Entre acordes da goianidade: identidade e regionalismos na música goiana (1992-2013)
Ano de defesa: | 2021 |
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Autor(a) principal: | |
Orientador(a): | |
Banca de defesa: | , , , , |
Tipo de documento: | Tese |
Tipo de acesso: | Acesso aberto |
Idioma: | por |
Instituição de defesa: |
Universidade Federal de Goiás
|
Programa de Pós-Graduação: |
Programa de Pós-graduação em História (FH)
|
Departamento: |
Faculdade de História - FH (RG)
|
País: |
Brasil
|
Palavras-chave em Português: | |
Palavras-chave em Inglês: | |
Área do conhecimento CNPq: | |
Link de acesso: | http://repositorio.bc.ufg.br/tede/handle/tede/11871 |
Resumo: | By understanding that music has a profound relationship with its time, constituting a possible language of expression of the society with which it interacts, the work proposes to understand how a fraction of popular music from Goiás contributes to the narratives of Goianity, having contributed to the Municipal Culture Incentive Laws. For this purpose, we used as a point of reference the Movement of Goianity brought by the Goiana Press Association (AGI) in the early 1990’s, whose main expression was the publication of the magazine “Goianidade” in 1992. Such movement points, among other characteristics, cultural manifestations of a group of singers such as Maria Eugênia, Pâdua, Luiz Augusta, Fernando Perillo, João Caetano and Marcelo Barra, considered by the magazine as “singers of the land” and, by us here named singers of “popular music from Goiás”, as true identity icons. Considering the movement, and to a certain extent, the biography of such artists, we sought to relate them to the cultural dynamics of the State of Goiás and its capital, Goiânia, between the years 1992 and 2013, under the strong impact of policies aimed at this sector. From this perspective, the research sought to investigate the extent to which the songs of such artists dialogue with the identity issues of the State, that is, with the construction of of the idea of Goianity orchestrated by institutions with the support of cultural policies. Recognizing the expressive character of the musical language, it was intended to distinguish the elements of the widespread identity, identifiers of the “Goiás way of being” pointed out by the movement. It was observed in such an exercise that in the elaboration of the idea of Goianity, elements related to the foundation of Goiânia - as a modern city - were and are articulated with elements of the tradition and the peasant experience of yore, common to the state’s history. In light of the work of these artists and cultural expressions, the “Movimento da Goianidade” systematized and expanded the identity narratives present in such songs, as well as in the music scene under which they expressed themselves. Under such movement, memories were triggered in the songs as mechanisms of construction and crystallization of an identity for the State, reverberating a kind of adjustment between a backward past and a modern, propagated present. |
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Capel, Heloísa Selma Fernandeshttp://lattes.cnpq.br/0202627724737454Capel, Heloísa Selma FernandesSilva, Fernanda Martins daBarbosa, Raquel MirandaCarneiro, Gyovana de CastroSouza, Rildo Bento dehttp://lattes.cnpq.br/2896736540915827Santos, Inglas Ferreira Neiva dos2022-01-28T10:48:17Z2022-01-28T10:48:17Z2021-10-14SANTOS, I. F. N. Entre acordes da goianidade: identidade e regionalismos na música goiana (1992-2013). 2021. 406 f. Tese (Doutorado em de História) - Universidade Federal de Goiás, Goiânia, 2021.http://repositorio.bc.ufg.br/tede/handle/tede/11871By understanding that music has a profound relationship with its time, constituting a possible language of expression of the society with which it interacts, the work proposes to understand how a fraction of popular music from Goiás contributes to the narratives of Goianity, having contributed to the Municipal Culture Incentive Laws. For this purpose, we used as a point of reference the Movement of Goianity brought by the Goiana Press Association (AGI) in the early 1990’s, whose main expression was the publication of the magazine “Goianidade” in 1992. Such movement points, among other characteristics, cultural manifestations of a group of singers such as Maria Eugênia, Pâdua, Luiz Augusta, Fernando Perillo, João Caetano and Marcelo Barra, considered by the magazine