O som do Juche : a instrumentalização ideológica do K-pop da banda Moranbong como ferramenta de legitimidade do regime norte-coreano do século XXI

• Ano de defesa: 2019
• Autor(a) principal: Andrade, Carolline Acioli Oliveira
• Orientador(a): Antonio, Edna Maria Matos
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Programa de Pós-Graduação: Pós-Graduação em História
• Palavras-chave em Português: História; Coreia do Norte; Nacionalismo na música; Ideologia; K-pop; Nacionalismo; Formação ideológica
• Palavras-chave em Inglês: North Korea; Nationalism; Ideological formation
• Área do conhecimento CNPq: CIENCIAS HUMANAS::HISTORIA
• Link de acesso: http://ri.ufs.br/jspui/handle/riufs/12531

This dissertation results from concerns about the apropriation of K-Pop by the North Korea state with the objective of ideological education. The object of our research constitutes in songs of the Moranbong Hill Orchestra, a female synphonic band whose performances and musical production contains an speech oriented to ideological formation, the legitimacy of the regime and the reaffirmation of a national identity founded in the Juche Idea. The study aimed to comprehend the relation between the State and the Art, which is based on the kimilsungism-kimjongilism, and which guides the several dimentions of the Democratic People’s Republic of Korea (DPRK) social order. For this, we analyzed official sources such as texts and speeches atributted to the presidents of the Kim dinasty, specially Kim Jong-Il; and non-officials, as the stories of desertors. Besides, we studied Confucio’s philosophy, because it is rooted in the culture and in the social relations of the country and had a relevant influence for the constitution of the Juche Idea. We utilized works about the North Korea originated from various areas and knowledges, among books, dissertations, articles and reports of international organization that helped us to compose the theoretical framework and enabled a more wide-ranging and complex view of the DPRK. Our theoretical framework was formed by the contribution of works from several areas, that allowed a more wide-ranging and complex view about DPRK, from studies of International Relations and History, Social Sciences and Musicology. Composing the theoretical axis, there are the concepts of ideology, power, representation and identities, based on the contribution of various authors – Foucault, Chartier, Castells, Zizek, Eagleton, Hobsbawn, etc. – and how they are operationalized in their political interactions with the Art, as so as their materializations in the social relations. Furthermore, the methodological proposes of D’Assunção and Tati formed our framework and allowed a deep exam of the Juche and of the songs selected for the analysis. Over this study, we focused on the pedagogical- ideological instrumentalization of the popular music in order to reaffirm the regime after the impacts of the 1990’s crisis, and the legitimacy of the kimilsungist-kimjongilist socialism before the new demands and challenges of the 21th century.