Pencas de balangandãs: construção histórica, visual e social das "crioulas " no século XIX

• Ano de defesa: 2015
• Autor(a) principal: Hardman, Aline Souza
• Orientador(a): Andrade, Rita Morais de
• Banca de defesa: Andrade, Rita Morais de, Cidreira, Renata Pitombo, Mendonça, Míriam da Costa Manso Moreira de
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal de Goiás
• Programa de Pós-Graduação: Programa de Pós-graduação em Arte e Cultura Visual (FAV)
• Departamento: Faculdade de Artes Visuais - FAV (RG)
• País: Brasil
• Palavras-chave em Português: Pencas de balangandãs; Crioula; Fotografia; Cultura visual
• Palavras-chave em Inglês: Balangandã trinkets; Crioula; Photography; Visual culture
• Área do conhecimento CNPq: ARTES::FOTOGRAFIA
• Link de acesso: http://repositorio.bc.ufg.br/tede/handle/tede/4620

The dissertation aims to understand the jewelry balangandã trinkets, used by the Brazilian African, called “crioula”, from nineteenth-century in Salvador - Bahia. The jewelry was used in a mixed slave society full of racial distinction, it was seen as an artifact, in other words, as a human production, with meanings that contributed to historical and social construction. From a qualitative study and in a cultural visual approach, the jewelry was studied through the analysis of nineteenth- century photographic images. Bibliographical research was done about balangandã trinkets, images analysis, racial constructions and visual culture. The study was designed in three stages: 1) the description of the methods of studies adopted; 2) the study of the bangles from their origins since racial issues and African Diaspora in Brazil to the description of its components and; 3) analyses of photos of XIX century Crioula wearing typical costumes and their meaning and relationship with the construction of the image of women called “crioula”.