Tecnologias digitais em rede nas performances musicais: potencialidades da composição colaborativa em meios digitais
Ano de defesa: | 2023 |
---|---|
Autor(a) principal: | |
Orientador(a): | |
Banca de defesa: | , , , |
Tipo de documento: | Dissertação |
Tipo de acesso: | Acesso aberto |
Idioma: | por |
Instituição de defesa: |
Universidade Federal de Goiás
|
Programa de Pós-Graduação: |
Programa de Pós-graduação em Performances Culturais (FCS)
|
Departamento: |
Faculdade de Ciências Sociais - FCS (RMG)
|
País: |
Brasil
|
Palavras-chave em Português: | |
Palavras-chave em Inglês: | |
Área do conhecimento CNPq: | |
Link de acesso: | http://repositorio.bc.ufg.br/tede/handle/tede/12842 |
Resumo: | Discusses about collaborative composition practices carried out on platforms / social networks / music creation and production applications. It traces a historical overview of musical development, contextualizing the history of music and discussing about networked digital technologies in musical performances of collaborative composition. To do so, it discusses interactivity in collaborative composition made possible by the digital medium based on studies on mediatization and mediation. It aims to identify experiences of collaborative compositions mediated by networked digital technologies, justifying itself based on the influence of media and networked digital technologies on musical performances, observed by the frequent use of technological applications for composition, production, and musical performance at the end of the twentieth century and the beginning of the twenty-first century. In its problem, it questions the limits and potential of musical performance within a collaborative digital composition environment. When discussing the concept of collaborative composition and its use in musical performances, he explains two types of compositions made in digital media: one made in synchronous format, through the actions of the band Tin Men and the Telephone and the performance Dialtones: A Telesymphony; another, based on the use of platforms / social networks / applications for collaboration in the creation of compositions, such as BandLab. Methodologically, it is configured as a qualitative, descriptive-exploratory research in relation to its objectives, as it presents other platforms / social networks / music creation and production applications, while it inserts the author as a subject of the research, through the accomplishment of a composition in partnership with other members of BandLab. Considers that networked digital technologies can actively affect collaborative compositions, especially when observed from the mediatization theory, concomitantly with the phenomenon of globalization, which increased access to networked digital technologies by the population, influencing the way in which musical performances are seen and performed today. |
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Oliveira, Rodrigo Cássiohttp://lattes.cnpq.br/0545897116631093Soares, Fabrízzio Alphonsus Alves de Melo Nuneshttp://lattes.cnpq.br/7206645857721831Oliveira, Rodrigo CássioSouza, Geórgia Cynara Coelho deMelo, Marcilon Almeida deSoares, Fabrízzio Alphonsus Alves de Melo Nuneshttps://lattes.cnpq.br/3076721306648546Santana, Marcos Vinícius2023-05-15T12:45:19Z2023-05-15T12:45:19Z2023-04-10SANTANA, M. V. Tecnologias digitais em rede nas performances musicais: potencialidades da composição colaborativa em meios digitais. 2023. 99 f. Dissertação (Mestrado em Performances Culturais) - Universidade Federal de Goiás, Goiânia, 2023.http://repositorio.bc.ufg.br/tede/handle/tede/12842ark:/38995/00130000037b0Discusses about collaborative composition practices carried out on platforms / social networks / music creation and production applications. It traces a historical overview of musical development, contextualizing the history of music and discussing about networked digital technologies in musical performances of collaborative composition. To do so, it discusses interactivity in collaborative composition made possible by the digital medium based on studies on mediatization and mediation. It aims to identify experiences of collaborative compositions mediated by networked digital technologies, justifying itself based on the influence of media and networked digital technologies on musical performances, observed by the frequent use of technological applications for composition, production, and musical performance at the end of the twentieth century and the beginning of the twenty-first century. In its problem, it questions the limits and potential of musical performance within a collaborative digital composition environment. When discussing the concept of collaborative composition and its use in musical performances, he explains two types of compositions made