Trauma e revolução: uma análise das obras de Jacques-Louis David (1784 a 1799)

Detalhes bibliográficos
Ano de defesa: 2019
Autor(a) principal: Corso, Sofia lattes
Orientador(a): Vilela, Ana Lucia Oliveira lattes
Banca de defesa: Gomes, Ivan Lima, Noronha, Márcio Pizarro, Fredrigo, Fabiana de Souza
Tipo de documento: Dissertação
Tipo de acesso: Acesso aberto
Idioma: por
Instituição de defesa: Universidade Federal de Goiás
Programa de Pós-Graduação: Programa de Pós-graduação em História (FH)
Departamento: Faculdade de História - FH (RG)
País: Brasil
Palavras-chave em Português:
Jacques-Louis David
Neoclassicismo
Trauma
Revolução francesa
Palavras-chave em Inglês:
Neoclassicism
French revolution
Área do conhecimento CNPq:
CIENCIAS HUMANAS::HISTORIA
Link de acesso: http://repositorio.bc.ufg.br/tede/handle/tede/10113
Resumo: This work aims to analyze the works of Jacques-Louis David, a reference painter of the Neoclassical style, from 1784 to 1799. It is intended, through an interdisciplinary reading - relating art, history and psychoanalysis - to understand the stylistic transformations observed in works as an expression of a mutation in the link between virtue and terror. The hypothesis is that violence is intrinsically related to these changes, as well as the trauma caused by it. From the instruments of psychoanalysis, concepts such as mourning, perlaboration and trauma, will be used to apprehend the conflict between David's pre-revolutionary works and the changes that occurred in the face of the trauma caused by Terror. Subsequently, with the overthrow of Robespierre in 1794, David's work again changes and the complexity of the symbolic elements that make up his paintings as well. David is a rare case of an artist who became directly involved with the Revolution, not only to represent it artistically, but to experience it. As a survivor of the revolutionary period, he will live long enough to reevaluate events. In 1799, with the exhibition of the work The Sabines, we can perceive a significant change in the painter's conception of the function of art and its positioning on the directions taken by the French Revolution.
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spelling Vilela, Ana Lucia Oliveirahttp://lattes.cnpq.br/8637723867327380Gomes, Ivan LimaNoronha, Márcio PizarroFredrigo, Fabiana de Souzahttp://lattes.cnpq.br/5155298987614721Corso, Sofia2019-10-21T12:21:35Z2019-09-05CORSO, Sofia. Trauma e revolução: uma análise das obras de Jacques-Louis David (1784 a 1799). 2019. 124 f. Dissertação (Mestrado em História) - Universidade Federal de Goiás, Goiânia, 2019.http://repositorio.bc.ufg.br/tede/handle/tede/10113This work aims to analyze the works of Jacques-Louis David, a reference painter of the Neoclassical style, from 1784 to 1799. It is intended, through an interdisciplinary reading - relating art, history and psychoanalysis - to understand the stylistic transformations observed in works as an expression of a mutation in the link between virtue and terror. The hypothesis is that violence is intrinsically related to these changes, as well as the trauma caused by it. From the instruments of psychoanalysis, concepts such as mourning, perlaboration and trauma, will be used to apprehend the conflict between David's pre-revolutionary works and the changes that occurred in the face of the trauma caused by Terror. Subsequently, with the overthrow of Robespierre in 1794, David's work again changes and the complexity of the symbolic elements that make up his paintings as well. David is a rare case of an artist who became directly involved with the Revolution, not only to represent it artistically, but to experience it. As a survivor of the revolutionary period, he will live long enough to reevaluate events. In 1799, with the exhibition of the work The Sabines, we can perceive a significant change in the painter's conception of the function of art and its positioning on the directions taken by the French Revolution.Este trabalho tem como objetivo a análise das obras de Jacques-Louis David, pintor referência do estilo Neoclássico, no período de 1784 a 1799. Pretende-se, através de uma leitura interdisciplinar – relacionando arte, história e psicanálise –, compreender as transformações estilísticas observada nas obras como expressão de uma mutação no vínculo entre virtude e terror. A hipótese é que a violência está intrinsicamente relacionada a essas mudanças, como também o trauma causado por ela. A partir do instrumental da psicanálise, conceitos como luto, perlaboração e trauma, serão utilizados para apreender o conflito existente entre as obras pré-revolucionárias de David e as modificações que ocorreram diante do trauma causado pelo Terror. Posteriormente, com a derrocada de Robespierre em 1794, a obra de David se altera novamente e a complexidade dos elementos simbólicos que compõe suas telas também. David é um raro caso de artista que se envolveu diretamente com a Revolução, não apenas para representá-la artisticamente, mas para vivenciá-la. Como sobrevivente do período