A poesia precursora do modernismo em Sergipe
Ano de defesa: | 2022 |
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Autor(a) principal: | |
Orientador(a): | |
Banca de defesa: | |
Tipo de documento: | Tese |
Tipo de acesso: | Acesso aberto |
Idioma: | por |
Instituição de defesa: |
Não Informado pela instituição
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Programa de Pós-Graduação: |
Pós-Graduação em Letras
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Departamento: |
Não Informado pela instituição
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País: |
Não Informado pela instituição
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Palavras-chave em Português: | |
Palavras-chave em Inglês: | |
Palavras-chave em Espanhol: | |
Área do conhecimento CNPq: | |
Link de acesso: | http://ri.ufs.br/jspui/handle/riufs/15780 |
Resumo: | This work aims to map the events that contributed to the dissemination of Modernism in Sergipe, with regard to poetic production, between 1920 and 1930, in the context of the modernization of Aracaju, a newly established capital that gained an air of urbanization and beautification in the first decades of the twentieth century. Our corpus consists of publications in newspapers that circulated at the time, among which we highlight for this thesis: O Estado de Sergipe, A República, Diário da Manhã, Gazeta de Sergipe, Diário de Sergipe, O Nordeste, Gazeta do Povo, Jornal do Povo, Sergipe-Jornal and the Boletim Liberal between the years 1922 to 1933. We also consulted the newspapers A Razão and O Piauhytinga, from the municipality of Estância, between the years 1926 to 1930. Our historical sources also include the magazine Renovação (1931-1934). The materiality is composed of modern poems, dissemination of literary events, manifestos, editorials, opinion articles, interviews, postcards, letters, magazines inserted in the new aesthetics, fascicles, books and, above all, the poems published by the precursors of the modernist aesthetics in Sergipe. To this end, the work is divided into four parts. In the first part we describe the movement of the creators of modern poetry in Sergipe that culminated with the realization of the 29th Night, an event that adhered to modernist ideas; in the second part we situate the reception of the modern spirit among the young poets from Sergipe who defended the new thought; in the third part we present the magazine Renovação and the emergence of the voice of women through the experience of creative literary writing present in each edition of this periodical; finally, in the fourth part we bring together the poetic work of Abelardo Romero and José Maria Fontes considered by the local critics as those who, in fact, reverberated the modernist aesthetics in Sergipe. The following were in favor of the new aesthetic: Heribaldo Vieira, Carlos Fontes, João Passos Cabral, Maria Rita Soares de Andrade and the modern poets Abelardo Romero and José Maria Fontes, the latter two being the creators of the Night of 29, so we dedicated a critical reading to the poetic work of both writers. Among the works that support the course of our investigation through the Sergipe newspaper library - taking as a starting point the collection of the literary critic, folklorist and researcher of Sergipe History and Culture, Jackson da Silva Lima, are: Poesia sergipana, uma antologia (OLYNTHO, 1988); Literatura sergipana (ARAÚJO, 1976); Vida literária (SOUZA, 1961); Jordão de Oliveira (RIBEIRO, 2006); Agremiações culturais de jovens intelectuais na imprensa estudantil (GILFRANCISCO, 2019); Revistas do IHGSE (1919- 1951); História de Sergipe: República (1889-2000) (DANTAS, 2004); Álbum de Sergipe: 1820 a 1920 (SILVA, 1920); Álbum photographico de Aracaju (CASA AMADOR, 1931). To deepen the dialogue between Being and Poetic Making in modernity, we brought the thought of Hugo Friedrich, in Estrutura da lírica moderna (1978), characterizing the stylistic transformations and ruptures of modernist poetry. With Émil Staiger (1997) we broadened the debate on modern lyricism between structures, meanings and the