as “singers of the land” and, by us here named singers of “popular music from Goiás”, as true identity icons. Considering the movement, and to a certain extent, the biography of such artists, we sought to relate them to the cultural dynamics of the State of Goiás and its capital, Goiânia, between the years 1992 and 2013, under the strong impact of policies aimed at this sector. From this perspective, the research sought to investigate the extent to which the songs of such artists dialogue with the identity issues of the State, that is, with the construction of of the idea of Goianity orchestrated by institutions with the support of cultural policies. Recognizing the expressive character of the musical language, it was intended to distinguish the elements of the widespread identity, identifiers of the “Goiás way of being” pointed out by the movement. It was observed in such an exercise that in the elaboration of the idea of Goianity, elements related to the foundation of Goiânia - as a modern city - were and are articulated with elements of the tradition and the peasant experience of yore, common to the state’s history. In light of the work of these artists and cultural expressions, the “Movimento da Goianidade” systematized and expanded the identity narratives present in such songs, as well as in the music scene under which they expressed themselves. Under such movement, memories were triggered in the songs as mechanisms of construction and crystallization of an identity for the State, reverberating a kind of adjustment between a backward past and a modern, propagated present.Por entender que a música tem profunda relação com o seu tempo, constituindo-se em uma possível linguagem de expressão da sociedade com a qual interage, o trabalho propõe compreender de que modo uma fração da música popular goiana contribui com as narrativas da goianidade, tendo como contributo as Leis de Incentivo à Cultura do município de Goiânia/Lei Estadual de Cultura, bem como os veículos de imprensa local. Para tanto, utilizamos como ponto de referência o Movimento da Goianidade impetrado pela Associação Goiana de Imprensa (AGI) no início da década de 1990, cuja principal expressão foi a publicação da Revista “Goianidade”, em 1992. Tal movimento aponta, dentre outras características, manifestações culturais de um grupo de cantores como Maria Eugênia, Pádua, Luiz Augusto, Fernando Perillo, João Caetano e Marcelo Barra, considerados pela revista como “cantores da terra” e, por nós, são aqui nomeados de cantores de “música popular goiana”, como verdadeiros ícones identitários. Considerando o movimento e, em certa proporção, a biografia de tais artistas, buscou-se relacioná-los à dinâmica cultural do estado de Goiás e sua capital, Goiânia, entre os anos de 1992 e 2013, sob forte impacto das políticas públicas voltadas para o setor. Sob tal perspectiva, a pesquisa buscou investigar em que medida as canções de tais artistas dialogam com as questões identitárias do estado, isto é, com a construção da ideia de goianidade orquestrada pelas instituições com o apoio das políticas culturais. Reconhecendo o caráter expressivo da linguagem musical, pretendeu-se distinguir os elementos da difundida identidade, identificadores do “jeito goiano de ser” apontado pelo movimento. Observou-se, em tal exercício, que, na elaboração da ideia de goianidade, elementos relacionados à fundação de Goiânia - enquanto cidade moderna - foram e são articulados com elementos da tradição e da vivência campesina de outrora, comuns ao histórico do estado. À luz da obra dos referidos artistas e de outras expressões culturais, o Movimento da Goianidade sistematizou e ampliou as narrativas identitárias presentes em tais canções, bem como na cena musical sob a qual se expressou. Sob tal movimento, memórias foram acionadas nas canções como mecanismos de construção e cristalização de uma identidade para o estado, reverberando uma espécie ajustamento entre um passado atrasado e um presente propagado enquanto moderno.Submitted by Luciana Ferreira (lucgeral@gmail.com) on 2022-01-27T13:57:26Z No. of bitstreams: 2 Tese - Inglas Ferreira Neiva dos Santos - 2021.pdf: 7931813 bytes, checksum: eff9c6618c320c29ade2f9b4d1695276 (MD5) license_rdf: 805 bytes, checksum: 4460e5956bc1d1639be9ae6146a50347 (MD5)Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2022-01-28T10:48:17Z (GMT) No. of bitstreams: 2 Tese - Inglas Ferreira Neiva dos Santos - 