Em torno de uma cena épico-dialética na Paraíba e do trabalho do coletivo de Teatro Alfenim: balizas teóricas, dramaturgia e atuação crítica

• Ano de defesa: 2015
• Autor(a) principal: Malheiros, Rodrigo Rodrigues
• Orientador(a): Maciel, Diógenes André Vieira
• Tipo de documento: Tese
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Estadual da Paraíba
• Programa de Pós-Graduação: Programa de Pós-Graduação em Literatura e Interculturalidade - PPGLI
• Departamento: Centro de Educação - CEDUC
• País: Brasil
• Palavras-chave em Português: 1. Crítica de teatro 2. Teatro épico 3. Teoria do drama 4. Teatro paraibano contemporâneo
• Área do conhecimento CNPq: CIENCIAS SOCIAIS APLICADAS
• Link de acesso: http://tede.bc.uepb.edu.br/tede/jspui/handle/tede/2721

This is a study about aesthetics acting and critical analysis of the plays from Coletivo de Teatro Alfenim, whose proposal aims to build, through the theater, a discussion about the Brazilian individual, in the materialistic and historical perspective, with an emphasis on the epic-dialectic dimension. This drama / theater dialogues with the Brazilian tradition of epic theater, settled in the decades of 1950-1960 and revived in the 1990s by a dynamic that implies the selection of scenic-dramaturgical elements and reorganization of these elements in favor of production their shows. Thereby, it was established, as corpus analyzed, three texts, which resulted in three shows premiered in Paraíba, namely: Quebra-Quilos (2008), Milagre Brasileiro (2010) e O Deus da Fortuna (2011). Therefore, the analytic-interpretation look to the way how drama / theater from Coletivo is linked to the Brazilian epic theater tradition, while pointing to their reinterpretation, with regard to the use of epic forms in the theater, by aesthetic and formal elaborations present nowadays, with which it dialogues. Therefore, we examine the epic resources and how they are inserted in the western theater, being reformulated, historically, in order to formalize the subject matter, such as synthesis of a social given, also historically situated, exposing the crisis of dramatic paradigm synthesized by the use of dialogue. In this way, there is a sedimentation of formal discussion linked to the theme and their parts which brings to the role the class conflict, a possibility of unity and continuity in the national tradition, still marking the relevance of this discussion in the contemporary world, through assimilation of elements present in the tradition of brazilian epic theater. By this reasoning, the analysis-interpretation contextualizes the production of Coletivo de Teatro Alfenim amid a sociopolitical discussion established around the class relations, whose fronts militate for the restoration of the theater while dialogue mechanism with society.