constitution of poetic language. In this perspective, Octavio Paz, in O arco e a lira (1982), leads us to think about poetry and poetic work through a critical reading of its components, bringing together language, rhythm and image, consolidating the poetic experience by the presence/function of poetry. With Alfredo Bosi, in the book O ser e o tempo da poesia (1977), we point out the word-image relationship in poetry. In addition to these dialogues, the investigation on poetry and poetic making continues with the essay repertoire proposed by Antonio Cicero, in the book A poesia e a crítica (2017), which makes evident how poetic perceptions are always original, through the way in which the poet feels the world around him. In this way, we reconstruct a considerable amount of information that indicates Sergipe's participation in Modernism – in the understanding of the events and their unfolding, highlighting both the artistic-literary ruptures and the attempts to split the patriarchal models defending the obsolete past that resisted the sociocultural transformations, consequences of the advent of the 20th century. |
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Oliveira, Edna Caroline Alexandria da CunhaBruno, Alberto Roiphe2022-05-26T23:12:36Z2022-05-26T23:12:36Z2022-03-31OLIVEIRA, Edna Caroline Alexandria da Cunha. A poesia precursora do modernismo em Sergipe. 2022. 296 f. Tese (Doutorado em Letras) - Universidade Federal de Sergipe, São Cristóvão, 2022.http://ri.ufs.br/jspui/handle/riufs/15780This work aims to map the events that contributed to the dissemination of Modernism in Sergipe, with regard to poetic production, between 1920 and 1930, in the context of the modernization of Aracaju, a newly established capital that gained an air of urbanization and beautification in the first decades of the twentieth century. Our corpus consists of publications in newspapers that circulated at the time, among which we highlight for this thesis: O Estado de Sergipe, A República, Diário da Manhã, Gazeta de Sergipe, Diário de Sergipe, O Nordeste, Gazeta do Povo, Jornal do Povo, Sergipe-Jornal and the Boletim Liberal between the years 1922 to 1933. We also consulted the newspapers A Razão and O Piauhytinga, from the municipality of Estância, between the years 1926 to 1930. Our historical sources also include the magazine Renovação (1931-1934). The materiality is composed of modern poems, dissemination of literary events, manifestos, editorials, opinion articles, interviews, postcards, letters, magazines inserted in the new aesthetics, fascicles, books and, above all, the poems published by the precursors of the modernist aesthetics in Sergipe. To this end, the work is divided into four parts. In the first part we describe the movement of the creators of modern poetry in Sergipe that culminated with the realization of the 29th Night, an event that adhered to modernist ideas; in the second part we situate the reception of the modern spirit among the young poets from Sergipe who defended the new thought; in the third part we present the magazine Renovação and the emergence of the voice of women through the experience of creative literary writing present in each edition of this periodical; finally, in the fourth part we bring together the poetic work of Abelardo Romero and José Maria Fontes considered by the local critics as those who, in fact, reverberated the modernist aesthetics in Sergipe. The following were in favor of the new aesthetic: Heribaldo Vieira, Carlos Fontes, João Passos Cabral, Maria Rita Soares de Andrade and the modern poets Abelardo Romero and José Maria Fontes, the latter two being the creators of the Night of 29, so we dedicated a critical reading to the poetic work of both writers. Among the works that support the course of our investigation through the Sergipe newspaper library - taking as a starting point the collection of the literary critic, folklorist and researcher of Sergipe History and Culture, Jackson da Silva Lima, are: Poesia sergipana, uma antologia (OLYNTHO, 1988); Literatura sergipana (ARAÚJO, 1976); Vida literária (SOUZA, 