2021.pdf: 7931813 bytes, checksum: eff9c6618c320c29ade2f9b4d1695276 (MD5) license_rdf: 805 bytes, checksum: 4460e5956bc1d1639be9ae6146a50347 (MD5)Made available in DSpace on 2022-01-28T10:48:17Z (GMT). No. of bitstreams: 2 Tese - Inglas Ferreira Neiva dos Santos - 2021.pdf: 7931813 bytes, checksum: eff9c6618c320c29ade2f9b4d1695276 (MD5) license_rdf: 805 bytes, checksum: 4460e5956bc1d1639be9ae6146a50347 (MD5) Previous issue date: 2021-10-14Fundação de Amparo à Pesquisa do Estado de GoiásporUniversidade Federal de GoiásPrograma de Pós-graduação em História (FH)UFGBrasilFaculdade de História - FH (RG)Attribution-NonCommercial-NoDerivatives 4.0 Internationalhttp://creativecommons.org/licenses/by-nc-nd/4.0/info:eu-repo/semantics/openAccessIdentidadeMúsicaPolíticas culturaisGoianidadeIdentityMusicGoiantyCIENCIAS HUMANAS::HISTORIAEntre acordes da goianidade: identidade e regionalismos na música goiana (1992-2013)Between chords of goianidade: identity and regionalisms in the music of Goiás (1992-2013)info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/doctoralThesis64500500500500161983reponame:Repositório Institucional da UFGinstname:Universidade Federal de Goiás (UFG)instacron:UFGLICENSElicense.txtlicense.txttext/plain; charset=utf-81748http://repositorio.bc.ufg.br/tede/bitstreams/34fbcb07-296d-43ae-972d-7b0be6ee4118/download8a4605be74aa9ea9d79846c1fba20a33MD51CC-LICENSElicense_rdflicense_rdfapplication/rdf+xml; charset=utf-8805http://repositorio.bc.ufg.br/tede/bitstreams/699aa09d-8c54-4738-8917-fd3b7a5e61f9/download4460e5956bc1d1639be9ae6146a50347MD52ORIGINALTese - Inglas Ferreira Neiva dos Santos - 2021.pdfTese - Inglas Ferreira Neiva dos Santos - 2021.pdfapplication/pdf7931813http://repositorio.bc.ufg.br/tede/bitstreams/ad146106-9284-4a57-8b35-616b6fa7dc06/downloadeff9c6618c320c29ade2f9b4d1695276MD53tede/118712022-01-28 07:48:17.429http://creativecommons.org/licenses/by-nc-nd/4.0/Attribution-NonCommercial-NoDerivatives 4.0 Internationalopen.accessoai:repositorio.bc.ufg.br:tede/11871http://repositorio.bc.ufg.br/tedeRepositório InstitucionalPUBhttp://repositorio.bc.ufg.br/oai/requesttasesdissertacoes.bc@ufg.bropendoar:2022-01-28T10:48:17Repositório Institucional da UFG - Universidade Federal de Goiás (UFG)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 |
dc.title.pt_BR.fl_str_mv |
Entre acordes da goianidade: identidade e regionalismos na música goiana (1992-2013) |
dc.title.alternative.eng.fl_str_mv |
Between chords of goianidade: identity and regionalisms in the music of Goiás (1992-2013) |
title |
Entre acordes da goianidade: identidade e regionalismos na música goiana (1992-2013) |
spellingShingle |
Entre acordes da goianidade: identidade e regionalismos na música goiana (1992-2013) Santos, Inglas Ferreira Neiva dos Identidade Música Políticas culturais Goianidade Identity Music Goianty CIENCIAS HUMANAS::HISTORIA |
title_short |
Entre acordes da goianidade: identidade e regionalismos na música goiana (1992-2013) |
title_full |
Entre acordes da goianidade: identidade e regionalismos na música goiana (1992-2013) |
title_fullStr |
Entre acordes da goianidade: identidade e regionalismos na música goiana (1992-2013) |
title_full_unstemmed |
Entre acordes da goianidade: identidade e regionalismos na música goiana (1992-2013) |
title_sort |
Entre acordes da goianidade: identidade e regionalismos na música goiana (1992-2013) |
author |
Santos, Inglas Ferreira Neiva dos |
author_facet |
Santos, Inglas Ferreira Neiva dos |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Capel, Heloísa Selma Fernandes |
dc.contributor.advisor1Lattes.fl_str_mv |
http://lattes.cnpq.br/0202627724737454 |
dc.contributor.referee1.fl_str_mv |
Capel, Heloísa Selma Fernandes |
dc.contributor.referee2.fl_str_mv |
Silva, Fernanda Martins da |
dc.contributor.referee3.fl_str_mv |
Barbosa, Raquel Miranda |
dc.contributor.referee4.fl_str_mv |
Carneiro, Gyovana de Castro |
dc.contributor.referee5.fl_str_mv |
Souza, Rildo Bento de |
dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/2896736540915827 |
dc.contributor.author.fl_str_mv |
Santos, Inglas Ferreira Neiva dos |
contributor_str_mv |
Capel, Heloísa Selma Fernandes Capel, Heloísa Selma Fernandes Silva, Fernanda Martins da Barbosa, Raquel Miranda Carneiro, Gyovana de Castro Souza, Rildo Bento de |
dc.subject.por.fl_str_mv |
Identidade Música Políticas culturais Goianidade |
topic |
Identidade Música Políticas culturais Goianidade Identity Music Goianty CIENCIAS HUMANAS::HISTORIA |
