Paralelos fantásticos: o real, o insólito e as teorias contísticas de Edgar Allan Poe e Júlio Cortázar
Ano de defesa: | 2018 |
---|---|
Autor(a) principal: | |
Orientador(a): | |
Banca de defesa: | |
Tipo de documento: | Dissertação |
Tipo de acesso: | Acesso aberto |
Idioma: | por |
Instituição de defesa: |
Universidade Estadual da Paraíba
|
Programa de Pós-Graduação: |
Programa de Pós-Graduação em Literatura e Interculturalidade - PPGLI
|
Departamento: |
Pró-Reitoria de Pós-Graduação e Pesquisa - PRPGP
|
País: |
Brasil
|
Palavras-chave em Português: | |
Área do conhecimento CNPq: | |
Link de acesso: | http://tede.bc.uepb.edu.br/jspui/handle/tede/3268 |
Resumo: | According to what argue Berger and Luckmann (2003), there is not one single reality, but multiple ones, submissive to a certain other, understood as common: The reality, as a convention, which determines standards and beliefs, interchangeable with the context and the time in which it shows up. There appeared in literature several movements in which this question worked as a subtext: horror, gothic, and fantastic literatures, among other literary genres, brought to the stage discussions that were perpetuated in the aisle of society. Among the literary genres that seek to embrace the facets of the real, in the face of everyday discourse, the fantastic presents itself as one of the oldest (BESSIÈRE, 2012), and parallel to the moralizing factor of the short story, it perpetuates an adequate space for this creation (CORTÁZAR, 2006). In this research, up from the literary and theoretical works of both Edgar Allan Poe and Julio Cortázar, we can perceive how they are acquainted to such a genre, considering it reconfigured, and how each one´s theories about the short-story serve to maximize and potentiallyze their narratives. Our corpus is composed of four short stories, two by each writer, namely, "The Fall of the House of Usher" and "Mesmeric Revelation", by Poe, and "The Southern Highway" and "The Persecutor", by Cortázar. We begin our journey by introducing the discussion of the real and the unusual, focusing on the concepts of the nineteenth century fantastic and its reconfiguration in contemporaneity, in such a way, we observe how Poe and Cortázar's literary reflect in their work, finally arriving at the analysis of the short stories. In this analysis, we observe how each narrative is based on temporal and historical factors and how their respective theories can be applied to their writings, considering their consonances and divergences. |
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Liebig, Sueli MeiraSantos, Kleriston Christy Vital2019-04-01T12:17:47Z2018-04-25Santos, Kleriston Christy Vital. Paralelos fantásticos: o real, o insólito e as teorias contísticas de Edgar Allan Poe e Júlio Cortázar. 2018. 122f. Dissertação( Programa de Pós-Graduação em Literatura e Interculturalidade - PPGLI) - Universidade Estadual da Paraíba, Campina Grande, 2018.http://tede.bc.uepb.edu.br/jspui/handle/tede/3268According to what argue Berger and Luckmann (2003), there is not one single reality, but multiple ones, submissive to a certain other, understood as common: The reality, as a convention, which determines standards and beliefs, interchangeable with the context and the time in which it shows up. There appeared in literature several movements in which this question worked as a subtext: horror, gothic, and fantastic literatures, among other literary genres, brought to the stage discussions that were perpetuated in the aisle of society. Among the literary genres that seek to embrace the facets of the real, in the face of everyday discourse, the fantastic presents itself as one of the oldest (BESSIÈRE, 2012), and parallel to the moralizing factor of the short story, it perpetuates an adequate space for this creation (CORTÁZAR, 2006). In this research, up from the literary and theoretical works of both Edgar Allan Poe and Julio Cortázar, we can perceive how they are acquainted to such a genre, considering it reconfigured, and how each one´s theories about the short-story serve to maximize and potentiallyze their narratives. Our corpus is composed of four short stories, two by each writer, namely, "The Fall of the House of Usher" and "Mesmeric Revelation", by Poe, and "The Southern Highway" and "The Persecutor", by Cortázar. We begin our journey by introducing the discussion of the real and the unusual, focusing on the concepts of the nineteenth century fantastic and its reconfiguration in contemporaneity, in such a way, we observe how Poe and Cortázar's