Tecnologias digitais em rede nas performances musicais: potencialidades da composição colaborativa em meios digitais

Detalhes bibliográficos
Ano de defesa: 2023
Autor(a) principal: Santana, Marcos Vinícius lattes
Orientador(a): Oliveira, Rodrigo Cássio lattes
Banca de defesa: Oliveira, Rodrigo Cássio, Souza, Geórgia Cynara Coelho de, Melo, Marcilon Almeida de, Soares, Fabrízzio Alphonsus Alves de Melo Nunes
Tipo de documento: Dissertação
Tipo de acesso: Acesso aberto
Idioma: por
Instituição de defesa: Universidade Federal de Goiás
Programa de Pós-Graduação: Programa de Pós-graduação em Performances Culturais (FCS)
Departamento: Faculdade de Ciências Sociais - FCS (RMG)
País: Brasil
Palavras-chave em Português:
Palavras-chave em Inglês:
Área do conhecimento CNPq:
Link de acesso: http://repositorio.bc.ufg.br/tede/handle/tede/12842
Resumo: Discusses about collaborative composition practices carried out on platforms / social networks / music creation and production applications. It traces a historical overview of musical development, contextualizing the history of music and discussing about networked digital technologies in musical performances of collaborative composition. To do so, it discusses interactivity in collaborative composition made possible by the digital medium based on studies on mediatization and mediation. It aims to identify experiences of collaborative compositions mediated by networked digital technologies, justifying itself based on the influence of media and networked digital technologies on musical performances, observed by the frequent use of technological applications for composition, production, and musical performance at the end of the twentieth century and the beginning of the twenty-first century. In its problem, it questions the limits and potential of musical performance within a collaborative digital composition environment. When discussing the concept of collaborative composition and its use in musical performances, he explains two types of compositions made in digital media: one made in synchronous format, through the actions of the band Tin Men and the Telephone and the performance Dialtones: A Telesymphony; another, based on the use of platforms / social networks / applications for collaboration in the creation of compositions, such as BandLab. Methodologically, it is configured as a qualitative, descriptive-exploratory research in relation to its objectives, as it presents other platforms / social networks / music creation and production applications, while it inserts the author as a subject of the research, through the accomplishment of a composition in partnership with other members of BandLab. Considers that networked digital technologies can actively affect collaborative compositions, especially when observed from the mediatization theory, concomitantly with the phenomenon of globalization, which increased access to networked digital technologies by the population, influencing the way in which musical performances are seen and performed today.
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spelling Oliveira, Rodrigo Cássiohttp://lattes.cnpq.br/0545897116631093Soares, Fabrízzio Alphonsus Alves de Melo Nuneshttp://lattes.cnpq.br/7206645857721831Oliveira, Rodrigo CássioSouza, Geórgia Cynara Coelho deMelo, Marcilon Almeida deSoares, Fabrízzio Alphonsus Alves de Melo Nuneshttps://lattes.cnpq.br/3076721306648546Santana, Marcos Vinícius2023-05-15T12:45:19Z2023-05-15T12:45:19Z2023-04-10SANTANA, M. V. Tecnologias digitais em rede nas performances musicais: potencialidades da composição colaborativa em meios digitais. 2023. 99 f. Dissertação (Mestrado em Performances Culturais) - Universidade Federal de Goiás, Goiânia, 2023.http://repositorio.bc.ufg.br/tede/handle/tede/12842ark:/38995/00130000037b0Discusses about collaborative composition practices carried out on platforms / social networks / music creation and production applications. It traces a historical overview of musical development, contextualizing the history of music and discussing about networked digital technologies in musical performances of collaborative composition. To do so, it discusses interactivity in collaborative composition made possible by the digital medium based on studies on mediatization and mediation. It aims to identify experiences of collaborative compositions mediated by networked digital technologies, justifying itself based on the influence of media