Vigilância, Vazamentos e Pirataria nas Relações Internacionais

• Ano de defesa: 2019
• Autor(a) principal: Cardoso, Pedro Vinhaes
• Outros Autores: [e-mail]
• Orientador(a): Lessa, Mônica Leite
• Banca de defesa: Garcia, Marta Regina Fernandez y , Rocha, Maurício Santoro
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade do Estado do Rio de Janeiro
• Programa de Pós-Graduação: Programa de Pós-Graduação em Relações Internacionais
• Departamento: Centro de Ciências Sociais::Instituto de Filosofia e Ciências Humanas
• País: Brasil
• Palavras-chave em Português: Pirataria; Relações internacionais; Vigilancia; Sociedades de controle; Contrainformação; Contracultura
• Palavras-chave em Inglês: Copyright; Piracy; Surveillance; Societies of Control; Counterinformation; Counterculture; International Relations
• Área do conhecimento CNPq: OUTROS::RELACOES INTERNACIONAIS; CIENCIAS HUMANAS::CIENCIA POLITICA::POLITICA INTERNACIONAL::RELACOES I?INTERNACIONAIS, BILATERAIS E MULTILATERAIS
• Link de acesso: http://www.bdtd.uerj.br/handle/1/18010

This dissertation argues that, in its different forms, the pirate practice constitutes an act of political, economic and cultural resistance. Such feature, constitutive of their engagement in alternatives of existence, different from those determined by the formal economy, by the discourses of national states, by international institutions and by large media corporations is, therefore, a factor of the (inter)national order of life destabilization, reaction or change in various fields in both spheres. In this sense, I argue that countless examples demonstrate how the pirate practice is driven by social and political convictions, which disrupt representations naturalized by establishment narratives, which, by its turn, criminalize it. This way, in this dissertation, I primarily defend that among its most spectacular, known, and culturally innovative actions there is the free sharing of goods varied natures. However, it is the use of new media as vehicles, in order to create new political and cultural expressions of production and consumption, such as electronic games or information websites, which have triggered new perspectives of creative resistance and, at the same time, made the pirate practice one of the main targets of surveillance and repression in societies of control. In addition, I emphasize that the pirate perspective – the central concept of this research, defended by means of a post- structuralist conceptual approach – is used by individuals who seek to break with the standardized representations in the (post)modern international narratives. This rupture with common sense is accomplished through the creation of new counter-information vehicles and with the creation of new cultural expressions, causing aesthetic shocks and changes of perception about such representations in International Relations. In other words, the pirate perspective allows creative resistance through the production of "modified doubles" that it criticizes. In addition, this different aesthetic dimension of piracy helps us to understand certain actions of "pirate states", which ignore patents and copyrights in the search for guarantees of well-being of their populations.