“Goiás que a história guardou”: mulheres, ditadura e cultura dos anos 1960

Detalhes bibliográficos
Ano de defesa: 2014
Autor(a) principal: Prado, Paulo Brito do lattes
Orientador(a): Magalhães, Sônia Maria de lattes
Banca de defesa: Magalhães, Sônia Maria de, Soares, Ana Carolina Eiras Coelho, Delgado, Andréa Ferreira, Capel, Heloísa Selma Fernades
Tipo de documento: Dissertação
Tipo de acesso: Acesso aberto
Idioma: por
Instituição de defesa: Universidade Federal de Goiás
Programa de Pós-Graduação: Programa de Pós-graduação em Historia (FH)
Departamento: Faculdade de História - FH (RG)
País: Brasil
Palavras-chave em Português:
Palavras-chave em Inglês:
Área do conhecimento CNPq:
Link de acesso: http://repositorio.bc.ufg.br/tede/handle/tede/3835
Resumo: The survey “‘Goiás that history saved’: women, culture and dictatorship in the 1960s,” examines the historical trajectories of two women who lived in the city of Goiás and had their intersecting lives in a period of intense political debate in Brazil. Altair Camargo Steps and Elina Maria da Silva was "found " in 1965 after police action in the city of Goiás, which resulted in the arrest of Elina along with others involved in the projects of the occasion. Among the prisoners, one was the son of Altair Camargo. During the season the arrest of her son, Altair has produced a kind of memorial, a place of memories of prisons in Goiás. This memorial/place of memories has become a major source of historical research since it showed the maternal and feminine reading of prisons in Goiás. After returning from prisons Elina Maria and young prisoners began the project of (re) invention and production of related beliefs vilaboenses traditions and their historical and cultural legacy. As the debate about the need to value this cultural legacy was already something common among the group members, although founded in 1965 with the help of “guardians of memory/history” of Goiás Vilaboense Organization of Arts and Traditions (OVAT). The problems are rooted in the working condition of silence in which women mentioned were maintained. Altair Camargo and Maria Elina played an important role in the political and cultural debate then. They pleaded process keeps local history and belief system in Goiás, however their trajectories, their stories and memories were "saved" and forgotten within the collective memory of Goiás Work analyzed in the following narrative, try to problematize these “silences of history.”
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spelling Magalhães, Sônia Maria dehttp://lattes.cnpq.br/8841367325340262Soares, Ana Carolina Eiras CoelhoMagalhães, Sônia Maria deSoares, Ana Carolina Eiras CoelhoDelgado, Andréa FerreiraCapel, Heloísa Selma Fernadeshttp://lattes.cnpq.br/9639161981901072Prado, Paulo Brito do2014-12-29T15:39:00Z2014-04-29PRADO, Paulo Brito do. “Goiás que a história guardou”: mulheres, ditadura e cultura dos anos 1960. 2014. 236 f. Dissertação (Mestrado em Historia) - Universidade Federal de Goiás, Goiânia, 2014.http://repositorio.bc.ufg.br/tede/handle/tede/3835The survey “‘Goiás that history saved’: women, culture and dictatorship in the 1960s,” examines the historical trajectories of two women who lived in the city of Goiás and had their intersecting lives in a period of intense political debate in Brazil. Altair Camargo Steps and Elina Maria da Silva was "found " in 1965 after police action in the city of Goiás, which resulted in the arrest of Elina along with others involved in the projects of the occasion. Among the prisoners, one was the son of Altair Camargo. During the season the arrest of her son, Altair has produced a kind of memorial, a place of memories of prisons in Goiás. This memorial/place of memories has become a major source of historical research since it showed the maternal and feminine reading of prisons in Goiás. After returning from prisons Elina Maria and young prisoners began the project of (re) invention and production of related beliefs vilaboenses traditions and their historical and cultural legacy. As the debate about the need to value this cultural legacy was already something common among the group members, although founded in 1965 with the help of “guardians of memory/history” of Goiás Vilaboense Organization of Arts and Traditions (OVAT). The problems are rooted in the working condition of silence in which women mentioned were maintained. Altair Camargo and Maria Elina played an important role in the political and cultural debate then. They pleaded process keeps local history and belief system in Goiás, however their trajectories, their stories and memories were "saved" and forgotten within the collective memory of Goiás Work analyzed in the following narrative, try to problematize these “silences of history.”A pesquisa “‘Goiás que a história guardou’: mulheres, ditadura e cultura nos anos 1960”, estuda as trajetórias históricas de duas mulheres que viveram na cidade de Goiás e que tiveram suas vidas cruzadas em um período de intenso debate político no Brasil. Altair Camargo de Passos e Elina Maria da Silva se “encontraram” em 1965 após ação policial na cidade de Goiás, que resultou na prisão de Elina juntamente com outras pessoas envolvidas nos manifestos da ocasião. Dentre os prisioneiros, um era o filho de Altair Camargo. Durante a temporada de prisão de seu filho, Altair produziu uma espécie de memorial, um lugar de memórias das prisões em Goiás. Este memorial / lugar de memórias se tornou uma importante fonte de investigação histórica, uma vez que evidenciou a leitura materna e feminina das prisões em Goiás. Após retornarem das prisões Elina Maria e os jovens presos deram início ao projeto de (re) invenção e produção de crenças relacionadas às tradições vilaboenses e seu