Memória de um trauma: melancolia e violência em Sinfonia em branco, de Adriana Lisboa
Ano de defesa: | 2022 |
---|---|
Autor(a) principal: | |
Orientador(a): | |
Banca de defesa: | , , |
Tipo de documento: | Dissertação |
Tipo de acesso: | Acesso aberto |
Idioma: | por |
Instituição de defesa: |
Universidade Federal de Goiás
|
Programa de Pós-Graduação: |
Programa de Pós-graduação em Letras e Linguística (FL)
|
Departamento: |
Faculdade de Letras - FL (RG)
|
País: |
Brasil
|
Palavras-chave em Português: | |
Palavras-chave em Inglês: | |
Área do conhecimento CNPq: | |
Link de acesso: | http://repositorio.bc.ufg.br/tede/handle/tede/12075 |
Resumo: | The present study aims to investigate how the representation of the traumatic memories of the protagonists Clarice and Maria Inês, in the novel Symphony in white (2013), by Adriana Lisboa, is configured as a process of melancholic construction, given the suffering that involves the memories of the characters, with bodies interdicted by the violence of an incestuous rape that guides the narrative construction of the work. The story of the two sisters dialogues with issues of urban reality, in the sense that the plot puts in debate situations that are constituted around violence and, in this way, is composed from the traumatic experience of Clarice's past. The narrative is constructed through temporal retreats and advances, with the presence of independent and interconnected memories. The rape committed by the sisters' father triggers a trauma in the characters that causes tensions in narrating the unspeakable, a result of the silence, the forbidden and the interdicts that drive the plot. Through the representation of these characters, it is possible to analyze the possibilities of reflection about the melancholic construction and traumatic transmission experienced by the protagonists, the affectionate relationships that reveal themselves frustrated between the characters, the loss of childhood, neglect, silence, as well as open wounds in memory, condition of women, their invisibility, oblivion and marginalization resulting from the tortuous consequences of lives interdicted by violence, but which in the end seek to overcome. In this context, in order to weave the process of memory construction imbricated with the concepts of violence, trauma and melancholy, it requires, from a bibliographic nature, the survey of theoretical-critical and literary texts concomitantly with readings and structuring of knowledge based on scholars such as Agamben (2002), Assmann (2011), Bordieu (2012), Beauvoir (1967), Dalcastagnè (2012), Favero; Rudge (2009), Ferenczi (1931/1933/1934), Figueiredo (2016), Freud (1996/1979/2014), Gagnebin (2009), Genette (s/d), Ginzburg (2012), Kristeva (1989), Ortalan (2016), Pellegrini (2008), Perrot (2003) Pinheiro; Quintella; Verztman (2010), Seligmann-Silva (2008/2002) among others. |
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Ribeiro, Renata Rochahttp://lattes.cnpq.br/9766358738375689Ribeiro, Renata RochaGomes, Gínia Maria de OliveiraCruvinel, Larissa Warzocha Fernandeshttp://lattes.cnpq.br/6819584637768097Parreira, Tálita Vicente2022-05-18T15:48:04Z2022-05-18T15:48:04Z2022-03-31PARREIRA, T. V. Memória de um trauma: melancolia e violência em Sinfonia em branco, de Adriana Lisboa. 2022. 90 f. Dissertação (Mestrado em Letras e Linguística) - Universidade Federal de Goiás, Goiânia, 2022.http://repositorio.bc.ufg.br/tede/handle/tede/12075The present study aims to investigate how the representation of the traumatic memories of the protagonists Clarice and Maria Inês, in the novel Symphony in white (2013), by Adriana Lisboa, is configured as a process of melancholic construction, given the suffering that involves the memories of the characters, with bodies interdicted by the violence of an incestuous rape that guides the narrative construction of the work. The story of the two sisters dialogues with issues of urban reality, in the sense that the plot puts in debate situations that are constituted around violence and, in this way, is composed from the traumatic experience of Clarice's past. The narrative is constructed through temporal retreats and advances, with the presence of independent and interconnected memories. The rape committed by the sisters' father triggers a trauma