1961); Jordão de Oliveira (RIBEIRO, 2006); Agremiações culturais de jovens intelectuais na imprensa estudantil (GILFRANCISCO, 2019); Revistas do IHGSE (1919- 1951); História de Sergipe: República (1889-2000) (DANTAS, 2004); Álbum de Sergipe: 1820 a 1920 (SILVA, 1920); Álbum photographico de Aracaju (CASA AMADOR, 1931). To deepen the dialogue between Being and Poetic Making in modernity, we brought the thought of Hugo Friedrich, in Estrutura da lírica moderna (1978), characterizing the stylistic transformations and ruptures of modernist poetry. With Émil Staiger (1997) we broadened the debate on modern lyricism between structures, meanings and the constitution of poetic language. In this perspective, Octavio Paz, in O arco e a lira (1982), leads us to think about poetry and poetic work through a critical reading of its components, bringing together language, rhythm and image, consolidating the poetic experience by the presence/function of poetry. With Alfredo Bosi, in the book O ser e o tempo da poesia (1977), we point out the word-image relationship in poetry. In addition to these dialogues, the investigation on poetry and poetic making continues with the essay repertoire proposed by Antonio Cicero, in the book A poesia e a crítica (2017), which makes evident how poetic perceptions are always original, through the way in which the poet feels the world around him. In this way, we reconstruct a considerable amount of information that indicates Sergipe's participation in Modernism – in the understanding of the events and their unfolding, highlighting both the artistic-literary ruptures and the attempts to split the patriarchal models defending the obsolete past that resisted the sociocultural transformations, consequences of the advent of the 20th century.Este trabalho tem por objetivo mapear os acontecimentos que contribuíram para a divulgação do Modernismo em Sergipe, no que se refere à produção poética, entre 1920 a 1930, no contexto de modernização de Aracaju, capital recém-instituída que ganhava ares de urbanização e embelezamento nas primeiras décadas do século XX. Nosso corpus é constituído das publicações nos jornais que circularam à época, dentre os quais destacamos para esta tese: O Estado de Sergipe, A República, Diário da Manhã, Gazeta de Sergipe, Diário de Sergipe, O Nordeste, Gazeta do Povo, Jornal do Povo, Sergipe-Jornal e o Boletim Liberal entre os anos 1922 a 1933. Consultamos também os jornais A Razão e O Piauhytinga, do município de Estância, entre os anos 1926 a 1930. Nossas fontes históricas incluem ainda a revista Renovação (1931-1934). A materialidade é composta por poemas modernos, divulgação dos eventos literários, manifestos, editoriais, artigos de opinião, entrevistas, cartões-postais, cartas, revistas inseridas na nova estética, fascículos, livros e, sobretudo, os poemas publicados pelos precursores da estética modernista em Sergipe. Para tanto, o trabalho está dividido em quatro partes. Na primeira parte descrevemos a movimentação dos idealizadores da poesia moderna em Sergipe que culminou com a realização da Noite de 29, evento que aderiu às ideias modernistas; na segunda parte situamos a recepção do espírito moderno entre os jovens poetas sergipanos que defendiam o pensamento novo; na terceira parte apresentamos a revista Renovação e o despontar da voz da mulher pela experiência da escrita criativa literária presente em cada edição deste periódico; por fim, na quarta parte reunimos a obra poética de Abelardo Romero e José Maria Fontes considerados pela crítica local como aqueles que, de fato, reverberaram a estética modernista em Sergipe. Estiveram favoráveis à nova estética: Heribaldo Vieira, Carlos Fontes, João Passos Cabral, Maria Rita Soares de Andrade e os poetas modernos Abelardo Romero e José Maria Fontes, sendo estes dois últimos os idealizadores da Noite de 29, logo, dedicamos leitura crítica para a obra poética de ambos os escritores. Dentre as obras que subsidiam o percurso de nossa investigação pela hemeroteca sergipana – tomando como ponto de partida o acervo do crítico literário, folclorista e pesquisador da História