legado histórico e cultural. Como o debate acerca da necessária valorização desse legado cultural já era algo comum entre os componentes do grupo, ainda em 1965 fundaram com a ajuda de “guardiões da memória / história” de Goiás a Organização Vilaboense de Artes e Tradições (OVAT). As problemáticas do trabalho se alicerçam na condição de silêncio em que foram mantidas as mulheres mencionadas. Altair Camargo e Elina Maria desempenharam importante papel no debate político e cultural da época. Elas agenciaram o processo de guarda da história local e o sistema de crenças em Goiás, no entanto suas trajetórias, histórias e suas lembranças ficaram “guardadas” e esquecidas no interior da memória coletiva de Goiás. O trabalho descortinado nas narrativas que se seguem, tentam problematizar estes “silêncios da história”.Submitted by Erika Demachki (erikademachki@gmail.com) on 2014-12-29T15:32:32Z No. of bitstreams: 2 license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5) Dissertação - Paulo Brito do Prado - 2014.pdf: 5193872 bytes, checksum: c01da59b08579e0f66d7a52fae7dc361 (MD5)Approved for entry into archive by Erika Demachki (erikademachki@gmail.com) on 2014-12-29T15:39:00Z (GMT) No. of bitstreams: 2 license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5) Dissertação - Paulo Brito do Prado - 2014.pdf: 5193872 bytes, checksum: c01da59b08579e0f66d7a52fae7dc361 (MD5)Made available in DSpace on 2014-12-29T15:39:00Z (GMT). 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dc.title.por.fl_str_mv “Goiás que a história guardou”: mulheres, ditadura e cultura dos anos 1960
dc.title.alternative.eng.fl_str_mv “Goiás kept the story”: women, dictatorship and culture of the 1960
title “Goiás que a história guardou”: mulheres, ditadura e cultura dos anos 1960
spellingShingle “Goiás que a história guardou”: mulheres, ditadura e cultura dos anos 1960
Prado, Paulo Brito do
Women
Dictatorship
Culture
Goiás
Mulheres
Ditadura
Cultura
CIENCIAS HUMANAS::HISTORIA
title_short “Goiás que a história guardou”: mulheres, ditadura e cultura dos anos 1960
title_full “Goiás que a história guardou”: mulheres, ditadura e cultura dos anos 1960
title_fullStr “Goiás que a história guardou”: mulheres, ditadura e cultura dos anos 1960
title_full_unstemmed “Goiás que a história guardou”: mulheres, ditadura e cultura dos anos 1960
title_sort “Goiás que a história guardou”: mulheres, ditadura e cultura dos anos 1960
author Prado, Paulo Brito do
author_facet Prado, Paulo Brito do
author_role author
dc.contributor.advisor1.fl_str_mv Magalhães, Sônia Maria de
dc.contributor.advisor1Lattes.fl_str_mv http://lattes.cnpq.br/8841367325340262
dc.contributor.advisor-co1.fl_str_mv Soares, Ana Carolina Eiras Coelho
dc.contributor.referee1.fl_str_mv Magalhães, Sônia Maria de
dc.contributor.referee2.fl_str_mv Soares, Ana Carolina Eiras Coelho
dc.contributor.referee3.fl_str_mv Delgado, Andréa Ferreira
dc.contributor.referee4.fl_str_mv Capel, Heloísa Selma Fernades
dc.contributor.authorLattes.fl_str_mv http://lattes.cnpq.br/9639161981901072
dc.contributor.author.fl_str_mv Prado, Paulo Brito do
contributor_str_mv Magalhães, Sônia Maria de
Soares, Ana Carolina Eiras Coelho
Magalhães, Sônia Maria de
Soares, Ana Carolina Eiras Coelho
Delgado, Andréa Ferreira
Capel, Heloísa Selma Fernades
dc.subject.eng.fl_str_mv Women
Dictatorship
Culture
topic Women
Dictatorship
Culture
Goiás
Mulheres
Ditadura
Cultura
CIENCIAS HUMANAS::HISTORIA
dc.subject.por.fl_str_mv Goiás
Mulheres
Ditadura
Cultura
dc.subject.cnpq.fl_str_mv CIENCIAS HUMANAS::HISTORIA
description The survey “‘Goiás that history saved’: women, culture and dictatorship in the 1960s,” examines the historical trajectories of two women who lived in the city of Goiás and had their intersecting lives in a period of intense political debate in Brazil. Altair Camargo Steps and Elina Maria da Silva was "found " in 1965 after police action in the city of Goiás, which resulted in the arrest of Elina along with others involved in the projects of the occasion. Among the prisoners, one was the son of Altair Camargo. During the season the arrest of her son, Altair has produced a kind of memorial, a place of memories of prisons in Goiás. This memorial/place of memories has become a major source of historical research since it showed the maternal and feminine reading of prisons in Goiás. After returning from prisons Elina Maria and young prisoners began the project of (re) invention and production of related beliefs vilaboenses traditions and their historical and cultural legacy. As the debate about the need to value this cultural legacy was already something common among the group members, although founded in 1965 with the help of “guardians of memory/history” of Goiás Vilaboense Organization of Arts and Traditions (OVAT). The problems are rooted in the working condition of silence in which women mentioned were maintained. Altair Camargo and Maria Elina played an important role in the political and cultural debate then. They pleaded process keeps local history and belief system in Goiás, however their trajectories, their stories and memories were "saved" and forgotten within the collective memory of Goiás Work analyzed in the following narrative, try to problematize these “silences of history.”
publishDate 2014
dc.date.accessioned.fl_str_mv 2014-12-29T15:39:00Z
dc.date.issued.fl_str_mv 2014-04-29
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dc.identifier.uri.fl_str_mv http://repositorio.bc.ufg.br/tede/handle/tede/3835
identifier_str_mv PRADO, Paulo Brito do. “Goiás que a história guardou”: mulheres, ditadura e cultura dos anos 1960. 2014. 236 f. Dissertação (Mestrado em Historia) - Universidade Federal de Goiás, Goiânia, 2014.
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