in the characters that causes tensions in narrating the unspeakable, a result of the silence, the forbidden and the interdicts that drive the plot. Through the representation of these characters, it is possible to analyze the possibilities of reflection about the melancholic construction and traumatic transmission experienced by the protagonists, the affectionate relationships that reveal themselves frustrated between the characters, the loss of childhood, neglect, silence, as well as open wounds in memory, condition of women, their invisibility, oblivion and marginalization resulting from the tortuous consequences of lives interdicted by violence, but which in the end seek to overcome. In this context, in order to weave the process of memory construction imbricated with the concepts of violence, trauma and melancholy, it requires, from a bibliographic nature, the survey of theoretical-critical and literary texts concomitantly with readings and structuring of knowledge based on scholars such as Agamben (2002), Assmann (2011), Bordieu (2012), Beauvoir (1967), Dalcastagnè (2012), Favero; Rudge (2009), Ferenczi (1931/1933/1934), Figueiredo (2016), Freud (1996/1979/2014), Gagnebin (2009), Genette (s/d), Ginzburg (2012), Kristeva (1989), Ortalan (2016), Pellegrini (2008), Perrot (2003) Pinheiro; Quintella; Verztman (2010), Seligmann-Silva (2008/2002) among others.O presente estudo tem como objetivo investigar de que maneira a representação das memórias traumáticas das protagonistas Clarice e Maria Inês, no romance Sinfonia em branco (2013), de Adriana Lisboa, configura-se como um processo de construção melancólica, dado o sofrimento que envolve as lembranças das personagens, com corpos interditados pela violência de um estupro incestuoso que norteia a construção narrativa da obra. A história das duas irmãs dialoga com questões da realidade urbana, no sentido de o enredo colocar em debate situações que se constituem ao redor da violência e, dessa forma, se compor a partir da experiência traumática do passado de Clarice. A narrativa é construída através de recuos e avanços temporais, com a presença de lembranças independentes e interligadas. O estupro praticado pelo próprio pai das irmãs desencadeia nas personagens o trauma que provoca tensões de narrar o inenarrável, resultado do silêncio, proibidos e interditos que conduzem a trama. Através da representação dessas personagens é possível analisar as possibilidades de reflexão acerca da construção melancólica e transmissão traumática vivida pelas protagonistas, das relações afetuosas que se desvelam frustradas entre os personagens, da perda da infância, negligência, silêncio, bem como feridas abertas na memória, condição da mulher, sua invisibilidade, esquecimento e marginalização decorrentes das consequências tortuosas de vidas interditadas pela violência, mas que ao final buscam por superação. Nesse contexto, para tecer o processo de construção da memória imbricado com as concepções de violência, trauma e melancolia requer, a partir de cunho bibliográfico, o levantamento de textos teórico-críticos e literários concomitantemente a leituras e estruturação de conhecimentos alicerçados em estudiosos como Agamben (2002), Assmann (2011), Bordieu (2012), Beauvoir (1967), Dalcastagnè (2012), Favero; Rudge (2009), Ferenczi (1931/1933/1934), Figueiredo (2016), Freud (1996/1979/2014), Gagnebin (2009), Genette (s/d), Ginzburg (2012), Kristeva (1989), Ortalan (2016), Pellegrini (2008), Perrot (2003) Pinheiro; Quintella; Verztman (2010), Seligmann-Silva (2008/2002) entre outros.Submitted by Luciana Ferreira (lucgeral@gmail.com) on 2022-05-18T13:35:45Z No. of bitstreams: 2 Dissertação - Tálita Vicente Parreira - 2022.pdf: 743244 bytes, checksum: 5cb18b65a43408eddaae0ced4d2fcb78 (MD5) license_rdf: 805 bytes, checksum: 4460e5956bc1d1639be9ae6146a50347 (MD5)Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2022-05-18T15:48:04Z (GMT) No. of bitstreams: 2 Dissertação - Tálita Vicente Parreira - 2022.pdf: 743244 bytes, checksum: 5cb18b65a43408eddaae0ced4d2fcb78 (MD5) license_rdf: 805 bytes, checksum: 4460e5956bc1d1639be9ae6146a50347 (MD5)Made available in DSpace on 2022-05-18T15:48:04Z (GMT). No. of bitstreams: 2 Dissertação - Tálita Vicente Parreira - 2022.pdf: 743244 bytes, checksum: 5cb18b65a43408eddaae0ced4d2fcb78 (MD5) license_rdf: 805 bytes, checksum: 4460e5956bc1d1639be9ae6146a50347 (MD5) Previous issue date: 2022-03-31porUniversidade Federal de GoiásPrograma de Pós-graduação em Letras e Linguística (FL)UFGBrasilFaculdade de Letras - FL (RG)Attribution-NonCommercial-NoDerivatives 4.0 Internationalhttp://creativecommons.org/licenses/by-nc-nd/4.0/info:eu-repo/semantics/openAccessMemóriaMelancoliaMulherSinfonia em brancoTraumaViolênciaMemoryMelancholyWomanSymphony in whiteTraumaViolenceLINGUISTICA, LETRAS E ARTES::LETRAS::LITERATURA COMPARADAMemória de um trauma: melancolia e violência em Sinfonia em branco, de Adriana LisboaMemory of a trauma: melancholy and violence in Symphony in white, by Adriana Lisboainfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesis6850050050018762reponame:Repositório Institucional da UFGinstname:Universidade Federal de Goiás (UFG)instacron:UFGLICENSElicense.txtlicense.txttext/plain; charset=utf-81748http://repositorio.bc.ufg.br/tede/bitstreams/69712d6c-cb66-4452-a205-3cead03841f2/download8a4605be74aa9ea9d79846c1fba20a33MD51CC-LICENSElicense_rdflicense_rdfapplication/rdf+xml; charset=utf-8805http://repositorio.bc.ufg.br/tede/bitstreams/f0e8bbc3-5183-440e-91a3-7f3666de51da/download4460e5956bc1d1639be9ae6146a50347MD52ORIGINALDissertação - Tálita Vicente Parreira - 2022.pdfDissertação - Tálita Vicente Parreira - 2022.pdfapplication/pdf743244http://repositorio.bc.ufg.br/tede/bitstreams/e50b84ce-4925-4b1f-8229-287efab6b54f/download5cb18b65a43408eddaae0ced4d2fcb78MD53tede/120752022-05-18 12:48:04.664http://creativecommons.org/licenses/by-nc-nd/4.0/Attribution-NonCommercial-NoDerivatives 4.0 Internationalopen.accessoai:repositorio.bc.ufg.br:tede/12075http://repositorio.bc.ufg.br/tedeRepositório InstitucionalPUBhttp://repositorio.bc.ufg.br/oai/requesttasesdissertacoes.bc@ufg.bropendoar:2022-05-18T15:48:04Repositório Institucional da UFG - Universidade Federal de Goiás (UFG)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 |
dc.title.pt_BR.fl_str_mv |
Memória de um trauma: melancolia e violência em Sinfonia em branco, de Adriana Lisboa |
dc.title.alternative.eng.fl_str_mv |
Memory of a trauma: melancholy and violence in Symphony in white, by Adriana Lisboa |
title |
Memória de um trauma: melancolia e violência em Sinfonia em branco, de Adriana Lisboa |
spellingShingle |
Memória de um trauma: melancolia e violência em Sinfonia em branco, de Adriana Lisboa Parreira, Tálita Vicente Memória Melancolia Mulher Sinfonia em branco Trauma Violência Memory Melancholy Woman Symphony in white Trauma Violence LINGUISTICA, LETRAS E ARTES::LETRAS::LITERATURA COMPARADA |
title_short |
Memória de um trauma: melancolia e violência em Sinfonia em branco, de Adriana Lisboa |
title_full |
Memória de um trauma: melancolia e violência em Sinfonia em branco, de Adriana Lisboa |
title_fullStr |
Memória de um trauma: melancolia e violência em Sinfonia em branco, de Adriana Lisboa |
title_full_unstemmed |
Memória de um trauma: melancolia e violência em Sinfonia em branco, de Adriana Lisboa |
title_sort |
Memória de um trauma: melancolia e violência em Sinfonia em branco, de Adriana Lisboa |
author |
Parreira, Tálita Vicente |
author_facet |
Parreira, Tálita Vicente |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Ribeiro, Renata Rocha |
dc.contributor.advisor1Lattes.fl_str_mv |
http://lattes.cnpq.br/9766358738375689 |
dc.contributor.referee1.fl_str_mv |
Ribeiro, Renata Rocha |
dc.contributor.referee2.fl_str_mv |
Gomes, Gínia Maria de Oliveira |
dc.contributor.referee3.fl_str_mv |
Cruvinel, Larissa Warzocha Fernandes |
dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/6819584637768097 |
dc.contributor.author.fl_str_mv |
Parreira, Tálita Vicente |
contributor_str_mv |
Ribeiro, Renata Rocha Ribeiro, Renata Rocha Gomes, Gínia Maria de Oliveira Cruvinel, Larissa Warzocha Fernandes |
dc.subject.por.fl_str_mv |
Memória Melancolia Mulher Sinfonia em branco Trauma Violência |
topic |
Memória Melancolia Mulher Sinfonia em branco Trauma Violência Memory Melancholy Woman Symphony in white Trauma Violence LINGUISTICA, LETRAS E ARTES::LETRAS::LITERATURA COMPARADA |
dc.subject.eng.fl_str_mv |
Memory Melancholy Woman Symphony in white Trauma Violence |
dc.subject.cnpq.fl_str_mv |
LINGUISTICA, LETRAS E ARTES::LETRAS::LITERATURA COMPARADA |
description |