literary reflect in their work, finally arriving at the analysis of the short stories. In this analysis, we observe how each narrative is based on temporal and historical factors and how their respective theories can be applied to their writings, considering their consonances and divergences.Conforme afirmam Berger e Luckmann (2003), não existe uma única realidade, mas múltiplas submissas a uma, compreendida como comum: a realidade enquanto convenção, determinante de padrões e crenças, cambiável ao contexto e a época em que se apresenta. Na literatura, surgiram diversos movimentos em que essa questão vigorava como subtexto. A literatura de horror, gótica, fantástica, dentre outras, traz à cena as discussões que se perpetuaram na coxia da sociedade. Dentre os gêneros literários que buscam abarcar as facetas do real, ante o discurso cotidiano, o fantástico se apresenta como um dos mais antigos (BESSIÈRE, 2012) e, paralelamente ao fator oralizante do conto, perpetuam um espaço adequado para essa criação (CORTÁZAR, 2006). Nessa pesquisa, a partir da obra contística e teórica de Edgar Allan Poe e Júlio Cortázar, observamos como esses dois autores se ambientam nesse gênero, considerando-o reconfigurado, e como as suas respectivas teorias sobre o conto servem para maximizar e potencializar as suas narrativas curtas. O nosso corpus é composto de quatro contos, dois de cada contista, a saber, “A queda da casa de Usher” e “Revelação Mesmeriana” de Poe e “A autoestrada do sul” e “O perseguidor” de Cortázar. Iniciamos nosso percurso introduzindo a discussão do real e do insólito, nos debruçando sobre os conceitos do fantástico oitocentista e sua reconfiguração na contemporaneidade, de tal modo, observamos como a contística de Poe e Cortázar refletem em seu fazer, para por fim chegarmos a análise do contos. Nessa análise, observamos como cada obra ambienta-se em fatores temporais e históricos e como as teorias de ambos os autores podem se aplicar aos seus escritos, tecendo um paralelo entre suas consonâncias e divergências.Submitted by Ricardo Carrasco (ricardogc84@uepb.edu.br) on 2018-07-23T13:58:53Z No. of bitstreams: 1 PDF - Kleriston Christy Vital Santos.pdf: 1190884 bytes, checksum: d2127bbc79f04f1262ff9bc728068004 (MD5)Approved for entry into archive by Luciana Medeiros (luciana@uepb.edu.br) on 2019-04-01T12:17:47Z (GMT) No. of bitstreams: 1 PDF - Kleriston Christy Vital Santos.pdf: 1190884 bytes, checksum: d2127bbc79f04f1262ff9bc728068004 (MD5)Made available in DSpace on 2019-04-01T12:17:47Z (GMT). No. of bitstreams: 1 PDF - Kleriston Christy Vital Santos.pdf: 1190884 bytes, checksum: d2127bbc79f04f1262ff9bc728068004 (MD5) Previous issue date: 2018-04-25application/pdfhttp://tede.bc.uepb.edu.br/jspui/retrieve/7967/PDF%20-%20Kleriston%20Christy%20Vital%20Santos.pdf.jpgporUniversidade Estadual da ParaíbaPrograma de Pós-Graduação em Literatura e Interculturalidade - PPGLIUEPBBrasilPró-Reitoria de Pós-Graduação e Pesquisa - PRPGP1. Literatura fantástica. 2. Gênero literário. 3. Conto. 4. RealidadeCIENCIAS SOCIAIS APLICADASParalelos fantásticos: o real, o insólito e as teorias contísticas de Edgar Allan Poe e Júlio Cortázarinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesis-33720892889466387600600600524871450381110278-1988061944270133392info:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações da UEPBinstname:Universidade Estadual da Paraíba (UEPB)instacron:UEPBTHUMBNAILPDF - Kleriston Christy Vital Santos.pdf.jpgPDF - Kleriston Christy Vital Santos.pdf.jpgimage/jpeg3580http://tede.bc.uepb.edu.br/jspui/bitstream/tede/3268/3/PDF+-+Kleriston+Christy+Vital+Santos.pdf.jpg3e206a8ce964532e969938a5bf13f40fMD53ORIGINALPDF - Kleriston Christy Vital Santos.pdfPDF - Kleriston Christy Vital Santos.pdfapplication/pdf1190884http://tede.bc.uepb.edu.br/jspui/bitstream/tede/3268/2/PDF+-+Kleriston+Christy+Vital+Santos.pdfd2127bbc79f04f1262ff9bc728068004MD52LICENSElicense.txtlicense.txttext/plain; charset=utf-81960http://tede.bc.uepb.edu.br/jspui/bitstream/tede/3268/1/license.txt6052ae61e77222b2086e666b7ae213ceMD51tede/32682019-04-02 01:24:36.816oai:tede.bc.uepb.edu.br: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Biblioteca Digital de Teses e Dissertaçõeshttp://tede.bc.uepb.edu.br/jspui/PUBhttp://tede.bc.uepb.edu.br/oai/requestbc@uepb.edu.br||opendoar:2019-04-02T04:24:36Biblioteca Digital de Teses e Dissertações da UEPB - Universidade Estadual da Paraíba (UEPB)false |
dc.title.por.fl_str_mv |
Paralelos fantásticos: o real, o insólito e as teorias contísticas de Edgar Allan Poe e Júlio Cortázar |
title |
