O patrimônio azulejar de São Luís - MA e a relação das pessoas com os produtos inspirados nos objetos culturais

Detalhes bibliográficos
Ano de defesa: 2021
Autor(a) principal: SILVA, Keity Lílian Barbosa Martins lattes
Orientador(a): CAMPOS, Lívia Flávia de Albuquerque lattes
Banca de defesa: CAMPOS, Lívia Flávia de Albuquerque lattes, ZANDOMENEGHI, Ana Lúcia Alexandre de Oliveira lattes, NORONHA, Raquel Gomes lattes, FALCÃO, Franciane da Silva lattes
Tipo de documento: Dissertação
Tipo de acesso: Acesso aberto
Idioma: por
Instituição de defesa: Universidade Federal do Maranhão
Programa de Pós-Graduação: PROGRAMA DE PÓS-GRADUAÇÃO EM DESIGN/CCET
Departamento: DEPARTAMENTO DE DESENHO E TECNOLOGIA/CCET
País: Brasil
Palavras-chave em Português:
Palavras-chave em Inglês:
Área do conhecimento CNPq:
Link de acesso: https://tedebc.ufma.br/jspui/handle/tede/tede/3369
Resumo: The artifacts constituting a historical heritage refer to objects made in other times, preserved fundamentally because of their historical, cultural and symbolic value (LEMOS, 2017; MENESES, 2004). In addition to these attributes, they communicate through their aesthetic and structural characteristics, such as styles, shapes, materials, symbols, colors, ornaments and compositions (CARDOSO, 2016; DONDIS, 2015; NIEMEYER, 2016). Therefore, this research aims to contribute to the area of design in the field of cognitive ergonomics, which deals with mental and emotional processes in the relationship of people with objects (FALZON, 2007; NORMAN, 2006, 2008). The main objective of the investigation was to analyze the perception of residents in São Luís - MA about the tile heritage of the city in order to understand how it affects the relationship of people with products inspired by historic tiles. For this, the research was supported by interdisciplinary theoretical concepts covering the areas of cognitive ergonomics, visual perception, aesthetics, semiotics, historical heritage and tile heritage, in order to offer a holistic view on the perception of historical artifacts and interaction with the products. As for the nature of the data, the research is mixed - quantitative and qualitative (CRESWELL, 2010), at a descriptive level (GIL, 2019). The research method selected is a case study (YIN, 2015), with the historical-cultural artifacts to be analyzed in the relation of perception, the tiles of the São Luís - MA tile heritage. And as a result of the research, we infer that the visualization of artifacts from a historical heritage incites in the subjects a repertoire of memories, feelings and sensations leading them to a context of nostalgia, nostalgia, memories and even indifference, depending on the relationship established with the objects. Also, we emphasize that the affinity of people with historical tiles is fundamentally in the aesthetic and symbolic spheres. And that the memories, feelings and sensations experienced by the subjects in the interaction with products alluding to a historical heritage are, therefore, similar to those experienced in the context of the heritage itself. They are, in fact, projections and updates from people (FREUD, 1985 apud LAPLANCHE; PONTALIS, 1986) evidenced in the products. In this sense, there is, therefore, a desire for historical perpetuation and personal satisfaction, even if unconscious, which affects identification with representative signs and symbols in an affective sphere. We also evidence that the products are embedded with meanings and qualities and that their different categories carry in their materiality a set of associations and symbologies. In this sense, we identified that the ceramic tiles and trays with the tile theme convey the idea of traditionalism, durability, communion and attachment, referring to a historical scenario. However, cans and key chains are considered more ephemeral and detached from feelings of affection. And sandals were pointed out as not consistent with the theme of historic tiles. Choosing floors and coverings, since they are building materials for long-term use, depends on factors such as: economic value, the need for a particular environment and the consumer's style. The use of this theme in products was, finally, identified as strategic, relevant and necessary for the promotion of heritage.
