Dias de festa e lutas de representações: música e identidades na Congada e na Festa do Divino de Niquelândia-GO

• Ano de defesa: 2016
• Autor(a) principal: Vinhal, Felipe Eugênio
• Orientador(a): Clímaco, Magda de Miranda
• Banca de defesa: Clímaco, Magda de Miranda, Souza, Ana Guiomar Rêgo, Capel, Heloisa Selma Fernandes
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal de Goiás
• Programa de Pós-Graduação: Programa de Pós-graduação em Musica (EMAC)
• Departamento: Escola de Música e Artes Cênicas - EMAC (RG)
• País: Brasil
• Palavras-chave em Português: Músicas; Festa do Divino e Congada; Niquelândia, Goiás; Lutas de representações e processos identitários
• Palavras-chave em Inglês: Music; Holy Spirit and Congada Festivals; Battles of representations and identity processes
• Área do conhecimento CNPq: ARTES::MUSICA
• Link de acesso: http://repositorio.bc.ufg.br/tede/handle/tede/5856

The object of study of this dissertation is the music of two cultural manifestations which happens separately, contrary to what is usual to observe in another regions of the country and the state, in the historic city of Niquelândia, Goiás, the Congada and the Holy Spirit Festival, perceived in the aspects of the battles of representations (CHARTIER, 1990) and the identity processes (HALL, 2006) that forged and had been resignificating them in that social-cultural framework. A qualitative approach was selected, aiming the use of some elements of a Thick Description cited by Geertz (1989) and some elements of the notion of genre of discourse from Bakhtin (2003). The data were collected, analyzed and interpreted considering the contextualization of them, through steps that implicated: a bibliographical, documental and archives survey, field research, interviews with various agents of the festivities, and musical transcriptions, analyses and interpretations. The results revealed that the Holy Spirit Festival and the congada from Niquelândia were built in a historic and current process of encounters and battles of representations among groups from different socio-cultural fields. Meanings and significances were related, so, not only with the festivals, but also with a hybrid musical complex, religious and profane, Afro-Brazilian and European, most considerable representation of the multiple identities that compose the agents of the two festivals studied. Therefore, it was possible to prove that the festivals and the music studied are a result of investment in the city of Niquelândia because they integrate identity processes in this scenario, processes implicated with battles of social representations which forces that these cultural manifestations happen separately, in two different dates and locations.