Caminhos cruzados artistas entre viagens, olhares e tempos: arte e ciência na expedição Langsdorff: séculos XIX e XX

• Ano de defesa: 2007
• Autor(a) principal: AMBRIZZI, Miguel Luiz
• Orientador(a): MONTEIRO, Rosana Horio
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal de Goiás
• Programa de Pós-Graduação: Mestrado em Cultura Visual
• Departamento: Processos e Sistemas Visuais, Educação e Visualidade
• País: BR
• Palavras-chave em Português: história da arte; artistas-viajantes; arte; ciência; expedição Langsdorff
• Palavras-chave em Inglês: art history; travelers artists; art; science, Langsdorff Expedition
• Área do conhecimento CNPq: CNPQ::
• Link de acesso: http://repositorio.bc.ufg.br/tede/handle/tde/2786

The research CAMINHOS CRUZADOS. ARTISTAS ENTRE VIAGENS, OLHARES E TEMPOS: ARTE E CIÊNCIA NA EXPEDIÇÃO LANGSDORFF - SÉCULOS XIX E XX results from the study of a curatorial project in contemporary art ( O Brasil de hoje no espelho do século XIX Artistas alemães e brasileiros refazem a expedição Langsdorff , 1995, Dieter Strauss e Alfons Hug). This work, with a bibliographical study in Art History, History and Sociology of the Travel presents visualities readers of artworks produced by the artists of 19th and 20th centuries. The explorers / traveling artists like Rugendas, Taunay and Florence, in a context of The Langsdorff Expedition (1822-1829), and the contemporary artists Carlos Vergara, José Fujocka, Olaf Nicolai and Anatoli Juravlev, all they, development the relationship between Art and Science. The Langsdorff Expedition (1822-1829) between two ways of look, the landscape and the naturalistic view, including the representational notion of the Nature, produces a pattern of iconographic representation (scientific and documental). For this study, the travelers story in a scientific mission (Rugendas, Taunay, Florence) and their relationships with the historical and natural environmental includes and meets biographical elements and iconographic analysis and stylistic, technical and formal analysis. The representational and conceptual changes between 19th and 20th centuries are the background for the analyses artists works. This works are described and analyzed, in the project context, including the expedition and the artistic trajectory and production. In our time, Brazilians (José Fujocka and Carlos Vergara) and foreigns artists (Michael Fahres, Olaf Nicolai, Anatoli Juravlev) restores for the present The Langsdorff Expedition with multiples points of view, representations and languages with a intention to propose questions and problems to our own world. Key-words: Art History, travelers artists, Art and Science, Langsdorff Expedition.