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spelling CAMPOS, Lívia Flávia de Albuquerquehttp://lattes.cnpq.br/6231280946679281FERNANDES, Fabiane Rodrigueshttp://lattes.cnpq.br/0490329444455023CAMPOS, Lívia Flávia de Albuquerquehttp://lattes.cnpq.br/6231280946679281ZANDOMENEGHI, Ana Lúcia Alexandre de Oliveirahttp://lattes.cnpq.br/1468204044350566NORONHA, Raquel Gomeshttp://lattes.cnpq.br/4782161324909358FALCÃO, Franciane da Silvahttp://lattes.cnpq.br/0416128517251375http://lattes.cnpq.br/4040610095247899SILVA, Keity Lílian Barbosa Martins2021-10-20T01:06:27Z2021-05-04SILVA, Keity Lílian Barbosa Martins. O patrimônio azulejar de São Luís - MA e a relação das pessoas com os produtos inspirados nos objetos culturais. 2021. 168 f. Dissertação (Programa de Pós-Graduação em Design/CCET) - Universidade Federal do Maranhão, São Luís, 2021.https://tedebc.ufma.br/jspui/handle/tede/tede/3369The artifacts constituting a historical heritage refer to objects made in other times, preserved fundamentally because of their historical, cultural and symbolic value (LEMOS, 2017; MENESES, 2004). In addition to these attributes, they communicate through their aesthetic and structural characteristics, such as styles, shapes, materials, symbols, colors, ornaments and compositions (CARDOSO, 2016; DONDIS, 2015; NIEMEYER, 2016). Therefore, this research aims to contribute to the area of design in the field of cognitive ergonomics, which deals with mental and emotional processes in the relationship of people with objects (FALZON, 2007; NORMAN, 2006, 2008). The main objective of the investigation was to analyze the perception of residents in São Luís - MA about the tile heritage of the city in order to understand how it affects the relationship of people with products inspired by historic tiles. For this, the research was supported by interdisciplinary theoretical concepts covering the areas of cognitive ergonomics, visual perception, aesthetics, semiotics, historical heritage and tile heritage, in order to offer a holistic view on the perception of historical artifacts and interaction with the products. As for the nature of the data, the research is mixed - quantitative and qualitative (CRESWELL, 2010), at a descriptive level (GIL, 2019). The research method selected is a case study (YIN, 2015), with the historical-cultural artifacts to be analyzed in the relation of perception, the tiles of the São Luís - MA tile heritage. And as a result of the research, we infer that the visualization of artifacts from a historical heritage incites in the subjects a repertoire of memories, feelings and sensations leading them to a context of nostalgia, nostalgia, memories and even indifference, depending on the relationship established with the objects. Also, we emphasize that the affinity of people with historical tiles is fundamentally in the aesthetic and symbolic spheres. And that the memories, feelings and sensations experienced by the subjects in the interaction with products alluding to a historical heritage are, therefore, similar to those experienced in the context of the heritage itself. They are, in fact, projections and updates from people (FREUD, 1985 apud LAPLANCHE; PONTALIS, 1986) evidenced in the products. In this sense, there is, therefore, a desire for historical perpetuation and personal satisfaction, even if unconscious, which affects identification with representative signs and symbols in an affective sphere. We also evidence that the products are embedded with meanings and qualities and that their different categories carry in their materiality a set of associations and symbologies. In this sense, we identified that the ceramic tiles and trays with the tile theme convey the idea of traditionalism, durability, communion and attachment, referring to a historical scenario. However, cans and key chains are considered more ephemeral and detached from feelings of affection. And sandals were pointed out as not consistent with the theme of historic tiles. Choosing floors and coverings, since they are building materials for long-term use, depends on factors such as: economic value, the need for a particular environment and the consumer's style. The use of this theme in products was, finally, identified as strategic, relevant and necessary for the promotion of heritage.Os artefatos constituintes de um patrimônio histórico referem-se a objetos confeccionados em outras épocas, preservados fundamentalmente por conta do seu valor histórico, cultural e simbólico (LEMOS, 2017; MENESES, 2004). E além desses