throughout the literature, various figurations and thematizations engendered in constant dialogue and interdiscursive with the different religious traditions. From this, this research aims to identify and analyze these figures of God in the work of Ariano Suassuna, "Romance of The Stone of the Kingdom," in which a single Catholic religion, with certain peculiarities typical of the Brazilian Northeast, is woven. In such a religion formed in the work of textual space Suassuna, various depictions of God will take place in the narrative, dialogue interdiscursivecarnavalizante and, more specifically, with Christian traditions of Roman Catholicism. It is noticed that the figures presented in the god in this religion of Suassuna refracts literary elements of the official theology of the Roman Catholic Church and popular Catholicism by introducing different and controversial forms of expression, including syncretic, that divine person, shaper of much of Western imagination. The research, basing himself in literary theories and discourses, including contributions from Bakhtin (carnivalization and dialogism), Maingueneau (Interdiscursivity) and Ricoeur (hermeneutics), among others, has resulted in a rich dialogue samples interdiscursive established from figures and themes related to the god of the religion of Catholicism backcountry Stone of the Kingdom, seeking to identify similarities between concepts of theology and religion Suassuna, interpreting possible meanings generated in the world of the literary text.O texto literário evoca em seu interior discursos de várias procedências que têm como referência o mundo humano, que inclui, dentre outras dimensões, as expressões culturais, no seio das quais se encontra a religião. Por essa razão, os discursos teológicos e os símbolos das religiões são refratados na literatura, do mesmo modo que outros discursos. Seja como tema ou como figura (personagem), a presença de “Deus” é recorrente na literatura, sendo diversas as figurações e tematizações engendradas em diálogo incessante e interdiscursivo com as diferentes tradições religiosas. A partir disto, a presente pesquisa objetiva identificar e analisar figuras de Deus presentes na obra de Ariano Suassuna, “Romance d‟A Pedra do Reino”, na qual uma singular religião católica, com certas peculiaridades típicas do Nordeste brasileiro, é tecida. Em tal religião constituída no espaço textual da obra de Suassuna, diversas figurações de deus vão tomando lugar na narrativa, em diálogo interdiscursivo e carnavalizante, mais especificamente, com tradições cristãs do Catolicismo Romano. Percebe-se que as figuras do deus apresentadas em tal religião de Suassuna refrata literariamente elementos da teologia oficial da Igreja Católica Romana e do catolicismo popular, instaurando diferentes e polêmicas formas de expressão, inclusive sincréticas, desse personagem divino, forjador de grande parte do imaginário Ocidental. A pesquisa, fundamentando-se em teorias literárias e discursivas, destacadamente, contribuições de Bakhtin (carnavalização e dialogismo), Maingueneau (Interdiscursividade) e Ricoeur (hermenêutica), dentre outros, apresenta como resultado amostras de um rico diálogo interdiscursivo estabelecido a partir de figuras e temas referentes ao deus da religião do catolicismo sertanejo da Pedra do Reino, buscando apresentar as identidades conceituais da teologia da religião de Suassuna, interpretando possíveis sentidos gerados no mundo do texto da obra literáriaSubmitted by Andressa Lima (andressa@uepb.edu.br) on 2016-08-19T19:49:26Z No. of bitstreams: 1 PDF - Weber Firmino Alves.pdf: 1632756 bytes, checksum: 411266d6531747d659b8ccfd78af7985 (MD5)Approved for entry into archive by Irenilda Medeiros (nildamedeiros@uepb.edu.br) on 2016-09-02T14:37:53Z (GMT) No. of bitstreams: 1 PDF - Weber Firmino Alves.pdf: 1632756 bytes, checksum: 411266d6531747d659b8ccfd78af7985 (MD5)Made available in DSpace on 2016-09-02T14:37:53Z (GMT). No. of bitstreams: 1 PDF - Weber Firmino Alves.pdf: 1632756 bytes, checksum: 411266d6531747d659b8ccfd78af7985 (MD5) Previous issue date: 2011-03-16Universidade Estadual da Paraíbaapplication/pdfhttp://tede.bc.uepb.edu.br/jspui/retrieve/5311/PDF%20-%20Weber%20Firmino%20Alves.pdf.jpgporUniversidade Estadual da ParaíbaPrograma de Pós-Graduação em Literatura e Interculturalidade - PPGLIUEPBBrasilCentro de Educação - CEDUCAnálise literária. Religiosidade. 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dc.title.por.fl_str_mv Deus no catolicismo sertanejo do “Romance d’A Pedra do Reino”, de Ariano Suassuna
