Um outro melodrama: o cinema de Rainer Fassbinder

Detalhes bibliográficos
Ano de defesa: 2014
Autor(a) principal: Sampaio, Ícaro San Carlo Máximo lattes
Orientador(a): Nogueira, Lisandro lattes
Banca de defesa: Nogueira, Lisandro Magalhães, Xavier, Ismail Noberto, Christino, Daniel
Tipo de documento: Dissertação
Tipo de acesso: Acesso aberto
Idioma: por
Instituição de defesa: Universidade Federal de Goiás
Programa de Pós-Graduação: Programa de Pós-graduação em Comunicação (FIC)
Departamento: Faculdade de Informação e Comunicação - FIC (RG)
País: Brasil
Palavras-chave em Português:
Melodrama
Bem
Mal
Ressentimento
Espectador
Palavras-chave em Inglês:
Melodrama
Good
Evil
Resentment
Viewer
Área do conhecimento CNPq:
CIENCIAS SOCIAIS APLICADAS::COMUNICACAO
Link de acesso: http://repositorio.bc.ufg.br/tede/handle/tede/3989
Resumo: For a long time, the notion of good and evil was intrinsic to melodrama, which ended up causing it to be seen as an alienating matrix for already giving the viewer a point of view to be followed, that of the hero and, at the same time, a point of view to b e denied, that of the villain. However, it is necessary to investigate the possibilities of a melodrama that is not rooted in representing morals to be followed, but morals to be reflected by the viewers themselves. In the first moment, this article presen ts a study about the birth of the melodrama. The connection between victim and oppressor and the dichotomy that exists in the elemental paradigm of the melodrama also will be purpoused. Lastly, it will be investigated the possibillity of criating melodrama that are not fundamented in the judeo -christian culture; for that, it will be made a study of the movie Ali: Fear eats the soul and The Bitter Tears of Petra Von Kant.
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spelling Nogueira, Lisandrohttp://lattes.cnpq.br/6994570742767643Nogueira, Lisandro MagalhãesXavier, Ismail NobertoChristino, Danielhttp://lattes.cnpq.br/6217664045975657Sampaio, Ícaro San Carlo Máximo2015-01-29T17:39:40Z2014-07-10SAMPAIO, Ícaro San Carlo Máximo. Um outro melodrama: o cinema de Rainer Fassbinder. 2014. 125 f. Dissertação (Mestrado em Comunicação) - Universidade Federal de Goiás, Goiânia, 2014.http://repositorio.bc.ufg.br/tede/handle/tede/3989For a long time, the notion of good and evil was intrinsic to melodrama, which ended up causing it to be seen as an alienating matrix for already giving the viewer a point of view to be followed, that of the hero and, at the same time, a point of view to b e denied, that of the villain. However, it is necessary to investigate the possibilities of a melodrama that is not rooted in representing morals to be followed, but morals to be reflected by the viewers themselves. In the first moment, this article presen ts a study about the birth of the melodrama. The connection between victim and oppressor and the dichotomy that exists in the elemental paradigm of the melodrama also will be purpoused. Lastly, it will be investigated the possibillity of criating melodrama that are not fundamented in the judeo -christian culture; for that, it will be made a study of the movie Ali: Fear eats the soul and The Bitter Tears of Petra Von Kant.Por muito tempo, a noção de bem e mal foi intrínseca ao melodrama, o que acabou, então, por fazê- lo ser visto como uma matriz alienante por já dá ao espectador um ponto de vista a ser seguido, o do herói, e, ao mesmo tempo, um ponto de vista a ser negado, o do vilão. Contudo, cabe investigar as possibilidades de um melodrama que não esteja enraizado em representar uma moral a ser seguida. Mas sim uma moral a ser refletida pelo próprio espectador. Em um primeiro momento, o artigo apresentará um estudo sobre o surgimento do melodrama. A relação entre vitima e opressor e a dicotomia existente nos paradigmas elementares do melodrama também serão objetos a serem problematizados. Por fim, será investigada a possibilidade de criação de melodramas que não estejam fundamentados na cultura maniqueista; para isto, será feito um estudo dos filmes O Medo Corroí a Alma e Lágrimas amargas de Petra Von Kant.Submitted by Erika Demachki (erikademachki@gmail.com) on 2015-01-29T17:14:08Z No. of bitstreams: 2 license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5) Dissertação - Ícaro San Carlo Máximo Sampaio - 2014.pdf: 15564487 bytes, checksum: 2dbac2d958b93526d716f1662852a420 (MD5)Approved for entry into archive by Erika Demachki (erikademachki@gmail.com) on 2015-01-29T17:39:40Z (GMT) No. of bitstreams: 2 license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5) Dissertação - Ícaro San Carlo Máximo Sampaio - 2014.pdf: 15564487 bytes, checksum: 2dbac2d958b93526d716f1662852a420 (MD5)Made available in DSpace on 2015-01-29T17:39:40Z (GMT). No. of bitstreams: 2 license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5) Dissertação - Ícaro San Carlo Máximo Sampaio - 2014.pdf: 15564487 bytes, checksum: 