atributos, eles comunicam por meio de suas características estéticas e estruturais, tais como estilos, formas, materiais, símbolos, cores, ornamentos e composições (CARDOSO, 2016; DONDIS, 2015; NIEMEYER, 2016). Diante disso, esta pesquisa visa contribuir com a área do design no campo da ergonomia cognitiva, que trata dos processos mentais e emocionais na relação das pessoas com os objetos (FALZON, 2007; NORMAN, 2006, 2008). O principal objetivo da investigação consistiu em analisar a percepção de residentes em São Luís - MA sobre o patrimônio azulejar da cidade a fim de compreender como ela repercute na relação das pessoas com produtos inspirados nos azulejos históricos. Para isto, a pesquisa apoiou-se em conceitos teóricos interdisciplinares abrangendo as áreas da ergonomia cognitiva, percepção visual, estética, semiótica, patrimônio histórico e patrimônio azulejar, com o intuito de oferecer uma visão holística sobre a percepção acerca dos artefatos históricos e da interação com os produtos. Quanto à natureza dos dados, a pesquisa é mista - quantitativa e qualitativa (CRESWELL, 2010), de nível descritivo (GIL, 2019). O método de investigação selecionado trata-se de um estudo de caso (YIN, 2015), tendo como artefatos histórico-culturais a serem analisados na relação da percepção, os azulejos do patrimônio azulejar de São Luís - MA. E como resultados da pesquisa, inferimos que a visualização de artefatos de um patrimônio histórico incita nos sujeitos um repertório de memórias, sentimentos e sensações levando-os a um contexto de nostalgia, saudosismo, recordações e até de indiferença, dependo da relação estabelecida junto aos objetos. Também, destacamos que afinidade das pessoas com os azulejos históricos se dá fundamentalmente nos âmbitos estético e simbólico. E que as memórias, sentimentos e sensações experimentados pelos sujeitos na interação com produtos alusivos a um patrimônio histórico são, portanto, similares aos vivenciados diante do próprio contexto patrimonial. São, na verdade, projeções e atualizações das pessoas (FREUD, 1985 apud LAPLANCHE; PONTALIS, 1986) evidenciadas nos produtos. Nesse sentido, há, assim, um desejo de perpetuação histórica e de satisfação pessoal, mesmo que inconsciente, que incide na identificação com os signos e símbolos representativos em uma esfera afetiva. Evidenciamos, também, que os produtos são embutidos de significados e qualidades e que as suas diferentes categorias carregam em sua materialidade um conjunto de associações e simbologias. Nesse sentido, identificamos que as louças e bandejas com a temática azulejar passam a ideia de tradicionalismo, durabilidade, comunhão e apego, remetendo a um cenário histórico. Entretanto, as latas e chaveiros são considerados mais efêmeros e desprendidos de sentimentos de afeição. E sandálias foram apontadas como não condizente com a temática dos azulejos históricos. Já escolha por pisos e revestimentos, por serem materiais construtivos de uso duradouro, depende de fatores como: valor econômico, necessidade de determinado ambiente e estilo do consumidor. O uso do referido tema em produtos foi, por fim, apontado como estratégico, relevante e necessário para a promoção do patrimônio.Submitted by Daniella Santos (daniella.santos@ufma.br) on 2021-10-20T01:06:27Z No. of bitstreams: 1 KeityMartins.pdf: 9109975 bytes, checksum: c9b91c5de3979e5562219b72b391a099 (MD5)Made available in DSpace on 2021-10-20T01:06:27Z (GMT). No. of bitstreams: 1 KeityMartins.pdf: 9109975 bytes, checksum: c9b91c5de3979e5562219b72b391a099 (MD5) Previous issue date: 2021-05-04FAPEMAapplication/pdfporUniversidade Federal do MaranhãoPROGRAMA DE PÓS-GRADUAÇÃO EM DESIGN/CCETUFMABrasilDEPARTAMENTO DE DESENHO E TECNOLOGIA/CCETErgonomia cognitivaPercepçãoArtefatos históricosPatrimônio azulejarObjetos culturaisCognitive ergonomicsPerceptionHistorical artifactsTiled heritageCultural objectsDesenho de ProdutoPsicologia CognitivaO patrimônio azulejar de São Luís - MA e a relação das pessoas com os produtos inspirados nos objetos culturaisThe tile heritage of São Luís - MA and the relationship of people with products inspired by cultural objectsinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisinfo:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações da UFMAinstname:Universidade Federal do Maranhão (UFMA)instacron:UFMAORIGINALKeityMartins.pdfKeityMartins.pdfapplication/pdf9109975http://tedebc.ufma.br:8080/bitstream/tede/3369/2/KeityMartins.pdfc9b91c5de3979e5562219b72b391a099MD52LICENSElicense.txtlicense.txttext/plain; charset=utf-82255http://tedebc.ufma.br:8080/bitstream/tede/3369/1/license.txt97eeade1fce43278e63fe063657f8083MD51tede/33692021-10-19 22:06:27.518oai:tede2: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Biblioteca Digital de Teses e Dissertaçõeshttps://tedebc.ufma.br/jspui/PUBhttp://tedebc.ufma.br:8080/oai/requestrepositorio@ufma.br||repositorio@ufma.bropendoar:21312021-10-20T01:06:27Biblioteca Digital de Teses e Dissertações da UFMA - Universidade Federal do Maranhão (UFMA)false