in digital media: one made in synchronous format, through the actions of the band Tin Men and the Telephone and the performance Dialtones: A Telesymphony; another, based on the use of platforms / social networks / applications for collaboration in the creation of compositions, such as BandLab. Methodologically, it is configured as a qualitative, descriptive-exploratory research in relation to its objectives, as it presents other platforms / social networks / music creation and production applications, while it inserts the author as a subject of the research, through the accomplishment of a composition in partnership with other members of BandLab. Considers that networked digital technologies can actively affect collaborative compositions, especially when observed from the mediatization theory, concomitantly with the phenomenon of globalization, which increased access to networked digital technologies by the population, influencing the way in which musical performances are seen and performed today.Disserta sobre as práticas de composição colaborativa realizadas em plataformas / redes sociais / aplicativos de criação e produção musical. Traça um panorama histórico sobre o desenvolvimento musical, contextualizando a história da música e discutindo sobre tecnologias digitais em rede nas performances musicais de composição colaborativa. Para tanto, discute sobre a interatividade na composição colaborativa viabilizada pelo meio digital a partir dos estudos sobre midiatização e mediação. Objetiva identificar experiências de composições colaborativas mediadas pelas tecnologias digitais em rede, justificando-se com base na influência da mídia e das tecnologias digitais em rede nas performances musicais, observada pelo uso frequente de aplicativos tecnológicos para a composição, produção e execução musical no fim do século XX e início do século XXI. Em sua problemática, questiona sobre os limites e potencialidades da performance musical dentro de um ambiente de composição colaborativa digital. Ao discorrer sobre o conceito de composição colaborativa e seu uso nas performances musicais, explicita dois tipos de composições realizadas em meio digital: um realizado em formato síncrono, através das ações da banda Tin Men and the Telephone e da performance Dialtones: A Telesymphony; outro, pautado no uso de plataformas / redes sociais / aplicativos para a colaboração na criação das composições, como o BandLab. Metodologicamente, configura-se como pesquisa qualitativa, descritiva-exploratória em relação a seus objetivos, pois apresenta outras plataformas / redes sociais / aplicativos de criação e produção musical, ao mesmo tempo em que insere o autor como sujeito da pesquisa, através da realização uma composição em parceria com outros membros do BandLab. Considera que as tecnologias digitais em rede são capazes de afetar de forma ativa as composições colaborativas, em especial quando observadas a partir da teoria da midiatização, concomitantemente com o fenômeno da globalização, que ampliaram o acesso às tecnologias digitais em rede pela população, influenciando no modo como as performances musicais são vistas e realizadas na atualidade.Submitted by Marlene Santos (marlene.bc.ufg@gmail.com) on 2023-05-09T19:48:42Z No. of bitstreams: 2 Dissertação - Marcos Vinícius Santana - 2023.pdf: 2090984 bytes, checksum: fef6ae4079ec946f29548af2b8fd4ef1 (MD5) license_rdf: 805 bytes, checksum: 4460e5956bc1d1639be9ae6146a50347 (MD5)Rejected by Luciana Ferreira (lucgeral@gmail.com), reason: Falta registrar no campo de membros da banca: Fabrízzio Alphonsus Alves de Melo Nunes Soares on 2023-05-10T12:48:00Z (GMT)Submitted by Marlene Santos (marlene.bc.ufg@gmail.com) on 2023-05-12T21:30:48Z No. of bitstreams: 2 license_rdf: 805 bytes, checksum: 4460e5956bc1d1639be9ae6146a50347 (MD5) Dissertação - Marcos Vinícius Santana - 2023.pdf: 2090984 bytes, checksum: fef6ae4079ec946f29548af2b8fd4ef1 (MD5)Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2023-05-15T12:45:19Z (GMT) No. of bitstreams: 2 license_rdf: 805 bytes, checksum: 4460e5956bc1d1639be9ae6146a50347 (MD5) Dissertação - Marcos Vinícius Santana - 2023.pdf: 2090984 bytes, checksum: fef6ae4079ec946f29548af2b8fd4ef1 (MD5)Made available in DSpace on 2023-05-15T12:45:19Z (GMT). No. of bitstreams: 2 license_rdf: 805 bytes, checksum: 4460e5956bc1d1639be9ae6146a50347 (MD5) Dissertação - Marcos Vinícius Santana - 2023.pdf: 2090984 bytes, checksum: fef6ae4079ec946f29548af2b8fd4ef1 (MD5) Previous issue date: 2023-04-10porUniversidade Federal de GoiásPrograma de Pós-graduação em Performances Culturais (FCS)UFGBrasilFaculdade de Ciências Sociais - FCS (RMG)Attribution-NonCommercial-NoDerivatives 4.0 Internationalhttp://creativecommons.org/licenses/by-nc-nd/4.0/info:eu-repo/semantics/openAccessComposição colaborativaTecnologias