dc.subject.eng.fl_str_mv |
Identity Music Goianty |
dc.subject.cnpq.fl_str_mv |
CIENCIAS HUMANAS::HISTORIA |
description |
By understanding that music has a profound relationship with its time, constituting a possible language of expression of the society with which it interacts, the work proposes to understand how a fraction of popular music from Goiás contributes to the narratives of Goianity, having contributed to the Municipal Culture Incentive Laws. For this purpose, we used as a point of reference the Movement of Goianity brought by the Goiana Press Association (AGI) in the early 1990’s, whose main expression was the publication of the magazine “Goianidade” in 1992. Such movement points, among other characteristics, cultural manifestations of a group of singers such as Maria Eugênia, Pâdua, Luiz Augusta, Fernando Perillo, João Caetano and Marcelo Barra, considered by the magazine as “singers of the land” and, by us here named singers of “popular music from Goiás”, as true identity icons. Considering the movement, and to a certain extent, the biography of such artists, we sought to relate them to the cultural dynamics of the State of Goiás and its capital, Goiânia, between the years 1992 and 2013, under the strong impact of policies aimed at this sector. From this perspective, the research sought to investigate the extent to which the songs of such artists dialogue with the identity issues of the State, that is, with the construction of of the idea of Goianity orchestrated by institutions with the support of cultural policies. Recognizing the expressive character of the musical language, it was intended to distinguish the elements of the widespread identity, identifiers of the “Goiás way of being” pointed out by the movement. It was observed in such an exercise that in the elaboration of the idea of Goianity, elements related to the foundation of Goiânia - as a modern city - were and are articulated with elements of the tradition and the peasant experience of yore, common to the state’s history. In light of the work of these artists and cultural expressions, the “Movimento da Goianidade” systematized and expanded the identity narratives present in such songs, as well as in the music scene under which they expressed themselves. Under such movement, memories were triggered in the songs as mechanisms of construction and crystallization of an identity for the State, reverberating a kind of adjustment between a backward past and a modern, propagated present. |
publishDate |
2021 |
dc.date.issued.fl_str_mv |
2021-10-14 |
dc.date.accessioned.fl_str_mv |
2022-01-28T10:48:17Z |
dc.date.available.fl_str_mv |
2022-01-28T10:48:17Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
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info:eu-repo/semantics/doctoralThesis |
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publishedVersion |
dc.identifier.citation.fl_str_mv |
SANTOS, I. F. N. Entre acordes da goianidade: identidade e regionalismos na música goiana (1992-2013). 2021. 406 f. Tese (Doutorado em de História) - Universidade Federal de Goiás, Goiânia, 2021. |
dc.identifier.uri.fl_str_mv |
http://repositorio.bc.ufg.br/tede/handle/tede/11871 |
identifier_str_mv |
SANTOS, I. F. N. Entre acordes da goianidade: identidade e regionalismos na música goiana (1992-2013). 2021. 406 f. Tese (Doutorado em de História) - Universidade Federal de Goiás, Goiânia, 2021. |
url |
http://repositorio.bc.ufg.br/tede/handle/tede/11871 |
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por |
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por |
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Attribution-NonCommercial-NoDerivatives 4.0 International http://creativecommons.org/licenses/by-nc-nd/4.0/ info:eu-repo/semantics/openAccess |
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Attribution-NonCommercial-NoDerivatives 4.0 International http://creativecommons.org/licenses/by-nc-nd/4.0/ |
eu_rights_str_mv |
openAccess |
dc.publisher.none.fl_str_mv |
Universidade Federal de Goiás |
dc.publisher.program.fl_str_mv |
Programa de Pós-graduação em História (FH) |
dc.publisher.initials.fl_str_mv |
UFG |
dc.publisher.country.fl_str_mv |
Brasil |
dc.publisher.department.fl_str_mv |
Faculdade de História - FH (RG) |
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Universidade Federal de Goiás |
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