dc.title.por.fl_str_mv O patrimônio azulejar de São Luís - MA e a relação das pessoas com os produtos inspirados nos objetos culturais
dc.title.alternative.eng.fl_str_mv The tile heritage of São Luís - MA and the relationship of people with products inspired by cultural objects
title O patrimônio azulejar de São Luís - MA e a relação das pessoas com os produtos inspirados nos objetos culturais
spellingShingle O patrimônio azulejar de São Luís - MA e a relação das pessoas com os produtos inspirados nos objetos culturais
SILVA, Keity Lílian Barbosa Martins
Ergonomia cognitiva
Percepção
Artefatos históricos
Patrimônio azulejar
Objetos culturais
Cognitive ergonomics
Perception
Historical artifacts
Tiled heritage
Cultural objects
Desenho de Produto
Psicologia Cognitiva
title_short O patrimônio azulejar de São Luís - MA e a relação das pessoas com os produtos inspirados nos objetos culturais
title_full O patrimônio azulejar de São Luís - MA e a relação das pessoas com os produtos inspirados nos objetos culturais
title_fullStr O patrimônio azulejar de São Luís - MA e a relação das pessoas com os produtos inspirados nos objetos culturais
title_full_unstemmed O patrimônio azulejar de São Luís - MA e a relação das pessoas com os produtos inspirados nos objetos culturais
title_sort O patrimônio azulejar de São Luís - MA e a relação das pessoas com os produtos inspirados nos objetos culturais
author SILVA, Keity Lílian Barbosa Martins
author_facet SILVA, Keity Lílian Barbosa Martins
author_role author
dc.contributor.advisor1.fl_str_mv CAMPOS, Lívia Flávia de Albuquerque
dc.contributor.advisor1Lattes.fl_str_mv http://lattes.cnpq.br/6231280946679281
dc.contributor.advisor-co1.fl_str_mv FERNANDES, Fabiane Rodrigues
dc.contributor.advisor-co1Lattes.fl_str_mv http://lattes.cnpq.br/0490329444455023
dc.contributor.referee1.fl_str_mv CAMPOS, Lívia Flávia de Albuquerque
dc.contributor.referee1Lattes.fl_str_mv http://lattes.cnpq.br/6231280946679281
dc.contributor.referee2.fl_str_mv ZANDOMENEGHI, Ana Lúcia Alexandre de Oliveira
dc.contributor.referee2Lattes.fl_str_mv http://lattes.cnpq.br/1468204044350566
dc.contributor.referee3.fl_str_mv NORONHA, Raquel Gomes
dc.contributor.referee3Lattes.fl_str_mv http://lattes.cnpq.br/4782161324909358
dc.contributor.referee4.fl_str_mv FALCÃO, Franciane da Silva
dc.contributor.referee4Lattes.fl_str_mv http://lattes.cnpq.br/0416128517251375
dc.contributor.authorLattes.fl_str_mv http://lattes.cnpq.br/4040610095247899
dc.contributor.author.fl_str_mv SILVA, Keity Lílian Barbosa Martins
contributor_str_mv CAMPOS, Lívia Flávia de Albuquerque
FERNANDES, Fabiane Rodrigues
CAMPOS, Lívia Flávia de Albuquerque
ZANDOMENEGHI, Ana Lúcia Alexandre de Oliveira
NORONHA, Raquel Gomes
FALCÃO, Franciane da Silva
dc.subject.por.fl_str_mv Ergonomia cognitiva
Percepção
Artefatos históricos
Patrimônio azulejar
Objetos culturais
topic Ergonomia cognitiva
Percepção
Artefatos históricos
Patrimônio azulejar
Objetos culturais
Cognitive ergonomics
Perception
Historical artifacts
Tiled heritage
Cultural objects
Desenho de Produto
Psicologia Cognitiva
dc.subject.eng.fl_str_mv Cognitive ergonomics
Perception
Historical artifacts
Tiled heritage
Cultural objects
dc.subject.cnpq.fl_str_mv Desenho de Produto
Psicologia Cognitiva
description The artifacts constituting a historical heritage refer to objects made in other times, preserved fundamentally because of their historical, cultural and symbolic value (LEMOS, 2017; MENESES, 2004). In addition to these attributes, they communicate through their aesthetic and structural characteristics, such as styles, shapes, materials, symbols, colors, ornaments and compositions (CARDOSO, 2016; DONDIS, 2015; NIEMEYER, 2016). Therefore, this research aims to contribute to the area of design in the field of cognitive ergonomics, which deals with mental and emotional processes in the relationship of people with objects (FALZON, 2007; NORMAN, 2006, 2008). The main objective of the investigation was to analyze the perception of residents in São Luís - MA about the tile heritage of the city in order to understand how it