The present study aims to investigate how the representation of the traumatic memories of the protagonists Clarice and Maria Inês, in the novel Symphony in white (2013), by Adriana Lisboa, is configured as a process of melancholic construction, given the suffering that involves the memories of the characters, with bodies interdicted by the violence of an incestuous rape that guides the narrative construction of the work. The story of the two sisters dialogues with issues of urban reality, in the sense that the plot puts in debate situations that are constituted around violence and, in this way, is composed from the traumatic experience of Clarice's past. The narrative is constructed through temporal retreats and advances, with the presence of independent and interconnected memories. The rape committed by the sisters' father triggers a trauma in the characters that causes tensions in narrating the unspeakable, a result of the silence, the forbidden and the interdicts that drive the plot. Through the representation of these characters, it is possible to analyze the possibilities of reflection about the melancholic construction and traumatic transmission experienced by the protagonists, the affectionate relationships that reveal themselves frustrated between the characters, the loss of childhood, neglect, silence, as well as open wounds in memory, condition of women, their invisibility, oblivion and marginalization resulting from the tortuous consequences of lives interdicted by violence, but which in the end seek to overcome. In this context, in order to weave the process of memory construction imbricated with the concepts of violence, trauma and melancholy, it requires, from a bibliographic nature, the survey of theoretical-critical and literary texts concomitantly with readings and structuring of knowledge based on scholars such as Agamben (2002), Assmann (2011), Bordieu (2012), Beauvoir (1967), Dalcastagnè (2012), Favero; Rudge (2009), Ferenczi (1931/1933/1934), Figueiredo (2016), Freud (1996/1979/2014), Gagnebin (2009), Genette (s/d), Ginzburg (2012), Kristeva (1989), Ortalan (2016), Pellegrini (2008), Perrot (2003) Pinheiro; Quintella; Verztman (2010), Seligmann-Silva (2008/2002) among others. |
publishDate |
2022 |
dc.date.accessioned.fl_str_mv |
2022-05-18T15:48:04Z |
dc.date.available.fl_str_mv |
2022-05-18T15:48:04Z |
dc.date.issued.fl_str_mv |
2022-03-31 |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/masterThesis |
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masterThesis |
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publishedVersion |
dc.identifier.citation.fl_str_mv |
PARREIRA, T. V. Memória de um trauma: melancolia e violência em Sinfonia em branco, de Adriana Lisboa. 2022. 90 f. Dissertação (Mestrado em Letras e Linguística) - Universidade Federal de Goiás, Goiânia, 2022. |
dc.identifier.uri.fl_str_mv |
http://repositorio.bc.ufg.br/tede/handle/tede/12075 |
identifier_str_mv |
PARREIRA, T. V. Memória de um trauma: melancolia e violência em Sinfonia em branco, de Adriana Lisboa. 2022. 90 f. Dissertação (Mestrado em Letras e Linguística) - Universidade Federal de Goiás, Goiânia, 2022. |
url |
http://repositorio.bc.ufg.br/tede/handle/tede/12075 |
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por |
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500 500 500 |
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762 |
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Attribution-NonCommercial-NoDerivatives 4.0 International http://creativecommons.org/licenses/by-nc-nd/4.0/ info:eu-repo/semantics/openAccess |
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Attribution-NonCommercial-NoDerivatives 4.0 International http://creativecommons.org/licenses/by-nc-nd/4.0/ |
eu_rights_str_mv |
openAccess |
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Universidade Federal de Goiás |
dc.publisher.program.fl_str_mv |
Programa de Pós-graduação em Letras e Linguística (FL) |
dc.publisher.initials.fl_str_mv |
UFG |
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Brasil |
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Faculdade de Letras - FL (RG) |
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Universidade Federal de Goiás |
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