e Cultura sergipanas, Jackson da Silva Lima, estão: Poesia sergipana, uma antologia (OLYNTHO, 1988); Literatura sergipana (ARAÚJO, 1976); Vida literária (SOUZA, 1961); Jordão de Oliveira (RIBEIRO, 2006); Agremiações culturais de jovens intelectuais na imprensa estudantil (GILFRANCISCO, 2019); Revistas do IHGSE (1919-1951); História de Sergipe: República (1889-2000) (DANTAS, 2004); Álbum de Sergipe: 1820 a 1920 (SILVA, 1920); Álbum photographico de Aracaju (CASA AMADOR, 1931). Para aprofundar o diálogo entre o Ser e o Fazer poético na modernidade, trouxemos o pensamento de Hugo Friedrich, em Estrutura da lírica moderna (1978), caracterizando as transformações e rupturas estilísticas da poesia modernista. Com Émil Staiger (1997) ampliamos o debate sobre a lírica moderna entre estruturas, significações e a constituição da linguagem poética. Nesta perspectiva, Octavio Paz, em O arco e a lira (1982), levanos a pensar a poesia e o fazer poético por meio da leitura crítica de seus componentes, reunindo a linguagem, o ritmo e a imagem, consolidando a experiência poética pela presença/função da poesia. Com Alfredo Bosi, no livro O ser e o tempo da poesia (1977), apontamos a relação palavra-imagem na poesia. Além desses diálogos, a investigação sobre a poesia e o fazer poético prossegue com o repertório ensaístico proposto por Antonio Cicero, no livro A poesia e a crítica (2017), que torna evidente como as percepções poéticas são sempre originais, mediante o modo como o poeta sente o mundo à sua volta. Dessa forma, reconstruímos uma quantidade considerável de informações que indicam a participação de Sergipe no Modernismo – na compreensão dos eventos e seus desdobramentos, destacando tanto as rupturas artístico-literárias quanto as tentativas de cindir os modelos patriarcais defensores do passadismo obsoleto que resistiam às transformações socioculturais, consequências do advento do século XX.São CristóvãoporModernismo (Literatura)Poesia modernaFuturismo (Movimento literário)Feminismo e literaturaModernismo em SergipePoesia modernaLiteratura sergipanaAbelardo RomeroJosé Maria FontesModernisme en SergipePoésie moderneLittérature de SergipeModernismus in SergipeModerne poesieSergipanische literaturModernism in SergipeModern poetrySergipe's literatureModernismo en SergipePoesía modernaLiteratura sergipanaLINGUISTICA, LETRAS E ARTESA poesia precursora do modernismo em Sergipeinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/doctoralThesisPós-Graduação em LetrasUniversidade Federal de Sergipereponame:Repositório Institucional da UFSinstname:Universidade Federal de Sergipe (UFS)instacron:UFSinfo:eu-repo/semantics/openAccessLICENSElicense.txtlicense.txttext/plain; charset=utf-81475https://ri.ufs.br/jspui/bitstream/riufs/15780/1/license.txt098cbbf65c2c15e1fb2e49c5d306a44cMD51ORIGINALEDNA_CAROLINE_ALEXANDRIA_CUNHA_OLIVEIRA.pdfEDNA_CAROLINE_ALEXANDRIA_CUNHA_OLIVEIRA.pdfapplication/pdf30277007https://ri.ufs.br/jspui/bitstream/riufs/15780/2/EDNA_CAROLINE_ALEXANDRIA_CUNHA_OLIVEIRA.pdf0399700e65d19c414bc1e68332b9f221MD52TEXTEDNA_CAROLINE_ALEXANDRIA_CUNHA_OLIVEIRA.pdf.txtEDNA_CAROLINE_ALEXANDRIA_CUNHA_OLIVEIRA.pdf.txtExtracted texttext/plain511225https://ri.ufs.br/jspui/bitstream/riufs/15780/3/EDNA_CAROLINE_ALEXANDRIA_CUNHA_OLIVEIRA.pdf.txt05c75d823f48c30eca79170bf023da0cMD53THUMBNAILEDNA_CAROLINE_ALEXANDRIA_CUNHA_OLIVEIRA.pdf.jpgEDNA_CAROLINE_ALEXANDRIA_CUNHA_OLIVEIRA.pdf.jpgGenerated Thumbnailimage/jpeg1297https://ri.ufs.br/jspui/bitstream/riufs/15780/4/EDNA_CAROLINE_ALEXANDRIA_CUNHA_OLIVEIRA.pdf.jpgd664e9684dcada5df6e77ae0926c9febMD54riufs/157802022-05-26 20:12:37.038oai:ufs.br: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Repositório InstitucionalPUBhttps://ri.ufs.br/oai/requestrepositorio@academico.ufs.bropendoar:2022-05-26T23:12:37Repositório Institucional da UFS - Universidade Federal de Sergipe (UFS)false |
dc.title.pt_BR.fl_str_mv |
A poesia precursora do modernismo em Sergipe |
title |
A poesia precursora do modernismo em Sergipe |
spellingShingle |