affects the relationship of people with products inspired by historic tiles. For this, the research was supported by interdisciplinary theoretical concepts covering the areas of cognitive ergonomics, visual perception, aesthetics, semiotics, historical heritage and tile heritage, in order to offer a holistic view on the perception of historical artifacts and interaction with the products. As for the nature of the data, the research is mixed - quantitative and qualitative (CRESWELL, 2010), at a descriptive level (GIL, 2019). The research method selected is a case study (YIN, 2015), with the historical-cultural artifacts to be analyzed in the relation of perception, the tiles of the São Luís - MA tile heritage. And as a result of the research, we infer that the visualization of artifacts from a historical heritage incites in the subjects a repertoire of memories, feelings and sensations leading them to a context of nostalgia, nostalgia, memories and even indifference, depending on the relationship established with the objects. Also, we emphasize that the affinity of people with historical tiles is fundamentally in the aesthetic and symbolic spheres. And that the memories, feelings and sensations experienced by the subjects in the interaction with products alluding to a historical heritage are, therefore, similar to those experienced in the context of the heritage itself. They are, in fact, projections and updates from people (FREUD, 1985 apud LAPLANCHE; PONTALIS, 1986) evidenced in the products. In this sense, there is, therefore, a desire for historical perpetuation and personal satisfaction, even if unconscious, which affects identification with representative signs and symbols in an affective sphere. We also evidence that the products are embedded with meanings and qualities and that their different categories carry in their materiality a set of associations and symbologies. In this sense, we identified that the ceramic tiles and trays with the tile theme convey the idea of traditionalism, durability, communion and attachment, referring to a historical scenario. However, cans and key chains are considered more ephemeral and detached from feelings of affection. And sandals were pointed out as not consistent with the theme of historic tiles. Choosing floors and coverings, since they are building materials for long-term use, depends on factors such as: economic value, the need for a particular environment and the consumer's style. The use of this theme in products was, finally, identified as strategic, relevant and necessary for the promotion of heritage.
publishDate 2021
dc.date.accessioned.fl_str_mv 2021-10-20T01:06:27Z
dc.date.issued.fl_str_mv 2021-05-04
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/masterThesis
format masterThesis
status_str publishedVersion
dc.identifier.citation.fl_str_mv SILVA, Keity Lílian Barbosa Martins. O patrimônio azulejar de São Luís - MA e a relação das pessoas com os produtos inspirados nos objetos culturais. 2021. 168 f. Dissertação (Programa de Pós-Graduação em Design/CCET) - Universidade Federal do Maranhão, São Luís, 2021.
dc.identifier.uri.fl_str_mv https://tedebc.ufma.br/jspui/handle/tede/tede/3369
identifier_str_mv SILVA, Keity Lílian Barbosa Martins. O patrimônio azulejar de São Luís - MA e a relação das pessoas com os produtos inspirados nos objetos culturais. 2021. 168 f. Dissertação (Programa de Pós-Graduação em Design/CCET) - Universidade Federal do Maranhão, São Luís, 2021.
url https://tedebc.ufma.br/jspui/handle/tede/tede/3369
dc.language.iso.fl_str_mv por
language por
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal do Maranhão
dc.publisher.program.fl_str_mv PROGRAMA DE PÓS-GRADUAÇÃO EM DESIGN/CCET
dc.publisher.initials.fl_str_mv UFMA
dc.publisher.country.fl_str_mv Brasil
dc.publisher.department.fl_str_mv DEPARTAMENTO DE DESENHO E TECNOLOGIA/CCET
publisher.none.fl_str_mv Universidade Federal do Maranhão
dc.source.none.fl_str_mv reponame:Biblioteca Digital de Teses e Dissertações da UFMA
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instname_str Universidade Federal do Maranhão (UFMA)
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reponame_str Biblioteca Digital de Teses e Dissertações da UFMA
collection Biblioteca Digital de Teses e Dissertações da UFMA
bitstream.url.fl_str_mv http://tedebc.ufma.br:8080/bitstream/tede/3369/2/KeityMartins.pdf
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repository.mail.fl_str_mv repositorio@ufma.br||repositorio@ufma.br
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