digitais em redePerformanceMidiatização e mediação tecnológicaCollaborative compositionNetworked digital technologiesPerformanceMediatization and technological mediationCIENCIAS SOCIAIS APLICADAS::COMUNICACAOTecnologias digitais em rede nas performances musicais: potencialidades da composição colaborativa em meios digitaisNetworked digital technologies in musical per-formances: potential of collaborative composition in digital mediainfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesis8050050050010206reponame:Repositório Institucional da UFGinstname:Universidade Federal de Goiás (UFG)instacron:UFGLICENSElicense.txtlicense.txttext/plain; charset=utf-81748http://repositorio.bc.ufg.br/tede/bitstreams/833326c7-491a-421b-adbb-aa1094b66519/download8a4605be74aa9ea9d79846c1fba20a33MD54ORIGINALDissertação - Marcos Vinícius Santana - 2023.pdfDissertação - Marcos Vinícius Santana - 2023.pdfapplication/pdf2090984http://repositorio.bc.ufg.br/tede/bitstreams/bbff4aff-ba74-437a-8ef2-023b1b1c21b3/downloadfef6ae4079ec946f29548af2b8fd4ef1MD53CC-LICENSElicense_rdflicense_rdfapplication/rdf+xml; charset=utf-8805http://repositorio.bc.ufg.br/tede/bitstreams/e7c88f2c-86ff-4839-8366-ab7768570ec2/download4460e5956bc1d1639be9ae6146a50347MD55tede/128422023-05-15 09:45:19.726http://creativecommons.org/licenses/by-nc-nd/4.0/Attribution-NonCommercial-NoDerivatives 4.0 Internationalopen.accessoai:repositorio.bc.ufg.br:tede/12842http://repositorio.bc.ufg.br/tedeRepositório InstitucionalPUBhttp://repositorio.bc.ufg.br/oai/requesttasesdissertacoes.bc@ufg.bropendoar:2023-05-15T12:45:19Repositório Institucional da UFG - Universidade Federal de Goiás (UFG)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 |
dc.title.pt_BR.fl_str_mv |
Tecnologias digitais em rede nas performances musicais: potencialidades da composição colaborativa em meios digitais |
dc.title.alternative.eng.fl_str_mv |
Networked digital technologies in musical per-formances: potential of collaborative composition in digital media |
title |
Tecnologias digitais em rede nas performances musicais: potencialidades da composição colaborativa em meios digitais |
spellingShingle |
Tecnologias digitais em rede nas performances musicais: potencialidades da composição colaborativa em meios digitais Santana, Marcos Vinícius Composição colaborativa Tecnologias digitais em rede Performance Midiatização e mediação tecnológica Collaborative composition Networked digital technologies Performance Mediatization and technological mediation CIENCIAS SOCIAIS APLICADAS::COMUNICACAO |
title_short |
Tecnologias digitais em rede nas performances musicais: potencialidades da composição colaborativa em meios digitais |
title_full |
Tecnologias digitais em rede nas performances musicais: potencialidades da composição colaborativa em meios digitais |
title_fullStr |
Tecnologias digitais em rede nas performances musicais: potencialidades da composição colaborativa em meios digitais |
title_full_unstemmed |
Tecnologias digitais em rede nas performances musicais: potencialidades da composição colaborativa em meios digitais |
title_sort |
Tecnologias digitais em rede nas performances musicais: potencialidades da composição colaborativa em meios digitais |
author |
Santana, Marcos Vinícius |
author_facet |
Santana, Marcos Vinícius |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Oliveira, Rodrigo Cássio |
dc.contributor.advisor1Lattes.fl_str_mv |
http://lattes.cnpq.br/0545897116631093 |
dc.contributor.advisor-co1.fl_str_mv |
Soares, Fabrízzio Alphonsus Alves de Melo Nunes |
dc.contributor.advisor-co1Lattes.fl_str_mv |
http://lattes.cnpq.br/7206645857721831 |
dc.contributor.referee1.fl_str_mv |
Oliveira, Rodrigo Cássio |
dc.contributor.referee2.fl_str_mv |
Souza, Geórgia Cynara Coelho de |
dc.contributor.referee3.fl_str_mv |
Melo, Marcilon Almeida de |
dc.contributor.referee4.fl_str_mv |
Soares, Fabrízzio Alphonsus Alves de Melo Nunes |
dc.contributor.authorLattes.fl_str_mv |
https://lattes.cnpq.br/3076721306648546 |
dc.contributor.author.fl_str_mv |
Santana, Marcos Vinícius |
contributor_str_mv |
Oliveira, Rodrigo Cássio Soares, Fabrízzio Alphonsus Alves de Melo Nunes Oliveira, Rodrigo Cássio Souza, Geórgia Cynara Coelho de Melo, Marcilon Almeida de Soares, Fabrízzio Alphonsus Alves de Melo Nunes |
dc.subject.por.fl_str_mv |
Composição colaborativa Tecnologias digitais em rede Performance Midiatização e mediação tecnológica |
topic |
Composição colaborativa Tecnologias digitais em rede Performance Midiatização e mediação tecnológica Collaborative composition Networked digital technologies Performance Mediatization and technological mediation CIENCIAS SOCIAIS APLICADAS::COMUNICACAO |
dc.subject.eng.fl_str_mv |
Collaborative composition Networked digital technologies Performance Mediatization and technological mediation |