revolucionário, ele viverá o bastante para reavaliar os acontecimentos. Em 1799, com a exposição da obra As Sabinas, podemos perceber uma significativa mudança na concepção do pintor quanto à função da arte e seu posicionamento quanto aos rumos tomados pela Revolução Francesa.Submitted by Franciele Moreira (francielemoreyra@gmail.com) on 2019-10-18T16:14:49Z No. of bitstreams: 2 Dissertação - Sofia Corso - 2019.pdf: 4174621 bytes, checksum: 0377d2ffb34db1935d3fca0c090c655b (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2019-10-21T12:21:35Z (GMT) No. of bitstreams: 2 Dissertação - Sofia Corso - 2019.pdf: 4174621 bytes, checksum: 0377d2ffb34db1935d3fca0c090c655b (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)Made available in DSpace on 2019-10-21T12:21:35Z (GMT). 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dc.title.eng.fl_str_mv Trauma e revolução: uma análise das obras de Jacques-Louis David (1784 a 1799)
dc.title.alternative.eng.fl_str_mv Trauma and revolution: an analysis of Jacques-Louis David's works (1784–1799)
title Trauma e revolução: uma análise das obras de Jacques-Louis David (1784 a 1799)
spellingShingle Trauma e revolução: uma análise das obras de Jacques-Louis David (1784 a 1799)
Corso, Sofia
Jacques-Louis David
Neoclassicismo
Trauma
Revolução francesa
Trauma
Neoclassicism
French revolution
CIENCIAS HUMANAS::HISTORIA
title_short Trauma e revolução: uma análise das obras de Jacques-Louis David (1784 a 1799)
title_full Trauma e revolução: uma análise das obras de Jacques-Louis David (1784 a 1799)
title_fullStr Trauma e revolução: uma análise das obras de Jacques-Louis David (1784 a 1799)
title_full_unstemmed Trauma e revolução: uma análise das obras de Jacques-Louis David (1784 a 1799)
title_sort Trauma e revolução: uma análise das obras de Jacques-Louis David (1784 a 1799)
author Corso, Sofia
author_facet Corso, Sofia
author_role author
dc.contributor.advisor1.fl_str_mv Vilela, Ana Lucia Oliveira
dc.contributor.advisor1Lattes.fl_str_mv http://lattes.cnpq.br/8637723867327380
dc.contributor.referee1.fl_str_mv Gomes, Ivan Lima
dc.contributor.referee2.fl_str_mv Noronha, Márcio Pizarro
dc.contributor.referee3.fl_str_mv Fredrigo, Fabiana de Souza
dc.contributor.authorLattes.fl_str_mv http://lattes.cnpq.br/5155298987614721
dc.contributor.author.fl_str_mv Corso, Sofia
contributor_str_mv Vilela, Ana Lucia Oliveira
Gomes, Ivan Lima
Noronha, Márcio Pizarro
Fredrigo, Fabiana de Souza
dc.subject.por.fl_str_mv Jacques-Louis David
Neoclassicismo
Trauma
Revolução francesa
Trauma
topic Jacques-Louis David
Neoclassicismo
Trauma
Revolução francesa
Trauma
Neoclassicism
French revolution
CIENCIAS HUMANAS::HISTORIA
dc.subject.eng.fl_str_mv Neoclassicism
French revolution
dc.subject.cnpq.fl_str_mv CIENCIAS HUMANAS::HISTORIA
description This work aims to analyze the works of Jacques-Louis David, a reference painter of the Neoclassical style, from 1784 to 1799. It is intended, through an interdisciplinary reading - relating art, history and psychoanalysis - to understand the stylistic transformations observed in works as an expression of a mutation in the link between virtue and terror. The hypothesis is that violence is intrinsically related to these changes, as well as the trauma caused by it. From the instruments of psychoanalysis, concepts such as mourning, perlaboration and trauma, will be used to apprehend the conflict between David's pre-revolutionary works and the changes that occurred in the face of the trauma caused by Terror. Subsequently, with the overthrow of Robespierre in 1794, David's work again changes and the complexity of the symbolic elements that make up his paintings as well. David is a rare case of an artist who became directly involved with the Revolution, not only to represent it artistically, but to experience it. As a survivor of the revolutionary period, he will live long enough to reevaluate events. In 1799, with the exhibition of the work The Sabines, we can perceive a significant change in the painter's conception of the function of art and its positioning on the directions taken by the French Revolution.
publishDate 2019
dc.date.accessioned.fl_str_mv 2019-10-21T12:21:35Z
dc.date.issued.fl_str_mv 2019-09-05
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dc.identifier.citation.fl_str_mv CORSO, Sofia. Trauma e revolução: uma análise das obras de Jacques-Louis David (1784 a 1799). 2019. 124 f. Dissertação (Mestrado em História) - Universidade Federal de Goiás, Goiânia, 2019.
dc.identifier.uri.fl_str_mv http://repositorio.bc.ufg.br/tede/handle/tede/10113
identifier_str_mv CORSO, Sofia. Trauma e revolução: uma análise das obras de Jacques-Louis David (1784 a 1799). 2019. 124 f. Dissertação (Mestrado em História) - Universidade Federal de Goiás, Goiânia, 2019.
url http://repositorio.bc.ufg.br/tede/handle/tede/10113
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dc.publisher.department.fl_str_mv Faculdade de História - FH (RG)
publisher.none.fl_str_mv Universidade Federal de Goiás
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