2dbac2d958b93526d716f1662852a420 (MD5) Previous issue date: 2014-07-10Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPESapplication/pdfhttp://repositorio.bc.ufg.br/tede/retrieve/15559/Disserta%c3%a7%c3%a3o%20-%20%c3%8dcaro%20San%20Carlo%20M%c3%a1ximo%20Sampaio%20-%202014.pdf.jpgporUniversidade Federal de GoiásPrograma de Pós-graduação em Comunicação (FIC)UFGBrasilFaculdade de Informação e Comunicação - FIC (RG)MelodramaBemMalRessentimentoEspectadorMelodramaGoodEvilResentmentViewerCIENCIAS SOCIAIS APLICADAS::COMUNICACAOUm outro melodrama: o cinema de Rainer FassbinderAnother melodrama: the cinema of Rainer Fassbinderinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesis-7949609749769452194600600600600-3448915382621527388-40560210555028745732075167498588264571info:eu-repo/semantics/openAccessreponame:Repositório Institucional da UFGinstname:Universidade Federal de Goiás (UFG)instacron:UFGORIGINALDissertação - Ícaro San Carlo Máximo Sampaio - 2014.pdfDissertação - Ícaro San Carlo Máximo Sampaio - 2014.pdfapplication/pdf15564487http://repositorio.bc.ufg.br/tede/bitstreams/06d3bf9a-ab59-49c8-95ce-3ac820e08f6a/download2dbac2d958b93526d716f1662852a420MD52LICENSElicense.txtlicense.txttext/plain; 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dc.title.por.fl_str_mv Um outro melodrama: o cinema de Rainer Fassbinder
dc.title.alternative.eng.fl_str_mv Another melodrama: the cinema of Rainer Fassbinder
title Um outro melodrama: o cinema de Rainer Fassbinder
spellingShingle Um outro melodrama: o cinema de Rainer Fassbinder
Sampaio, Ícaro San Carlo Máximo
Melodrama
Bem
Mal
Ressentimento
Espectador
Melodrama
Good
Evil
Resentment
Viewer
CIENCIAS SOCIAIS APLICADAS::COMUNICACAO
title_short Um outro melodrama: o cinema de Rainer Fassbinder
title_full Um outro melodrama: o cinema de Rainer Fassbinder
title_fullStr Um outro melodrama: o cinema de Rainer Fassbinder
title_full_unstemmed Um outro melodrama: o cinema de Rainer Fassbinder
title_sort Um outro melodrama: o cinema de Rainer Fassbinder
author Sampaio, Ícaro San Carlo Máximo
author_facet Sampaio, Ícaro San Carlo Máximo
author_role author
dc.contributor.advisor1.fl_str_mv Nogueira, Lisandro
dc.contributor.advisor1Lattes.fl_str_mv http://lattes.cnpq.br/6994570742767643
dc.contributor.referee1.fl_str_mv Nogueira, Lisandro Magalhães
dc.contributor.referee2.fl_str_mv Xavier, Ismail Noberto
dc.contributor.referee3.fl_str_mv Christino, Daniel
dc.contributor.authorLattes.fl_str_mv http://lattes.cnpq.br/6217664045975657
dc.contributor.author.fl_str_mv Sampaio, Ícaro San Carlo Máximo
contributor_str_mv Nogueira, Lisandro
Nogueira, Lisandro Magalhães
Xavier, Ismail Noberto
Christino, Daniel
dc.subject.por.fl_str_mv Melodrama
Bem
Mal
Ressentimento
Espectador
topic Melodrama
Bem
Mal
Ressentimento
Espectador
Melodrama
Good
Evil
Resentment
Viewer
CIENCIAS SOCIAIS APLICADAS::COMUNICACAO
dc.subject.eng.fl_str_mv Melodrama
Good
Evil
Resentment
Viewer
dc.subject.cnpq.fl_str_mv CIENCIAS SOCIAIS APLICADAS::COMUNICACAO
description For a long time, the notion of good and evil was intrinsic to melodrama, which ended up causing it to be seen as an alienating matrix for already giving the viewer a point of view to be followed, that of the hero and, at the same time, a point of view to b e denied, that of the villain. However, it is necessary to investigate the possibilities of a melodrama that is not rooted in representing morals to be followed, but morals to be reflected by the viewers themselves. In the first moment, this article presen ts a study about the birth of the melodrama. The connection between victim and oppressor and the dichotomy that exists in the elemental paradigm of the melodrama also will be purpoused. Lastly, it will be investigated the possibillity of criating melodrama that are not fundamented in the judeo -christian culture; for that, it will be made a study of the movie Ali: Fear eats the soul and The Bitter Tears of Petra Von Kant.
publishDate 2014
dc.date.issued.fl_str_mv 2014-07-10
dc.date.accessioned.fl_str_mv 2015-01-29T17:39:40Z
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dc.identifier.citation.fl_str_mv SAMPAIO, Ícaro San Carlo Máximo. Um outro melodrama: o cinema de Rainer Fassbinder. 2014. 125 f. Dissertação (Mestrado em Comunicação) - Universidade Federal de Goiás, Goiânia, 2014.
dc.identifier.uri.fl_str_mv http://repositorio.bc.ufg.br/tede/handle/tede/3989
identifier_str_mv SAMPAIO, Ícaro San Carlo Máximo. Um outro melodrama: o cinema de Rainer Fassbinder. 2014. 125 f. Dissertação (Mestrado em Comunicação) - Universidade Federal de Goiás, Goiânia, 2014.
url http://repositorio.bc.ufg.br/tede/handle/tede/3989
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dc.publisher.country.fl_str_mv Brasil
dc.publisher.department.fl_str_mv Faculdade de Informação e Comunicação - FIC (RG)
publisher.none.fl_str_mv Universidade Federal de Goiás
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