and networked digital technologies on musical performances, observed by the frequent use of technological applications for composition, production, and musical performance at the end of the twentieth century and the beginning of the twenty-first century. In its problem, it questions the limits and potential of musical performance within a collaborative digital composition environment. When discussing the concept of collaborative composition and its use in musical performances, he explains two types of compositions made in digital media: one made in synchronous format, through the actions of the band Tin Men and the Telephone and the performance Dialtones: A Telesymphony; another, based on the use of platforms / social networks / applications for collaboration in the creation of compositions, such as BandLab. Methodologically, it is configured as a qualitative, descriptive-exploratory research in relation to its objectives, as it presents other platforms / social networks / music creation and production applications, while it inserts the author as a subject of the research, through the accomplishment of a composition in partnership with other members of BandLab. Considers that networked digital technologies can actively affect collaborative compositions, especially when observed from the mediatization theory, concomitantly with the phenomenon of globalization, which increased access to networked digital technologies by the population, influencing the way in which musical performances are seen and performed today.Disserta sobre as práticas de composição colaborativa realizadas em plataformas / redes sociais / aplicativos de criação e produção musical. Traça um panorama histórico sobre o desenvolvimento musical, contextualizando a história da música e discutindo sobre tecnologias digitais em rede nas performances musicais de composição colaborativa. Para tanto, discute sobre a interatividade na composição colaborativa viabilizada pelo meio digital a partir dos estudos sobre midiatização e mediação. Objetiva identificar experiências de composições colaborativas mediadas pelas tecnologias digitais em rede, justificando-se com base na influência da mídia e das tecnologias digitais em rede nas performances musicais, observada pelo uso frequente de aplicativos tecnológicos para a composição, produção e execução musical no fim do século XX e início do século XXI. Em sua problemática, questiona sobre os limites e potencialidades da performance musical dentro de um ambiente de composição colaborativa digital. Ao discorrer sobre o conceito de composição colaborativa e seu uso nas performances musicais, explicita dois tipos de composições realizadas em meio digital: um realizado em formato síncrono, através das ações da banda Tin Men and the Telephone e da performance Dialtones: A Telesymphony; outro, pautado no uso de plataformas / redes sociais / aplicativos para a colaboração na criação das composições, como o BandLab. Metodologicamente, configura-se como pesquisa qualitativa, descritiva-exploratória em relação a seus objetivos, pois apresenta outras plataformas / redes sociais / aplicativos de criação e produção musical, ao mesmo tempo em que insere o autor como sujeito da pesquisa, através da realização uma composição em parceria com outros membros do BandLab. Considera que as tecnologias digitais em rede são capazes de afetar de forma ativa as composições colaborativas, em especial quando observadas a partir da teoria da midiatização, concomitantemente com o fenômeno da globalização, que ampliaram o acesso às tecnologias digitais em rede pela população, influenciando no modo como as performances musicais são vistas e realizadas na atualidade.Submitted by Marlene Santos (marlene.bc.ufg@gmail.com) on 2023-05-09T19:48:42Z No. of bitstreams: 2 Dissertação - Marcos Vinícius Santana - 2023.pdf: 2090984 bytes, checksum: fef6ae4079ec946f29548af2b8fd4ef1 (MD5) license_rdf: 805 bytes, checksum: 4460e5956bc1d1639be9ae6146a50347 (MD5)Rejected by Luciana Ferreira (lucgeral@gmail.com), reason: Falta registrar no campo de membros da banca: Fabrízzio Alphonsus Alves de Melo Nunes Soares on 2023-05-10T12:48:00Z (GMT)Submitted by Marlene Santos (marlene.bc.ufg@gmail.com) on 2023-05-12T21:30:48Z No. of bitstreams: 2 license_rdf: 805 bytes, checksum: 4460e5956bc1d1639be9ae6146a50347 (MD5) Dissertação - Marcos Vinícius Santana - 2023.pdf: 2090984 bytes, checksum: fef6ae4079ec946f29548af2b8fd4ef1 (MD5)Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2023-05-15T12:45:19Z (GMT) No. of bitstreams: 2 license_rdf: 805 bytes, checksum: 4460e5956bc1d1639be9ae6146a50347 (MD5) Dissertação - Marcos Vinícius Santana - 2023.pdf: 2090984 bytes, checksum: fef6ae4079ec946f29548af2b8fd4ef1 (MD5)Made available in DSpace on 2023-05-15T12:45:19Z (GMT). No. of bitstreams: 2 license_rdf: 805 bytes, checksum: 4460e5956bc1d1639be9ae6146a50347 (MD5) Dissertação - Marcos Vinícius Santana - 2023.pdf: 2090984 bytes, checksum: fef6ae4079ec946f29548af2b8fd4ef1 (MD5) Previous issue date: 2023-04-10porUniversidade Federal de GoiásPrograma de Pós-graduação em Performances Culturais (FCS)UFGBrasilFaculdade de Ciências Sociais - FCS (RMG)Attribution-NonCommercial-NoDerivatives 4.0 Internationalhttp://creativecommons.org/licenses/by-nc-nd/4.0/info:eu-repo/semantics/openAccessComposição colaborativaTecnologias digitais em redePerformanceMidiatização e mediação tecnológicaCollaborative compositionNetworked digital technologiesPerformanceMediatization and technological mediationCIENCIAS SOCIAIS APLICADAS::COMUNICACAOTecnologias digitais em rede nas performances musicais: potencialidades da composição colaborativa em meios digitaisNetworked digital technologies in musical per-formances: potential of collaborative composition in digital mediainfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesis8050050050010206reponame:Repositório Institucional da UFGinstname:Universidade Federal de Goiás (UFG)instacron:UFGLICENSElicense.txtlicense.txttext/plain; charset=utf-81748http://repositorio.bc.ufg.br/tede/bitstreams/833326c7-491a-421b-adbb-aa1094b66519/download8a4605be74aa9ea9d79846c1fba20a33MD54ORIGINALDissertação - Marcos Vinícius Santana - 2023.pdfDissertação - Marcos Vinícius Santana - 2023.pdfapplication/pdf2090984http://repositorio.bc.ufg.br/tede/bitstreams/bbff4aff-ba74-437a-8ef2-023b1b1c21b3/downloadfef6ae4079ec946f29548af2b8fd4ef1MD53CC-LICENSElicense_rdflicense_rdfapplication/rdf+xml; charset=utf-8805http://repositorio.bc.ufg.br/tede/bitstreams/e7c88f2c-86ff-4839-8366-ab7768570ec2/download4460e5956bc1d1639be9ae6146a50347MD55tede/128422023-05-15 09:45:19.726http://creativecommons.org/licenses/by-nc-nd/4.0/Attribution-NonCommercial-NoDerivatives 4.0 Internationalopen.accessoai:repositorio.bc.ufg.br:tede/12842http://repositorio.bc.ufg.br/tedeRepositório InstitucionalPUBhttp://repositorio.bc.ufg.br/oai/requesttasesdissertacoes.bc@ufg.bropendoar:2023-05-15T12:45:19Repositório Institucional da UFG - Universidade Federal de Goiás (UFG)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
dc.title.pt_BR.fl_str_mv Tecnologias digitais em rede nas performances musicais: potencialidades da composição colaborativa em meios digitais
dc.title.alternative.eng.fl_str_mv Networked digital technologies in musical per-formances: potential of collaborative composition in digital media
title Tecnologias digitais em rede nas performances musicais: potencialidades da composição colaborativa em meios digitais
spellingShingle Tecnologias digitais em rede nas performances musicais: potencialidades da composição colaborativa em meios digitais
Santana, Marcos Vinícius
Composição colaborativa
Tecnologias digitais em rede
Performance
Midiatização e mediação tecnológica
Collaborative composition
Networked digital technologies
Performance
Mediatization and technological mediation
CIENCIAS SOCIAIS APLICADAS::COMUNICACAO
title_short Tecnologias digitais em rede nas performances musicais: potencialidades da composição colaborativa em meios digitais
title_full Tecnologias digitais em rede nas performances musicais: potencialidades da composição colaborativa em meios digitais
title_fullStr Tecnologias digitais em rede nas performances musicais: potencialidades da composição colaborativa em meios digitais
title_full_unstemmed Tecnologias digitais em rede nas performances musicais: potencialidades da composição colaborativa em meios digitais
title_sort Tecnologias digitais em rede nas performances musicais: potencialidades da composição colaborativa em meios digitais
author Santana, Marcos Vinícius
author_facet Santana, Marcos Vinícius
author_role author
dc.contributor.advisor1.fl_str_mv Oliveira, Rodrigo Cássio
dc.contributor.advisor1Lattes.fl_str_mv http://lattes.cnpq.br/0545897116631093
dc.contributor.advisor-co1.fl_str_mv Soares, Fabrízzio Alphonsus Alves de Melo Nunes
dc.contributor.advisor-co1Lattes.fl_str_mv http://lattes.cnpq.br/7206645857721831