A poesia precursora do modernismo em Sergipe Oliveira, Edna Caroline Alexandria da Cunha Modernismo (Literatura) Poesia moderna Futurismo (Movimento literário) Feminismo e literatura Modernismo em Sergipe Poesia moderna Literatura sergipana Abelardo Romero José Maria Fontes Modernisme en Sergipe Poésie moderne Littérature de Sergipe Modernismus in Sergipe Moderne poesie Sergipanische literatur Modernism in Sergipe Modern poetry Sergipe's literature Modernismo en Sergipe Poesía moderna Literatura sergipana LINGUISTICA, LETRAS E ARTES |
title_short |
A poesia precursora do modernismo em Sergipe |
title_full |
A poesia precursora do modernismo em Sergipe |
title_fullStr |
A poesia precursora do modernismo em Sergipe |
title_full_unstemmed |
A poesia precursora do modernismo em Sergipe |
title_sort |
A poesia precursora do modernismo em Sergipe |
author |
Oliveira, Edna Caroline Alexandria da Cunha |
author_facet |
Oliveira, Edna Caroline Alexandria da Cunha |
author_role |
author |
dc.contributor.author.fl_str_mv |
Oliveira, Edna Caroline Alexandria da Cunha |
dc.contributor.advisor1.fl_str_mv |
Bruno, Alberto Roiphe |
contributor_str_mv |
Bruno, Alberto Roiphe |
dc.subject.por.fl_str_mv |
Modernismo (Literatura) Poesia moderna Futurismo (Movimento literário) Feminismo e literatura Modernismo em Sergipe Poesia moderna Literatura sergipana Abelardo Romero José Maria Fontes |
topic |
Modernismo (Literatura) Poesia moderna Futurismo (Movimento literário) Feminismo e literatura Modernismo em Sergipe Poesia moderna Literatura sergipana Abelardo Romero José Maria Fontes Modernisme en Sergipe Poésie moderne Littérature de Sergipe Modernismus in Sergipe Moderne poesie Sergipanische literatur Modernism in Sergipe Modern poetry Sergipe's literature Modernismo en Sergipe Poesía moderna Literatura sergipana LINGUISTICA, LETRAS E ARTES |
dc.subject.fra.fl_str_mv |
Modernisme en Sergipe Poésie moderne Littérature de Sergipe |
dc.subject.deu.fl_str_mv |
Modernismus in Sergipe Moderne poesie Sergipanische literatur |
dc.subject.eng.fl_str_mv |
Modernism in Sergipe Modern poetry Sergipe's literature |
dc.subject.spa.fl_str_mv |
Modernismo en Sergipe Poesía moderna Literatura sergipana |
dc.subject.cnpq.fl_str_mv |
LINGUISTICA, LETRAS E ARTES |
description |
This work aims to map the events that contributed to the dissemination of Modernism in Sergipe, with regard to poetic production, between 1920 and 1930, in the context of the modernization of Aracaju, a newly established capital that gained an air of urbanization and beautification in the first decades of the twentieth century. Our corpus consists of publications in newspapers that circulated at the time, among which we highlight for this thesis: O Estado de Sergipe, A República, Diário da Manhã, Gazeta de Sergipe, Diário de Sergipe, O Nordeste, Gazeta do Povo, Jornal do Povo, Sergipe-Jornal and the Boletim Liberal between the years 1922 to 1933. We also consulted the newspapers A Razão and O Piauhytinga, from the municipality of Estância, between the years 1926 to 1930. Our historical sources also include the magazine Renovação (1931-1934). The materiality is composed of modern poems, dissemination of literary events, manifestos, editorials, opinion articles, interviews, postcards, letters, magazines inserted in the new aesthetics, fascicles, books and, above all, the poems published by the precursors of the modernist aesthetics in Sergipe. To this end, the work is divided into four parts. In the first part we describe the movement of the creators of modern poetry in Sergipe that culminated with the realization of the 29th Night, an event that adhered to modernist ideas; in the second part we situate the reception of the modern spirit among the young poets from Sergipe who defended the new thought; in the third part we present the magazine Renovação and the emergence of the voice of women through the experience of creative literary writing present in each edition of this periodical; finally, in the fourth part we bring together the poetic work of Abelardo Romero and José Maria Fontes considered by the local critics as those who, in fact, reverberated the modernist aesthetics in Sergipe. The following were in favor of the