title Deus no catolicismo sertanejo do “Romance d’A Pedra do Reino”, de Ariano Suassuna
spellingShingle Deus no catolicismo sertanejo do “Romance d’A Pedra do Reino”, de Ariano Suassuna
Alves, Weber Firmino
Análise literária. Religiosidade. Regionalismo
CIENCIAS SOCIAIS APLICADAS
title_short Deus no catolicismo sertanejo do “Romance d’A Pedra do Reino”, de Ariano Suassuna
title_full Deus no catolicismo sertanejo do “Romance d’A Pedra do Reino”, de Ariano Suassuna
title_fullStr Deus no catolicismo sertanejo do “Romance d’A Pedra do Reino”, de Ariano Suassuna
title_full_unstemmed Deus no catolicismo sertanejo do “Romance d’A Pedra do Reino”, de Ariano Suassuna
title_sort Deus no catolicismo sertanejo do “Romance d’A Pedra do Reino”, de Ariano Suassuna
author Alves, Weber Firmino
author_facet Alves, Weber Firmino
author_role author
dc.contributor.advisor1.fl_str_mv Silva, Eli Brandão da
dc.contributor.author.fl_str_mv Alves, Weber Firmino
contributor_str_mv Silva, Eli Brandão da
dc.subject.por.fl_str_mv Análise literária. Religiosidade. Regionalismo
topic Análise literária. Religiosidade. Regionalismo
CIENCIAS SOCIAIS APLICADAS
dc.subject.cnpq.fl_str_mv CIENCIAS SOCIAIS APLICADAS
description The text literary evokes inside speeches from various backgrounds who have in the human world, which includes, among other aspects, the cultural expressions, within which is religion. For this reason, theological discourses and symbols of religions are refracted in the literature, the same way as other speeches. Either as subject or as figure (character), the presence of "God" is repeated throughout the literature, various figurations and thematizations engendered in constant dialogue and interdiscursive with the different religious traditions. From this, this research aims to identify and analyze these figures of God in the work of Ariano Suassuna, "Romance of The Stone of the Kingdom," in which a single Catholic religion, with certain peculiarities typical of the Brazilian Northeast, is woven. In such a religion formed in the work of textual space Suassuna, various depictions of God will take place in the narrative, dialogue interdiscursivecarnavalizante and, more specifically, with Christian traditions of Roman Catholicism. It is noticed that the figures presented in the god in this religion of Suassuna refracts literary elements of the official theology of the Roman Catholic Church and popular Catholicism by introducing different and controversial forms of expression, including syncretic, that divine person, shaper of much of Western imagination. The research, basing himself in literary theories and discourses, including contributions from Bakhtin (carnivalization and dialogism), Maingueneau (Interdiscursivity) and Ricoeur (hermeneutics), among others, has resulted in a rich dialogue samples interdiscursive established from figures and themes related to the god of the religion of Catholicism backcountry Stone of the Kingdom, seeking to identify similarities between concepts of theology and religion Suassuna, interpreting possible meanings generated in the world of the literary text.
publishDate 2011
dc.date.issued.fl_str_mv 2011-03-16
dc.date.accessioned.fl_str_mv 2016-09-02T14:37:53Z
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dc.identifier.citation.fl_str_mv Alves, Weber Firmino. Deus no catolicismo sertanejo do “Romance d’A Pedra do Reino”, de Ariano Suassuna. 2011. 191 p. Dissertação (Programa de Pós-Graduação em Literatura e Interculturalidade - PPGLI) - Universidade Estadual da Paraíba, Campina Grande.
dc.identifier.uri.fl_str_mv http://tede.bc.uepb.edu.br/tede/jspui/handle/tede/2513
identifier_str_mv Alves, Weber Firmino. Deus no catolicismo sertanejo do “Romance d’A Pedra do Reino”, de Ariano Suassuna. 2011. 191 p. Dissertação (Programa de Pós-Graduação em Literatura e Interculturalidade - PPGLI) - Universidade Estadual da Paraíba, Campina Grande.
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