Por uma antropologia compartilhada: diálogos entre roupas e fotografias no Terecô

• Ano de defesa: 2018
• Autor(a) principal: Freire, Fladney Francisco da Silva
• Orientador(a): Souza, Maria Luiza Rodrigues
• Banca de defesa: Souza, Maria Luiza Rodrigues, Hirano, Luis Felipe Kojima, Ferretti, Mundicarmo Maria Rocha
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal de Goiás
• Programa de Pós-Graduação: Programa de Pós-graduação em Antropologia Social (FCS)
• Departamento: Faculdade de Ciências Sociais - FCS (RG)
• País: Brasil
• Palavras-chave em Português: Terecô; Festa; Roupa; Fotografias; Etnografia Terecô
• Palavras-chave em Inglês: Party; Clothing; Photographs; Ethnography; Terecô
• Área do conhecimento CNPq: ANTROPOLOGIA::ANTROPOLOGIA DAS POPULACOES AFRO-BRASILEIRAS
• Link de acesso: http://repositorio.bc.ufg.br/tede/handle/tede/8421

This research has as its field of study the clothing of pictures of a Terecô party, especifically those in the terreiro of my family, a place where I take part of activities for my spiritual development, located in the city of Bacabal (MA). The house (terreiro) has the social name of União Espírita de Umbanda de São Raimundo Nonato. I approach the religious, festive, social and political universes of Terecô in Bacabal to think the path of the clothing and the senses of beauty, thereby understanding how the clothes and the new clothes are seen and evaluated, also the meaning of the colors, props and objects in place during the rituals, their function and how these objects draw lines on social relations inside the religious community. Through the field work, coupled with photographs as a resource, this work address, in a particular way, the complex choice process and production of clothing used by players in spaces and periods of rituals and parties. I work with photography as something that surpasses senses, and in addition I try to understand the narratives that constitute the spaces of the terreiro. I propose the making of a biography of the clothing in addition to photographs and autobiographical content, intertwining an experimental etnography that seeks to perform a shared ethnographical experience.