MV Bill e o diálogo do tráfico : monitoramento de fala, estilo, identidade e preconceito lingüísticos.

• Ano de defesa: 2011
• Autor(a) principal: Generali, Sabrina Cancoro
• Orientador(a): Freitag, Raquel Meister Ko.
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal de Sergipe
• Programa de Pós-Graduação: Pós-Graduação em Letras
• País: BR
• Palavras-chave em Português: Estilo; Identidade; Monitoramento; Estigma; Prestígio
• Palavras-chave em Inglês: Style; Identity; Monitoring; Stigma; Prestige
• Área do conhecimento CNPq: CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS
• Link de acesso: https://ri.ufs.br/handle/riufs/5782

Every individual has a (bigger or smaller) range of social parts that take action among the interpersonal relations, according to the context in which they happen. One way of finding out this process is through the observation of linguistics uses and practices inside of communities that, as well as social attitudes, imply consequences, even to individuals that did not participate of a given dialog or discourse in which is issued certain value judgments, but that are part of the community referred by the speaker. These repercussions and consequences are studied in MV Bill s a well known rapper in Brazil because of his compositions, interpretations and sociocultural activities oral and written texts, aiming to identify if his many social addresses (composer, singer, writer and documentary filmmaker, but at the same time black and slum dweller), reflected in his linguistics uses, somehow affect the opinion formation of the readers of his books and viewers of his documentary about the main characters: the ―hawks‖. Style, linguistic monitoring and social context are analyzed conjunctly in this paper that has as a theoretical reference an overview of Sociolinguistics authors, based upon essentially on the confrontation of concepts from Penelop Eckert (style and credibility) and William Labov (speech monitoring). The election of MV Bill as the chosen individual to be analyzed derived of the exposure of some quite different social parts (opposites, sometimes) in his three books and a documentary, developed in a partnership with the musical producer Celso Athayde. In these texts, which make up the corpora of this study, the rapper reveals his extensive linguistic knowledge, without measuring the social implicatures of their uses. A qualitative analysis is applied to socially stratified traces of "favelês‖ and ―carioquês‖, extracted both written and oral texts. The oral texts were analyzed based on an adapted orthographic transcription in which were highlighted the performance of the consonants /S/ e /R/, consonant clusters, reduction of the ending -ndo (gerund) in -n[ø]o, concordance and verbal conjugation marks, pronoun placement, and elisions that occur commonly on speech but do not apply to written form.The issue is unraveled with the definition of what these language uses mean and with the appointment of what are their implications.