dc.contributor.referee1.fl_str_mv Oliveira, Rodrigo Cássio
dc.contributor.referee2.fl_str_mv Souza, Geórgia Cynara Coelho de
dc.contributor.referee3.fl_str_mv Melo, Marcilon Almeida de
dc.contributor.referee4.fl_str_mv Soares, Fabrízzio Alphonsus Alves de Melo Nunes
dc.contributor.authorLattes.fl_str_mv https://lattes.cnpq.br/3076721306648546
dc.contributor.author.fl_str_mv Santana, Marcos Vinícius
contributor_str_mv Oliveira, Rodrigo Cássio
Soares, Fabrízzio Alphonsus Alves de Melo Nunes
Oliveira, Rodrigo Cássio
Souza, Geórgia Cynara Coelho de
Melo, Marcilon Almeida de
Soares, Fabrízzio Alphonsus Alves de Melo Nunes
dc.subject.por.fl_str_mv Composição colaborativa
Tecnologias digitais em rede
Performance
Midiatização e mediação tecnológica
topic Composição colaborativa
Tecnologias digitais em rede
Performance
Midiatização e mediação tecnológica
Collaborative composition
Networked digital technologies
Performance
Mediatization and technological mediation
CIENCIAS SOCIAIS APLICADAS::COMUNICACAO
dc.subject.eng.fl_str_mv Collaborative composition
Networked digital technologies
Performance
Mediatization and technological mediation
dc.subject.cnpq.fl_str_mv CIENCIAS SOCIAIS APLICADAS::COMUNICACAO
description Discusses about collaborative composition practices carried out on platforms / social networks / music creation and production applications. It traces a historical overview of musical development, contextualizing the history of music and discussing about networked digital technologies in musical performances of collaborative composition. To do so, it discusses interactivity in collaborative composition made possible by the digital medium based on studies on mediatization and mediation. It aims to identify experiences of collaborative compositions mediated by networked digital technologies, justifying itself based on the influence of media and networked digital technologies on musical performances, observed by the frequent use of technological applications for composition, production, and musical performance at the end of the twentieth century and the beginning of the twenty-first century. In its problem, it questions the limits and potential of musical performance within a collaborative digital composition environment. When discussing the concept of collaborative composition and its use in musical performances, he explains two types of compositions made in digital media: one made in synchronous format, through the actions of the band Tin Men and the Telephone and the performance Dialtones: A Telesymphony; another, based on the use of platforms / social networks / applications for collaboration in the creation of compositions, such as BandLab. Methodologically, it is configured as a qualitative, descriptive-exploratory research in relation to its objectives, as it presents other platforms / social networks / music creation and production applications, while it inserts the author as a subject of the research, through the accomplishment of a composition in partnership with other members of BandLab. Considers that networked digital technologies can actively affect collaborative compositions, especially when observed from the mediatization theory, concomitantly with the phenomenon of globalization, which increased access to networked digital technologies by the population, influencing the way in which musical performances are seen and performed today.
publishDate 2023
dc.date.accessioned.fl_str_mv 2023-05-15T12:45:19Z
dc.date.available.fl_str_mv 2023-05-15T12:45:19Z
dc.date.issued.fl_str_mv 2023-04-10
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
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dc.identifier.citation.fl_str_mv SANTANA, M. V. Tecnologias digitais em rede nas performances musicais: potencialidades da composição colaborativa em meios digitais. 2023. 99 f. Dissertação (Mestrado em Performances Culturais) - Universidade Federal de Goiás, Goiânia, 2023.
dc.identifier.uri.fl_str_mv http://repositorio.bc.ufg.br/tede/handle/tede/12842
dc.identifier.dark.fl_str_mv ark:/38995/00130000037b0
identifier_str_mv SANTANA, M. V. Tecnologias digitais em rede nas performances musicais: potencialidades da composição colaborativa em meios digitais. 2023. 99 f. Dissertação (Mestrado em Performances Culturais) - Universidade Federal de Goiás, Goiânia, 2023.
ark:/38995/00130000037b0
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