dc.subject.cnpq.fl_str_mv |
CIENCIAS SOCIAIS APLICADAS::COMUNICACAO |
description |
Discusses about collaborative composition practices carried out on platforms / social networks / music creation and production applications. It traces a historical overview of musical development, contextualizing the history of music and discussing about networked digital technologies in musical performances of collaborative composition. To do so, it discusses interactivity in collaborative composition made possible by the digital medium based on studies on mediatization and mediation. It aims to identify experiences of collaborative compositions mediated by networked digital technologies, justifying itself based on the influence of media and networked digital technologies on musical performances, observed by the frequent use of technological applications for composition, production, and musical performance at the end of the twentieth century and the beginning of the twenty-first century. In its problem, it questions the limits and potential of musical performance within a collaborative digital composition environment. When discussing the concept of collaborative composition and its use in musical performances, he explains two types of compositions made in digital media: one made in synchronous format, through the actions of the band Tin Men and the Telephone and the performance Dialtones: A Telesymphony; another, based on the use of platforms / social networks / applications for collaboration in the creation of compositions, such as BandLab. Methodologically, it is configured as a qualitative, descriptive-exploratory research in relation to its objectives, as it presents other platforms / social networks / music creation and production applications, while it inserts the author as a subject of the research, through the accomplishment of a composition in partnership with other members of BandLab. Considers that networked digital technologies can actively affect collaborative compositions, especially when observed from the mediatization theory, concomitantly with the phenomenon of globalization, which increased access to networked digital technologies by the population, influencing the way in which musical performances are seen and performed today. |
publishDate |
2023 |
dc.date.accessioned.fl_str_mv |
2023-05-15T12:45:19Z |
dc.date.available.fl_str_mv |
2023-05-15T12:45:19Z |
dc.date.issued.fl_str_mv |
2023-04-10 |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/masterThesis |
format |
masterThesis |
status_str |
publishedVersion |
dc.identifier.citation.fl_str_mv |
SANTANA, M. V. Tecnologias digitais em rede nas performances musicais: potencialidades da composição colaborativa em meios digitais. 2023. 99 f. Dissertação (Mestrado em Performances Culturais) - Universidade Federal de Goiás, Goiânia, 2023. |
dc.identifier.uri.fl_str_mv |
http://repositorio.bc.ufg.br/tede/handle/tede/12842 |
dc.identifier.dark.fl_str_mv |
ark:/38995/00130000037b0 |
identifier_str_mv |
SANTANA, M. V. Tecnologias digitais em rede nas performances musicais: potencialidades da composição colaborativa em meios digitais. 2023. 99 f. Dissertação (Mestrado em Performances Culturais) - Universidade Federal de Goiás, Goiânia, 2023. ark:/38995/00130000037b0 |
url |
http://repositorio.bc.ufg.br/tede/handle/tede/12842 |
dc.language.iso.fl_str_mv |
por |
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por |
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80 |
dc.relation.confidence.fl_str_mv |
500 500 500 |
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10 |
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206 |
dc.rights.driver.fl_str_mv |
Attribution-NonCommercial-NoDerivatives 4.0 International http://creativecommons.org/licenses/by-nc-nd/4.0/ info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Attribution-NonCommercial-NoDerivatives 4.0 International http://creativecommons.org/licenses/by-nc-nd/4.0/ |
eu_rights_str_mv |
openAccess |
dc.publisher.none.fl_str_mv |
Universidade Federal de Goiás |
dc.publisher.program.fl_str_mv |
Programa de Pós-graduação em Performances Culturais (FCS) |
dc.publisher.initials.fl_str_mv |
UFG |
dc.publisher.country.fl_str_mv |
Brasil |
dc.publisher.department.fl_str_mv |
Faculdade de Ciências Sociais - FCS (RMG) |
publisher.none.fl_str_mv |
Universidade Federal de Goiás |
dc.source.none.fl_str_mv |
reponame:Repositório Institucional da UFG instname:Universidade Federal de Goiás (UFG) instacron:UFG |
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Universidade Federal de Goiás (UFG) |
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UFG |
institution |
UFG |
reponame_str |
Repositório Institucional da UFG |
collection |
Repositório Institucional da UFG |
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