Mulher A’uwẽ-Xavante e o trabalho de existir — subjetivações políticas e relações de poder na retomada da terra indígena Marãiwatsédé

• Ano de defesa: 2017
• Autor(a) principal: Martins, Sckarleth Alves
• Orientador(a): Gomes, Suely Henrique de Aquino
• Banca de defesa: Gomes, Suely Henrique de Aquino, Costa, Deyvisson Pereira da, Oliveira, Luciene Dias de, Sugizaki, Eduardo
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal de Goiás
• Programa de Pós-Graduação: Programa de Pós-graduação em Comunicação (FIC)
• Departamento: Faculdade de Informação e Comunicação - FIC (RG)
• País: Brasil
• Palavras-chave em Português: Mulher A’uwẽ; Dispositivo; Subjetivação; Cultura; Comunicação
• Palavras-chave em Inglês: A'uwẽ Woman; Dispositive; Subjectivation; Culture; Communication
• Área do conhecimento CNPq: CIENCIAS SOCIAIS APLICADAS::COMUNICACAO::TEORIA DA COMUNICACAO
• Link de acesso: http://repositorio.bc.ufg.br/tede/handle/tede/12110

This research describes the specific configuration of the know-power over the experience of the struggle for the Marãiwatsédé Indigenous Land, of the state of Mato Grosso, in the historical imbrication between village and work, subsumed in the statement of environmental preservation. In this way, it dedicates itself to what is recognized as a new mode of subjectivation of the A'uwẽ-Xavante women from the marker of singularization: woman-indigenous-worker. The trajectory of the struggle for the land of this group A'uwẽ is understood under the light of the Foucaultian event and, in this way, it is a definitive rupture that induces the reconfiguration of the arrangements of know-power and in the domain of the subjective ones. Thus, we describe the power diagram that crosses the experience of this indigenous group as a result of the reconfiguration that the matter happens to have during the emergence of ecological ethics, which would raise new practices and new modes of self-constitution on the part of the subjects. The research uses the visibility launched on the A'uwẽ woman as the constitution of the agency of a specific female in the process of territorial recovery. The participation of these in the collection collectives of the Seed Network Association of the Xingu, therefore, would be an indication of something bigger, better structured, that would provoke a procedure of constitution of itself on the part of the women, once put in relation of power Unequal It is necessary to ask, why, in face of innumerable forms of being, is it provoked the indigenous subjectivity of the A'uwẽ woman in the process of territorial recovery and promptly allocated as a worker? In order to reach the matrix of the stratum that is investigated, therefore, it is sought to locate the gesture in the articulation between power-knowledge-subjectivity in the relation of the indigenous with themselves, with the other and with the world, from culturally attributed truths, imposed by Religious ethics, colonization, pedagogy and, more, ecologically. In this way, the strategies of settlement and use of indigenous slave labor in Brazil colony are presented, the ethical turn that this practice has undergone in democratization, and the institution of socio-environmentalism as one of the key historically constituted reading that attend to an urgency, also, historical. Therefore, it is the games of power, the small resistances, the ethical turns, and the processes of constitution of self that are of interest to the work of the archegenealogical gesture. It is based on a documentary survey on the concrete struggles of indigenous peoples in Brazil, their strategies of struggle and procedures of creative resistance; The emergence of ecological ethics permeated by various assemblages, constructions and deconstructions that the people of Maraiwatsédé carried out in the elaboration of themselves; Of the assemblages of the desire to belong to the territory; Of the practices of oneself and of the struggle for life to describe the procedures of overcoming oneself and the production of the new.