Paralelos fantásticos: o real, o insólito e as teorias contísticas de Edgar Allan Poe e Júlio Cortázar |
spellingShingle |
Paralelos fantásticos: o real, o insólito e as teorias contísticas de Edgar Allan Poe e Júlio Cortázar Santos, Kleriston Christy Vital 1. Literatura fantástica. 2. Gênero literário. 3. Conto. 4. Realidade CIENCIAS SOCIAIS APLICADAS |
title_short |
Paralelos fantásticos: o real, o insólito e as teorias contísticas de Edgar Allan Poe e Júlio Cortázar |
title_full |
Paralelos fantásticos: o real, o insólito e as teorias contísticas de Edgar Allan Poe e Júlio Cortázar |
title_fullStr |
Paralelos fantásticos: o real, o insólito e as teorias contísticas de Edgar Allan Poe e Júlio Cortázar |
title_full_unstemmed |
Paralelos fantásticos: o real, o insólito e as teorias contísticas de Edgar Allan Poe e Júlio Cortázar |
title_sort |
Paralelos fantásticos: o real, o insólito e as teorias contísticas de Edgar Allan Poe e Júlio Cortázar |
author |
Santos, Kleriston Christy Vital |
author_facet |
Santos, Kleriston Christy Vital |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Liebig, Sueli Meira |
dc.contributor.author.fl_str_mv |
Santos, Kleriston Christy Vital |
contributor_str_mv |
Liebig, Sueli Meira |
dc.subject.por.fl_str_mv |
1. Literatura fantástica. 2. Gênero literário. 3. Conto. 4. Realidade |
topic |
1. Literatura fantástica. 2. Gênero literário. 3. Conto. 4. Realidade CIENCIAS SOCIAIS APLICADAS |
dc.subject.cnpq.fl_str_mv |
CIENCIAS SOCIAIS APLICADAS |
description |
According to what argue Berger and Luckmann (2003), there is not one single reality, but multiple ones, submissive to a certain other, understood as common: The reality, as a convention, which determines standards and beliefs, interchangeable with the context and the time in which it shows up. There appeared in literature several movements in which this question worked as a subtext: horror, gothic, and fantastic literatures, among other literary genres, brought to the stage discussions that were perpetuated in the aisle of society. Among the literary genres that seek to embrace the facets of the real, in the face of everyday discourse, the fantastic presents itself as one of the oldest (BESSIÈRE, 2012), and parallel to the moralizing factor of the short story, it perpetuates an adequate space for this creation (CORTÁZAR, 2006). In this research, up from the literary and theoretical works of both Edgar Allan Poe and Julio Cortázar, we can perceive how they are acquainted to such a genre, considering it reconfigured, and how each one´s theories about the short-story serve to maximize and potentiallyze their narratives. Our corpus is composed of four short stories, two by each writer, namely, "The Fall of the House of Usher" and "Mesmeric Revelation", by Poe, and "The Southern Highway" and "The Persecutor", by Cortázar. We begin our journey by introducing the discussion of the real and the unusual, focusing on the concepts of the nineteenth century fantastic and its reconfiguration in contemporaneity, in such a way, we observe how Poe and Cortázar's literary reflect in their work, finally arriving at the analysis of the short stories. In this analysis, we observe how each narrative is based on temporal and historical factors and how their respective theories can be applied to their writings, considering their consonances and divergences. |
publishDate |
2018 |
dc.date.issued.fl_str_mv |
2018-04-25 |
dc.date.accessioned.fl_str_mv |
2019-04-01T12:17:47Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
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info:eu-repo/semantics/masterThesis |
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publishedVersion |
dc.identifier.citation.fl_str_mv |
Santos, Kleriston Christy Vital. Paralelos fantásticos: o real, o insólito e as teorias contísticas de Edgar Allan Poe e Júlio Cortázar. 2018. 122f. Dissertação( Programa de Pós-Graduação em Literatura e Interculturalidade - PPGLI) - Universidade Estadual da Paraíba, Campina Grande, 2018. |
dc.identifier.uri.fl_str_mv |
http://tede.bc.uepb.edu.br/jspui/handle/tede/3268 |
identifier_str_mv |
Santos, Kleriston Christy Vital. Paralelos fantásticos: o real, o insólito e as teorias contísticas de Edgar Allan Poe e Júlio Cortázar. 2018. 122f. Dissertação( Programa de Pós-Graduação em Literatura e Interculturalidade - PPGLI) - Universidade Estadual da Paraíba, Campina Grande, 2018. |
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http://tede.bc.uepb.edu.br/jspui/handle/tede/3268 |
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