new aesthetic: Heribaldo Vieira, Carlos Fontes, João Passos Cabral, Maria Rita Soares de Andrade and the modern poets Abelardo Romero and José Maria Fontes, the latter two being the creators of the Night of 29, so we dedicated a critical reading to the poetic work of both writers. Among the works that support the course of our investigation through the Sergipe newspaper library - taking as a starting point the collection of the literary critic, folklorist and researcher of Sergipe History and Culture, Jackson da Silva Lima, are: Poesia sergipana, uma antologia (OLYNTHO, 1988); Literatura sergipana (ARAÚJO, 1976); Vida literária (SOUZA, 1961); Jordão de Oliveira (RIBEIRO, 2006); Agremiações culturais de jovens intelectuais na imprensa estudantil (GILFRANCISCO, 2019); Revistas do IHGSE (1919- 1951); História de Sergipe: República (1889-2000) (DANTAS, 2004); Álbum de Sergipe: 1820 a 1920 (SILVA, 1920); Álbum photographico de Aracaju (CASA AMADOR, 1931). To deepen the dialogue between Being and Poetic Making in modernity, we brought the thought of Hugo Friedrich, in Estrutura da lírica moderna (1978), characterizing the stylistic transformations and ruptures of modernist poetry. With Émil Staiger (1997) we broadened the debate on modern lyricism between structures, meanings and the constitution of poetic language. In this perspective, Octavio Paz, in O arco e a lira (1982), leads us to think about poetry and poetic work through a critical reading of its components, bringing together language, rhythm and image, consolidating the poetic experience by the presence/function of poetry. With Alfredo Bosi, in the book O ser e o tempo da poesia (1977), we point out the word-image relationship in poetry. In addition to these dialogues, the investigation on poetry and poetic making continues with the essay repertoire proposed by Antonio Cicero, in the book A poesia e a crítica (2017), which makes evident how poetic perceptions are always original, through the way in which the poet feels the world around him. In this way, we reconstruct a considerable amount of information that indicates Sergipe's participation in Modernism – in the understanding of the events and their unfolding, highlighting both the artistic-literary ruptures and the attempts to split the patriarchal models defending the obsolete past that resisted the sociocultural transformations, consequences of the advent of the 20th century. |
publishDate |
2022 |
dc.date.accessioned.fl_str_mv |
2022-05-26T23:12:36Z |
dc.date.available.fl_str_mv |
2022-05-26T23:12:36Z |
dc.date.issued.fl_str_mv |
2022-03-31 |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/doctoralThesis |
format |
doctoralThesis |
status_str |
publishedVersion |
dc.identifier.citation.fl_str_mv |
OLIVEIRA, Edna Caroline Alexandria da Cunha. A poesia precursora do modernismo em Sergipe. 2022. 296 f. Tese (Doutorado em Letras) - Universidade Federal de Sergipe, São Cristóvão, 2022. |
dc.identifier.uri.fl_str_mv |
http://ri.ufs.br/jspui/handle/riufs/15780 |
identifier_str_mv |
OLIVEIRA, Edna Caroline Alexandria da Cunha. A poesia precursora do modernismo em Sergipe. 2022. 296 f. Tese (Doutorado em Letras) - Universidade Federal de Sergipe, São Cristóvão, 2022. |
url |
http://ri.ufs.br/jspui/handle/riufs/15780 |
dc.language.iso.fl_str_mv |
por |
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por |
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info:eu-repo/semantics/openAccess |
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openAccess |
dc.publisher.program.fl_str_mv |
Pós-Graduação em Letras |
dc.publisher.initials.fl_str_mv |
Universidade Federal de Sergipe |
dc.source.none.fl_str_mv |
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Universidade Federal de Sergipe (UFS) |
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UFS |
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UFS |
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Repositório Institucional da UFS |
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Repositório Institucional da UFS |
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